Christopher Bail on anti-Muslim sentiment

In this clip from the documentary aftertheshooting.com, sociologist and author Christopher Bail discusses whether the sea change in American public opinion about Islam over the past few years may have contributed to the recent murder of three young Muslims in Chapel Hill, North Carolina. His recent book, Terrified, employs computer analytics techniques to show how anti-Muslim organizations have gained visibility in the public sphere. In this clip, Bail speaks with a close friend of one of the victims. You can watch the entire documentary here.

Last month, Bail spoke with Paul Rosenberg at Salon about his innovative new methodology for studying how fear is fostered in the broader cultural landscape. He was interviewed about the aftermath of the Chapel Hill shootings in the Guardian earlier this year.

An interview with Jeff Nunokawa, author of “Note Book”

Note BookEach morning since 2007, Jeff Nunokawa, English professor at Princeton University, logs onto Facebook and writes something. But unlike most of us who take part in this simple exercise in connection, Nunokawa is both effortlessly lyrical and impressively well-read, drawing in references from Henry James to Joni Mitchell.  Note Book, which compiles the 250 most striking of the brief, daily essays Nunokawa has shared on his “notes” page, resembles an extensive multimedia project, but retains a remarkable sense of intimacy.  Laura Kipnis compares his posts to “witty billets-doux from an astonishingly literate secret admirer”, and if you take a look at the way he writes, you’ll see why. Recently, Jeff was kind enough to indulge us with some personal insights into his writing process, motivations, and obsession with revision on the social media platform. It’s fascinating stuff:

What are you doing when you write these essays for Facebook, and why are you doing it?

JN: Well, I write these brief essays every morning, or sometimes in the middle of the night because I’m alone a lot and lonely and very talkative but being alone, there’s no one to talk to. But actually, I’m not really alone, even when I’m by myself. I’ve read a lot of books and they’re all around me. Mostly literature although other things as well: a fair amount of philosophy, for example, and every Eleanor Roosevelt biography and memoir I can get my hands on. Also, a picture of my mother’s dog and various soccer players and my feeling of the presence of all kinds of spirits. And when I’m quiet enough for a while, these things all speak to me, if I let them. And after that, if they let me, I write a little essay which conveys as best it can the courage and clarity and good humor of the above spirits—some of the above spirits can be incredibly witty! (you should hear what Eleanor Roosevelt has to say about JFK!)—to others who might be able to use it.

I guess what I’m trying to do is to put to use what I’ve learned over the course of a long, strange life reading and teaching and telling stories. I’m trying to make it useful to other people.

How?

JN: Well, I think most people are like me, in at least one respect. I think everyone feels deeply in the dark, sometimes—sometimes, just lying in bed, wondering how they’re going to make it through the day. Sometimes it takes the best voices you’ve ever heard in your life just to get from horizontal to vertical. That’s where a lot of what I write tries to come in and give people a lift.

How has your writing changed over the course of the time you have been engaged in this project?

JN: Well, I think I used to be much more concerned with showing off when I started—showing off what I knew and how “knowing” I was. I think I’m less concerned now with showing off than I am with *showing*. I’ll put it this way: when I started out, my model was Walter Benjamin—a crazy beautiful German Philosopher-Mystic, who wrote these astonishing often very mysterious, fragmentary aphorisms. Now, I think, I’m a little more taken with example of the Reverend Paul Osumi.

Who?

JN: The Reverend Paul Osumi had a daily column in the Honolulu Advertiser when I was a kid. Actually, it wasn’t so much a column—it was one those “thought for the day” kind of deals: just these little daily inspirations to get through the day with as much light in your soul and your step as you could. I don’t remember a single thing he said, but I remember how important that column was for half of Honolulu. When I was a kid (like till about last year), I used to think he was some kind of shallow smiley-faced fool. Now he’s pretty much my role model.

Well aside from the Reverend Paul Osumi, do you have other role models that influence your writing?

JN: Sure: let’s see: lots of the big essayists of the 18th and 19th centuries—Hume, Johnson and Lamb and Pater, writers like that who were so concerned with using what they knew to try to help live better.

What about prose models—stylists whom you model yourself on? As you must know, your writing can be a little “quirky” as your editor calls it.

JN: Yeah, I know. Well, I’m really trying to be a little more mainstream and accessible—less Gerard Manley Hopkins and more E.B. White—but I’m always going to hear the call of “Pied Beauty” and all that gorgeous jazz that makes you cry and see the world more clearly through all the tears, all the Tears of this Beautiful Broken World. I don’t mean to sound all precious. Heck, I hear E. B. White wept whenever he read out loud and the passage in Charlotte’s Web where the spider dies.

The writing that you do on Facebook, you revise compulsively.  It’s ironic that the writing you do on Facebook, on a virtual platform of ephemerality, should be the site where you are most concerned with revising, so that you might produce something polished for the ages. What’s that about, I wonder?

JN: Good question. It may be that the answer would only be interesting to my therapist. Oh wait. I forgot. I don’t have a therapist. The writing itself is my only therapy, now. It used to be that I needed Therapy to write. Now writing is therapy. Funny how life turns out.

Anyway, to return to the question. I don’t know, except that the irony you’re touching on here informs the spirit and style of some of the greatest essayists and I’m happy to follow their lead: the impulse to put the realms of conversation—and what is the internet, if not a place where the live sense of ephemeral conversation crackles like an electric wire into contact with the realms of solid learning (“for the ages”). Hume says, on his essay on essay writing,

I cannot but consider myself as a Kind of Resident or Ambassador from the Dominions of Learning to those of Conversation

and by gum, what’s good enough for Hume is good enough for me.

Madness in Civilization

Madness in Civilization is a stunningly illustrated new cultural history of mental disturbance from antiquity to the present time.  Written by Andrew Scull, professor of sociology at University of California, San Diego and preeminent historian of psychiatry, the book’s mesmerizing subject matter ranges from exorcisms to Victorian asylums, from pharmacology to the introduction of psychiatry into popular culture. The Telegraph called it “ambitious and gruesome”, and the book has received wonderful write-ups in The Literary Review and The Financial Times. Scull has been blogging for Psychology Today as well, where he shares insights on his fascinating and frightening work. Check out chapter 1 here, and a slide show of some of the book’s most compelling images:

Types of Insanity
The Tranquilizer, 1811
Maniac in a strait-jacket, in a French asylum.
Battle Creek Sanitarium
Battle Creek Sanitarium
The first stage of General Faradization
The second stage of General Faradization
The third stage of General Faradization
Attitudes passionelles: extase (1878)
Advert for the psychiatric drug Thorazine
Depression Advertisement
Murder of Thomas Becket
Franz Joseph Gall examining the head of a pretty young girl
Hieronymus Bosch's The Cure of the Folly
Nebuchadnezzar as a wild animal
No Sex Please! (We're on antidepressants)

'Types of Insanity,' the frontispiece to John Charles Bucknill and Daniel Hack Tucke's A Manual of Psychological Medicine (1858), one of the first widely used textbooks on the diagnosis and treatment of insanity. Wellcome Library, London.

The Tranquilizer, 1811. Its inventor Benjamin Rush boasted that: "Its effects have been truly delightful to me." His patients' reactions are not recorded. Courtesy of the U.S. National Library of Medicine, Bethesda, Maryland

The French alienist J.-E.D. Equirol included many drawings of insane patients in the throes of their madness, such as this one, in his treatise Des Maladies mentales, published in 1938. Wellcome Library, London.

Photography at the Battle Creek Sanitarium, one of many therapies on offer there. 271

A postcard of the Battle Creek Sanitarium, for affluent and nervous patients. By 1933 it had been forced into receivership, a causality of the Great Depression. The Tichnor Brothers Collection, Boston Public Library.

Treatment with an electrical vibrator (1900); a nurse applies faradic current to a female patient. Wellcome Library, London.

Treatment with an electrical vibrator (1900); a nurse applies faradic current to a female patient. Wellcome Library, London.

Treatment with an electrical vibrator (1900); a nurse applies faradic current to a female patient. Wellcome Library, London.

The erotic overtones of Charcot’s pictures of his hysterical patients at the Salpêtrière are nowhere more obvious than here. Harvey Cushing/John Jay Whitney Medical Library, Yale University, New Haven.

An early advertisement for the virtues of Thorazine, touting its value in curbing the agitated husband's inclination to beat his wife. Wellcome Library, London.

Depressed? We have the solution! An advertisement for 'mother's little helper' - a pill for the housewife trapped in a prison of domesticity. Harvey Cushing/John Jay Whitney Medical Library, Yale University, New Haven.

A vivid portrayal of the murder of Thomas Becket, from a mid-thirteenth century codex. The saint's blood was thought to cure insanity, blindness, leprosy, and deafness, not to mention a host of other aliments. Walters Art Museum, Baltimore.

Franz Joseph Gall examines the head of an attractive young woman, while three gentlemen wait their turns to have their own characters read, in a satirical image published in 1825. Wellcome Library, London.

Hieronymus Bosch’s The Cure of the Folly: The Extraction of the Stone of Madness (c. 1494). A doctor, possibly a quack, uses a scalpel to remove the supposed cause of madness from the head of the patient. Museo del Prado, Madrid.

Nebuchadnezzar as a wild animal, his hair grown long and his nails like claws. This striking image of the biblical story of the Babylonian king’s madness is a detail from a manuscript painted by an unknown artist in Regensburg, Germany. Paul J. Getty Museum, Los Angeles (Ms. 33, fol. 215v)

Types of Insanity thumbnail
The Tranquilizer, 1811 thumbnail
Maniac in a strait-jacket, in a French asylum. thumbnail
Battle Creek Sanitarium thumbnail
Battle Creek Sanitarium thumbnail
The first stage of General Faradization thumbnail
The second stage of General Faradization thumbnail
The third stage of General Faradization thumbnail
Attitudes passionelles: extase (1878) thumbnail
Advert for the psychiatric drug Thorazine thumbnail
Depression Advertisement thumbnail
Murder of Thomas Becket thumbnail
Franz Joseph Gall examining the head of a pretty young girl thumbnail
Hieronymus Bosch's The Cure of the Folly thumbnail
Nebuchadnezzar as a wild animal thumbnail
No Sex Please! (We're on antidepressants) thumbnail

Christopher Bail talks to Salon about “Terrified”

Christopher Bail, author of Terrified: How Anti-Muslim Fringe Organizations Became Mainstream, recently spoke with Paul Rosenberg for a feature in Salon on how anti-Muslim sentiment is fostered by the broader cultural landscape, and the innovative new methodology he has used to study that process. Paul Rosenberg at Salon writes:

It may be hard to fathom or remember, but in the immediate aftermath of 9/11 the American public responded with an increased level of acceptance and support for Muslims. President Bush—who had successfully courted the Muslim vote in 2000—went out of his way to praise American Muslims on numerous occasions in 2001 and 2002. However, the seeds were already being planted that would change that drastically over time.  Within a few short years, a small handful of fringe anti-Muslim organizations—almost entirely devoid of any real knowledge or expertise, some drawing on age-old ethno-religious conflicts—managed to hijack the public discourse about Islam, first by stoking fears, grabbing attention with their emotional messaging, then by consolidating their newfound social capital, forging ties with established elite organizations, and ultimately building their own organizational and media infrastructure.

How this all happened is the subject of a fascinating new book, “Terrified: How Anti-Muslim Fringe Organizations Became Mainstream,” by sociologist Christopher Bail, of the University of North Carolina.  The book not only lays bare the behind-the-scenes story of a momentous shift in public opinion, it employs cutting-edge computer analysis techniques applied to large archives of data to develop a new theoretical outlook, capable of making sense of the whole field of competing organizations struggling to shape public opinion, not just studying one or two the most successful ones. The result is not only a detailed account of a specific, significant, and also very pernicious example of cultural evolution, but also a case study in how to more rigorously study cultural evolution more generally in the future. In the process, it sheds considerable light on the struggles involved, and the difficulties faced by those trying to fight back against this rising tide of misdirected fear, anger and hatred.


Read the full interview with Christopher Bail that follows here.

Terrified, by Christopher Bail

A look within — MRI technology in action

It’s 2014, and although we don’t have flying cars or teleportation, we do have some truly amazing technologies. The video of a live birth posted below has been making the social media rounds in recent weeks, and it is a wonderful glimpse of the imaging possible through magnetic resonance imaging (MRI) technology.

To fully understand the history and future challenges of imaging technology, we recommend Denis Le Bihan’s book Looking Inside the Brain: The Power of Neuroimaging. Le Bihan is one of the leading scientists and developers of MRI technology, so who better to guide readers through the history of imaging technology from the x-ray and CT scan to the PET scan and MRI. He also explains how neuroimaging uncovers afflictions like stroke or cancer and the workings of higher-order brain activities, such as language skills and also takes readers on a behind-the-scenes journey through NeuroSpin, his state-of-the-art neuroimaging laboratory.


 

bookjacket

Looking Inside the Brain
The Power of Neuroimaging
Denis Le Bihan
Translated by Teresa Lavender Fagan

Throwback Thursday #TBT: Selected Letters of C. G. Jung, 1909-1961

Jung, Selected Letters, 1909-1961

Hello everybody! It’s Thursday again, and for this week’s Throwback (#TBT), we’re celebrating the Selected Letters of C. G. Jung, 1909-1961. The letters collected in this volume chronicle the founder of analytical psychology’s correspondence with friends, colleagues, and the people who came to him with problems. They also provide crucial insights into the beginnings of his theories and trace their development over the years.

Originally published in 1984, Selected Letters is one of many texts brought back by the Princeton Legacy Library series. It is also part of Princeton University Press’s esteemed Bollingen Series, named after the very Swiss village where Jung maintained a personal retreat.

That’s all for now, folks. See you next Thursday!

 

Two for Tuesday – The Musical Mind & Shaping Jazz

Music is universal but what makes it so special? Why do some jazz songs become standards and others not? We are pleased to announce the publication of two new books to explore these questions and more. We invite you to read sample chapters online.

j10027reflections
Reflections on the Musical Mind:
An Evolutionary Perspective
by Jay Schulkin
With a foreword by Robert O. Gjerdingen

Read the introduction online:
http://press.princeton.edu/chapters/i10027.pdf

What’s so special about music? We experience it internally, yet at the same time it is highly social. Music engages our cognitive/affective and sensory systems. We use music to communicate with one another–and even with other species–the things that we cannot express through language. Music is both ancient and ever evolving. Without music, our world is missing something essential. In Reflections on the Musical Mind, Jay Schulkin offers a social and behavioral neuroscientific explanation of why music matters. His aim is not to provide a grand, unifying theory. Instead, the book guides the reader through the relevant scientific evidence that links neuroscience, music, and meaning.

Jay Schulkin is Research Professor in the Department of Neuroscience and member at the Center for the Brain Basis of Cognition, both at Georgetown University. He is the author of numerous books, including Roots of Social Sensibility and Neural Function, Bodily Sensibility: Intelligent Action, Cognitive Adaptation: A Pragmatist Perspective, and Adaptation and Well-Being: Social Allostasis.

 
j10026jazzShaping Jazz:
Cities, Labels, and the Global Emergence of an Art Form
by Damon J. Phillips

Read the introduction online:
http://press.princeton.edu/chapters/i10026.pdf

There are over a million jazz recordings, but only a few hundred tunes have been recorded repeatedly. Why did a minority of songs become jazz standards? Why do some songs–and not others–get rerecorded by many musicians? Shaping Jazz answers this question and more, exploring the underappreciated yet crucial roles played by initial production and markets–in particular, organizations and geography–in the development of early twentieth-century jazz.

Damon J. Phillips is the James P. Gorman Professor of Business Strategy at Columbia University and a faculty affiliate of Columbia’s Center for Jazz Studies and the Center for Organizational Innovation.