An interview with Tonio Andrade, author of Gunpowder Age

To what degree do times of peace impact military power and precision? In his new book, Gunpowder Age, Tonio Andrade shows how throughout Chinese history, powerful enemies have inspired periods of intense military innovation and technological advancement. Andrade recently took the time to answer some questions about his book, China’s fascinating military past, and its potential emergence a modern day superpower.

Gunpowder AgeChina is fast becoming a military superpower now. Your book claims to find a “pattern to the Chinese military past.” How do current events fit into this pattern?

TA: China under its current leader, Xi Jinping, has become increasingly assertive, for example by building artificial islands in the South China Sea to buttress China’s claims to jurisdiction over the vast majority of the sea. These claims are disputed by many nations, including the USA, and analysts wonder whether China would really go to war to defend them. Some believe that it inevitably will, because rising powers tend to use their muscle to overturn the status quo, while existing powers tend to defend the status quo. Others, however, argue that China has traditionally maintained a defensive perspective on military power and is typically uninterested in waging aggressive wars. If we look at China’s deep history, however, we find numerous occasions when China used its overwhelming military power for aggressive warfare. Intriguingly, many of those occasions occurred at times analogous to today, when the dynasty in question had consolidated power after a difficult period, often spanning generations, and had reached a position of overwhelming regional power.

So you believe that China will likely use military force to assert itself over surrounding areas?

TA: China will use the most effective means to achieve its ends and maintain its security. Xi Jinping has said that war between the USA and China would be disastrous at present for both countries, and I believe China will try to avoid direct confrontation. Typically, in the past, when China has waged aggressive war, its power was overwhelming (or perceived as such) vis-à-vis its enemies. Today, however, China is in a situation less like the early Ming Dynasty (1368–1644) or Qing Dynasty (1644–1911), in which China was far more powerful than any surrounding country, than like the Song Dynasty (960-1279), which faced enemies that matched it in power, or, indeed, outmatched it. The Song fought many wars, but usually these were defensive wars, not wars of expansion.

You argue that when China faces powerful enemies it tends to be stronger and more innovative, and when it is overwhelmingly powerful its military power tends to atrophy. Is its current military power due to the fact that China faces an unusually strong rival in the USA?

TA: China’s military past seems to follow distinct patterns. We have to be careful to distinguish what we mean by “China,” however, because much Chinese warfare has typically been against other Chinese, and/or against other states occupying parts of what is today China. In any case, for much of its history, China has shuddered between periods of intense warfare and periods of relative peace, and during times of frequent warfare it has tended to have state-of-the-art military technology, techniques, and organization. During periods of extended peace, on the other hand, it has tended to fall behind, simply because it had fewer reasons to invest in military innovation. China’s current military power has been stimulated by more than a century of war and geopolitical insecurity, and there’s no doubt that China’s current military innovation and expansion is stimulated by competition with powerful rivals, most importantly the USA.

What were other periods of strength and weakness in China’s history?

TA: Probably the most significant period of relative weakness was the nineteenth century, when China found itself spectacularly vulnerable to western power, as first made clear in its humiliating loss to Great Britain in the Opium War (1839-42). Many Westerners explained China’s stunning weakness at that time by recourse to its cultural conservatism, to what they felt was a deep resistance to new ways or foreign ideas. These sorts of ideas are still very much around. But in fact, China’s resistance to innovation was a pretty short-lived phenomenon, and it can be explained by looking at the incidence of warfare experienced by China. Starting in the mid-eighteenth century, China’s Qing Dynasty had a position of such overwhelming strength and authority both within and beyond its borders that for nearly a century its inhabitants faced fewer wars (both external and internal) than ever before in the historical records. China was, in a sense, too strong for its own good, because this overwhelming power removed the stimulus for military improvement. Meanwhile, the British and their neighbors were fighting huge wars and innovating furiously. When China and Britain went to war in 1839, the British had military capacities that were far beyond those of China: Congreve rockets; light and powerful cannons; light, mobile howitzers; percussion cap muskets; explosive shells of unprecedented precision; and artillery tables that allowed the calculation of trajectories with extraordinary accuracy.

After the Opium War, why did it take so long for China to catch up with the west?

TA: Actually, Chinese officials, military and civil, carried out quite a bit of innovation right after the Opium War, studying Western guns, steamships, and sailing ships, and that innovation sped up during the intense military conflagrations that beset China starting in the 1850s. Many historians (I am one) now believe that from a technical standpoint the Qing were catching up quite effectively by the late 1860s and early 1870s. Indeed, it seems likely that up to that point their modernization attempts were even more effective than than those of Japan. But by the late 1880s, the trajectory changed, with Japan’s innovations becoming more effective. The reason is not technological or cultural but political. Japan’s old regime fell in 1867, replaced by a newer, centralized government that modernized its political structures. The Qing, however, held on, and its political structures failed to adapt. In fact, it’s a curious coincidence of history that the Qing and Japan’s old regime lasted exactly the same number of years. It’s just that the Japanese regime, which was founded first, also fell first. Japan had a clean slate and could sweep away old, unproductive aspects of its old regime. China couldn’t, so the Qing, although it effectively added new military structures – huge factories, innovative new armies, powerful new navies – couldn’t get rid of old ones, and so it was burdened and inflexible.

Your book starts with the invention of gunpowder and traces the evolution of the gun in the period 900-1280 or so, but one of the great questions of world history is why, if the Chinese invented the gun, they didn’t use it as effectively as the West?

TA: Most people know next to nothing about early gunpowder weapons, and I was no different when I started writing the book. In fact, even experts in China’s military history knew very little about early guns until recently, but what we’re learning is causing us to question some deep narratives in world history. Guns were tremendously important in China, used highly effectively. By the mid- to late-1300s, some 10% or so of Chinese infantry soldiers were armed with guns, meaning there were probably more gunners in Chinese armies than there were troops of all kinds in Western Europe (excluding Iberia). By the mid-1400s, the proportion of gunners in China had reached 30% or so of infantry forces, a level Europeans didn’t reach until the mid-1500s. And Chinese soldiers used guns more effectively as well, deploying them in advanced and highly-disciplined formations by the mid-1300s. Similar disciplinary techniques and formations didn’t spread in Europe until the 1500s. So you can see that Chinese gunners were highly effective, more effective than westerners during this period. This early history of Chinese gunnery is almost entirely unknown, but it is a key part of world history.

That’s very interesting, but of course Europeans did eventually get better at gunpowder technology. When and why did this happen?

TA: During the early gunpowder Age, from around 900 or so (when the first gunpowder weapons were used in battle) to around 1450, East Asians led the world in gunpowder warfare. Starting around 1450, however, Europeans pulled ahead. Why? I believe the answer has to do with levels of warfare. From 1450 or so, the Ming dynasty entered into a period of relatively low warfare, which contrasted with the previous century of intense warfare. This period of relative peace (emphasis on the word relative) in China contrasted with a period of tremendous warfare in Europe. So Europeans, fighting frequently, developed new types of guns – longer, thinner, lighter, and more accurate – whereas Chinese guncraft stagnated. This period lasted only a short time, however. By the early 1500s, Chinese were innovating furiously again, and the period from 1550 to 1700 or so was a time of tremendous warfare in China. China stayed caught up with the west from a military perspective – ahead in certain respects, behind in others – until the mid-1700s when, as I said before, it entered into a great period of relative peace (again, emphasis on the word relative), during which it fell behind, a situation that lasted until the Opium War.

Tonio Andrade is professor of history at Emory University and the author of Lost Colony: The Untold Story of China’s First Great Victory over the West (Princeton) and How Taiwan Became Chinese. His most recent book is Gunpowder Age.

Out of Ashes – Descent into Totalitarianism

Out of Ashes jacket

Out of Ashes – Konrad Jarausch

To mark the release of Konrad H. Jarausch’s Out of Ashes, we continue with our series of vignettes describing some of the most compelling moments of twentieth century European history, many of which are discussed in Jarausch’s book. Today we remember the descent into Totalitarianism. Loop back to our earlier post on the birth of Modernism here.

October 1917, The October Revolution. Centuries of imperial rule implode as revolutions sweep through Russia, triggering political and social changes that would lead to the formation of the Soviet Union. Food is scarce and mounting civil unrest eventually culminates in open revolt, forcing the abdication of Nicholas II, the last Russian czar. On October 24th, the Bolshevik Red Guard initiates a coup with the takeover of government buildings and the Winter Palace in Petrograd, seizing power from Kerensky’s interim government. The storming of the palace, an iconic symbol of the revolution, will be immortalized in Eisenstein’s 1927 film, October.

October 1922, The March on Rome. Italian society is in disarray in October, 1922, when 30,000 fascist blackshirts mass on the outskirts of Rome. Fearing arrest, their leader Benito Mussolini remains safely in Milan until King Victor Emmanuele II invites him to form a new government: he takes the train to Rome (first class) where he is appointed prime minister. A former journalist (not to mention an egomaniac) well-versed in manipulating a news story, Mussolini fakes pictures of himself marching with the blackshirts and subsequently claims to have led a mythical army of 300,000 to Rome on horseback.

Feb. 27 1933, The burning of the Reichstag. On the evening of Feb. 27, 1933, alarms sound. The Reichstag, the German Parliament building, is in flames. Firefighters rush to the inferno, but too late: the embodiment of democracy in Germany is completely destroyed. A young, mentally disturbed Communist Dutchman named Marinus van der Lubbe is arrested in due course. Many see the charges as a pretext, but opportunistic Nazi leaders waste no time issuing an emergency decree abolishing all civil rights enshrined in the Weimar Constitution. It will be 75 years until van der Lubbe (long since beheaded for the crime), is pardoned on the basis that his conviction was politically motivated.

April 26, 1937, The bombing of Guernica. It is 4 pm on a Monday in the Basque village of Guernica, and a group of German bombers are spotted over the hills. Today is market day, and over 10,000 people are in the town, which is widely considered the cultural and spiritual capital of the Basque people. During a relentless three-hour siege aimed at breaking the Basque resistance to Nationalist forces, the town is blanket-bombed, while fighter planes ruthlessly pursue and gun down anyone who tries to flee. Women and children huddle and die in cellars; the town square is surrounded by a wall of flame. Guernica is systematically and utterly destroyed: 1,600 civilians—one third of the population—are killed or wounded. Pablo Picasso will later depict the attack, considered the first aerial assault on a civilian population, in the famous anti-war painting, Guernica. Beneath a fallen horse with a gaping wound, a dismembered soldier is depicted; his severed hand still holds a broken sword from which a flower grows.

A Q&A with Konrad Jarausch can be found here.

A Q&A with Cormac Ó Gráda, author of Eating People is Wrong

Cormac Ó Gráda’s new collection of essays on famine—which range in focus from from the economic history to the psychological toll—begins with a taboo topic. Ó Gráda argues that cannibalism, while by no means a universal feature of these calamities, has probably occurred more frequently than previously recognized. Recently he answered some questions on his book, Eating People is Wrong, and Other Essays on Famine, Its Past, and Its Future, its somber title, and his early interest in The Great Irish Famine.

O'Grada jacketWhy did you write this book?

CÓG: When Famine: A Short History (Princeton, 2009) came out, I wanted it to be my last book on the subject. So Eating People is Wrong was not a question of ‘what will I do next?’ I just realized a few years later that I had still had ideas to contribute on topics that would make for a new, different kind of book on famine. These topics ranged from famine cannibalism to the Great Leap Forward, and from market failure to famine in the 21st century; the challenge was to merge the different perspectives that they offered into what would become this new book.  The idyllic résidence I spent in the south of France courtesy of the Fondation des Treilles in the autumn of 2013 was when the different parts came together. By the end of that stay, I had a book draft ready.

What inspired you to get into your field?

CÓG: It is so long ago that I am bound to invent the answer… But I have always had an amateur interest in history—as lots of Irish people tend to have—whereas my academic training was in economics. Economic history seemed a good way of marrying the two, and that has been my chosen field since my time as a graduate student in the 1970s. I began as a kind of jack-of-all-trades economic historian of Ireland, focusing on topics as different as inheritance patterns and famine, or migration and banking. This work culminated in a big economic history of Ireland in 1994. My interest in the Great Irish Famine of the 1840s goes back to my teens, but that interest was sharpened after getting to know Joel Mokyr (also a PUP author) in the late 1970s. Economics taught me to think of the Irish in comparative terms, and that led eventually to the study of famines elsewhere. My books have all been solo efforts, but I have very lucky and privileged to write papers with some great co-authors, and some of these papers influenced the books.

How did you come up with the title or jacket?

CÓG: The title is an ironic nod to Malcolm Bradbury’s eponymous novel (which most people seem ignorant of). A friend suggested it to me over a pint in a Dublin bar. One of the themes of the chapter on famine cannibalism, to which the title refers, is the need to realize that famines not only do terrible things to people, but that people do terrible things to one other in times of famine. Peter Dougherty and his team at PUP came up with jacket. The image is graphic and somber without being sensationalist, which is what I had hoped for.

What is your next project?

CÓG: There is no single all-consuming project. A lot of my research in recent years has been collaborative work on British economic history with UCD colleague Morgan Kelly. So far the results of that work have appeared—when we are lucky—in academic journals rather than in books. We have plans to continue on this basis, but we are also involved in an interesting piece of research with Joel Mokyr on the origins of the Industrial Revolution, and that may eventually yield a monograph by the three of us. I also want to revise several unpublished papers in Irish economic history and to get them published singly or, perhaps, as a monograph. Finally, Guido Alfani of Bocconi University in Milan and I are editing a book on the history of famine in Europe. This is coming along well. The end product will consist of nine specialist country chapters, a cross-country analysis of the famines of World War II, and an overview by Alfani and me.

What are you currently reading?

CÓG: I am at page 630 (so another hundred or so pages to go) of Stephen Kotkin’s Stalin, vol. 1 (Penguin, 2014), which brings the story of Iosif Vissarionovich only as far as 1928. I have been interested in Soviet economic history since the late Alexander Erlich introduced me to the topic in Columbia in the 1970s, and this is what attracted me to Kotkin’s riveting tome—which, however, turns out to rather uninterested in the economic issues! I am also reading Maureen Murphy’s Compassionate Stranger: Asenath Nicholson and the Great Irish Famine (Syracuse, 2015), an account of an eccentric but appealing American evangelist who toured Ireland, mostly on foot, in the years leading up to and during the Great Hunger. I was familiar with Nicholson’s own published accounts of her travels, but knew very little about her otherwise, so Murphy’s book is a revelation.   My current bedtime reading is Henning Mankell’s The Man from Beijing (2010).

Cormac Ó Gráda is professor emeritus of economics at University College Dublin. His books include Famine: A Short History and Black ’47 and Beyond: The Great Irish Famine in History, Economy, and Memory (both Princeton).

Madness in Civilization

Madness in Civilization is a stunningly illustrated new cultural history of mental disturbance from antiquity to the present time.  Written by Andrew Scull, professor of sociology at University of California, San Diego and preeminent historian of psychiatry, the book’s mesmerizing subject matter ranges from exorcisms to Victorian asylums, from pharmacology to the introduction of psychiatry into popular culture. The Telegraph called it “ambitious and gruesome”, and the book has received wonderful write-ups in The Literary Review and The Financial Times. Scull has been blogging for Psychology Today as well, where he shares insights on his fascinating and frightening work. Check out chapter 1 here, and a slide show of some of the book’s most compelling images:

Types of Insanity
The Tranquilizer, 1811
Maniac in a strait-jacket, in a French asylum.
Battle Creek Sanitarium
Battle Creek Sanitarium
The first stage of General Faradization
The second stage of General Faradization
The third stage of General Faradization
Attitudes passionelles: extase (1878)
Advert for the psychiatric drug Thorazine
Depression Advertisement
Murder of Thomas Becket
Franz Joseph Gall examining the head of a pretty young girl
Hieronymus Bosch's The Cure of the Folly
Nebuchadnezzar as a wild animal
No Sex Please! (We're on antidepressants)

'Types of Insanity,' the frontispiece to John Charles Bucknill and Daniel Hack Tucke's A Manual of Psychological Medicine (1858), one of the first widely used textbooks on the diagnosis and treatment of insanity. Wellcome Library, London.

The Tranquilizer, 1811. Its inventor Benjamin Rush boasted that: "Its effects have been truly delightful to me." His patients' reactions are not recorded. Courtesy of the U.S. National Library of Medicine, Bethesda, Maryland

The French alienist J.-E.D. Equirol included many drawings of insane patients in the throes of their madness, such as this one, in his treatise Des Maladies mentales, published in 1938. Wellcome Library, London.

Photography at the Battle Creek Sanitarium, one of many therapies on offer there. 271

A postcard of the Battle Creek Sanitarium, for affluent and nervous patients. By 1933 it had been forced into receivership, a causality of the Great Depression. The Tichnor Brothers Collection, Boston Public Library.

Treatment with an electrical vibrator (1900); a nurse applies faradic current to a female patient. Wellcome Library, London.

Treatment with an electrical vibrator (1900); a nurse applies faradic current to a female patient. Wellcome Library, London.

Treatment with an electrical vibrator (1900); a nurse applies faradic current to a female patient. Wellcome Library, London.

The erotic overtones of Charcot’s pictures of his hysterical patients at the Salpêtrière are nowhere more obvious than here. Harvey Cushing/John Jay Whitney Medical Library, Yale University, New Haven.

An early advertisement for the virtues of Thorazine, touting its value in curbing the agitated husband's inclination to beat his wife. Wellcome Library, London.

Depressed? We have the solution! An advertisement for 'mother's little helper' - a pill for the housewife trapped in a prison of domesticity. Harvey Cushing/John Jay Whitney Medical Library, Yale University, New Haven.

A vivid portrayal of the murder of Thomas Becket, from a mid-thirteenth century codex. The saint's blood was thought to cure insanity, blindness, leprosy, and deafness, not to mention a host of other aliments. Walters Art Museum, Baltimore.

Franz Joseph Gall examines the head of an attractive young woman, while three gentlemen wait their turns to have their own characters read, in a satirical image published in 1825. Wellcome Library, London.

Hieronymus Bosch’s The Cure of the Folly: The Extraction of the Stone of Madness (c. 1494). A doctor, possibly a quack, uses a scalpel to remove the supposed cause of madness from the head of the patient. Museo del Prado, Madrid.

Nebuchadnezzar as a wild animal, his hair grown long and his nails like claws. This striking image of the biblical story of the Babylonian king’s madness is a detail from a manuscript painted by an unknown artist in Regensburg, Germany. Paul J. Getty Museum, Los Angeles (Ms. 33, fol. 215v)

Types of Insanity thumbnail
The Tranquilizer, 1811 thumbnail
Maniac in a strait-jacket, in a French asylum. thumbnail
Battle Creek Sanitarium thumbnail
Battle Creek Sanitarium thumbnail
The first stage of General Faradization thumbnail
The second stage of General Faradization thumbnail
The third stage of General Faradization thumbnail
Attitudes passionelles: extase (1878) thumbnail
Advert for the psychiatric drug Thorazine thumbnail
Depression Advertisement thumbnail
Murder of Thomas Becket thumbnail
Franz Joseph Gall examining the head of a pretty young girl thumbnail
Hieronymus Bosch's The Cure of the Folly thumbnail
Nebuchadnezzar as a wild animal thumbnail
No Sex Please! (We're on antidepressants) thumbnail

Book trailer for Atlas of Cities edited by Paul Knox


Princeton University Press senior designer Jason Alejandro created this book trailer for Atlas of Cities edited by Paul Knox. (The catchy song in the background is the aptly named “Weekend in the City” by Silent Partner.)

8-7 Atlas of Cities Atlas of Cities
Edited by Paul Knox

 

Jeremy Adelman’s “Worldly Philosopher” One of Financial Times Econ Books of 2013

Jeremy Adelman – Worldly Philosopher: The Odyssey of Albert O. Hirschman
One of Financial Times (Alphachat)’s Econ Books of the Year for 2013

Diane Coyle and Tyler Cowen of Alphachat, a podcast of Financial Times Alphaville, listed their top picks for economic books published in 2013. They both placed Worldly Philosopher:The Odyssey of Albert O. Hirschman at the top of their lists of five books.

Worldly PhilosopherWorldly Philosopher chronicles the times and writings of Albert O. Hirschman, one of the twentieth century’s most original and provocative thinkers. In this gripping biography, Jeremy Adelman tells the story of a man shaped by modern horrors and hopes, a worldly intellectual who fought for and wrote in defense of the values of tolerance and change.

Born in Berlin in 1915, Hirschman grew up amid the promise and turmoil of the Weimar era, but fled Germany when the Nazis seized power in 1933. Amid hardship and personal tragedy, he volunteered to fight against the fascists in Spain and helped many of Europe’s leading artists and intellectuals escape to America after France fell to Hitler. His intellectual career led him to Paris, London, and Trieste, and to academic appointments at Columbia, Harvard, and the Institute for Advanced Study in Princeton. He was an influential adviser to governments in the United States, Latin America, and Europe, as well as major foundations and the World Bank. Along the way, he wrote some of the most innovative and important books in economics, the social sciences, and the history of ideas.

Throughout, he remained committed to his belief that reform is possible, even in the darkest of times.

This is the first major account of Hirschman’s remarkable life, and a tale of the twentieth century as seen through the story of an astute and passionate observer. Adelman’s riveting narrative traces how Hirschman’s personal experiences shaped his unique intellectual perspective, and how his enduring legacy is one of hope, open-mindedness, and practical idealism.

Jeremy Adelman is the Walter Samuel Carpenter III Professor of Spanish Civilization and Culture and director of the Council for International Teaching and Research at Princeton University. His books include Worlds Together, Worlds Apart: A History of the World and Sovereignty and Revolution in the Iberian Atlantic (Princeton)

New and Forthcoming Titles in History

history catalog coverIntroducing our new 2011 History catalog:
http://press.princeton.edu/catalogs/history11.pdf
We invite you to browse and download the catalog.

There are many new titles this year to check out.  Our catalog cover image features The Whites of Their Eyes: The Tea Party’s Revolution and the Battle over American History by Jill Lepore.  This book tells the story of the centuries-long struggle over the meaning of the nation’s founding, including the battle waged by the Tea Party, Glenn Beck, Sarah Palin, and evangelical Christians to “take back America.”

You will also enjoy checking out Mumbai Fables by Gyan Prakash.  It is a sweeping cultural history of India’s largest city.  Other highlights in the catalog include titles by Louis Hyman and Margot Canaday in the Politics & Society in Twentieth-Century America series.  You can find titles by Thomas J. Sugrue, James T. Kloppenberg, Julian E. Zelizer, Emma Rothschild and many more in the history catalog.  From U.S. history to Asian history, the catalog covers the globe.

If you’re attending #AHA2011 in Boston this week, please make sure to stop by our booth no. 420 to say hello and browse the books.

You can also learn about new books by signing up for our e-mail notification service at:
http://press.princeton.edu/subscribe/

Your e-mail address will remain strictly confidential.