Frank Lloyd Wright turns 150

Frank Lloyd Wright, the influential American architect, interior designer, thinker, and educator, was born 150 years ago today. A leader of the Prairie School movement, Wright was a prolific practitioner of what he called “organic architecture”, which emphasized creating structures in harmony with humanity and its environment. Fallingwater, completed in 1939 in Pennsylvania and stretching over a thirty-foot waterfall, embodied this philosophy perfectly. Now a National Historic Landmark that has seen more than 4.5 million visitors, the house is only one of the more than 1,000 structures Wright designed across the span of a long career, 532 of which saw completion. His creations can be seen across America, from Wisconsin, to Arizona, to New York City, and his uncompleted designs range from a mile high tower he envisioned for Chicago to an opera house in Baghdad:

Frank Lloyd Wright’s plan for the Baghdad Opera House

The Press has published a number of important and lavishly illustrated books on the visionary architect over the years, including Modern Architecture by Wright himself. Recently, Neil Levine authored a followup study to his first landmark book on Wright. The new volume, The Urbanism of Frank Lloyd Wright, overturns the conventional view of Wright as an architect who deplored the city and whose urban vision was limited to a utopian plan for a network of agrarian communities he called Broadacre City. Rather, Levine reveals Wright’s larger, more varied, interesting, and complex urbanism. Will Wiles of Apollo Magazine hails the new volume enthusiastically: “The Urbanism of Frank Lloyd Wright is a companion to Levine’s landmark study The Architecture of Frank Lloyd Wright, published in 1997, and it is as monumental as might be inferred from the 20-year wait.”

Just out this spring is Wright on Exhibit, by Kathryn Smith, which offers the first history of Frank Lloyd Wright’s exhibitions of his own work—a practice central to his career. Take a peek.

Drawing extensively from his unpublished correspondence, Smith challenges the preconceived notion of Wright as a self-promoter who displayed his work in search of money, clients, and fame. She shows how he was an artist-architect projecting an avant-garde program, an innovator who expanded the palette of installation design as technology evolved, and a social activist driven to revolutionize society through design. Read more in a recent interview with Smith on the PUP blog.

Happy 150th to a visionary whose legacy continues to influence the way we live, build and innovate.

 

 

 

Happy birthday, Jean-Michel Basquiat

On this day in 1960, the renowned visual artist Jean-Michel Basquiat was born in Brooklyn, where he would go on to become one of the most fascinating figures in the New York art scene. Princeton University Press proud to have published The Notebooks, a facsimile edition that reproduces the pages of eight of Basquiat’s rarely seen working notebooks for the first time.

Basquiat was known early on for his involvement with 1970s New York street art, including the SAMO tag created with Al Diaz, before he developed a successful studio practice indebted to a range of influences, from Neo-Expressionism to African art to jazz. Basquiat’s work explored the interplay between words and images, often touching on culture, race, and class. Of his extraordinary gifts, The New York Times Magazine, which profiled him in a 1985 cover story, wrote, “Not only does he possess a bold sense of color and composition, but, in his best paintings, unlike many of his contemporaries, he maintains a fine balance between seemingly contradictory forces: control and spontaneity, menace and wit, urban imagery and primitivism.”

From 1980 to 1987, Basquiat filled numerous working notebooks with drawings and pictograms of crowns, teepees, and hatch-marked hearts alongside notes, observations, and fragments of poems that reflect his deep interests in comics, street and pop art, and politics. Many of these images and words found their way into his drawings and paintings. Take a peek at some of the pages in this trailer.

Basquiat Notebooks jacketThe Notebooks
Jean-Michel Basquiat

Edited by Larry Warsh

 

A journey through birdsong

In Listening to a Continent Sing, Donald Kroodsma details a cross-country cycling trip he took with his son, David, in order to, literally, listen to the continent sing. Throughout, he describes in lyrical prose all of the birds he heard as they pedaled west along the TransAmerica Route—established in 1976 for the “Bikecentennial” of our country—and all of the adventures that he and his son experienced along the way. They began their journey in Yorktown, Virginia on May 4. Read on for a behind-the scenes glimpse of the symphony that is the Virginian countryside in mid-spring. Be sure to use the QR codes, found in the book, to hear the birds for yourself!

On May 4, day 1 of the journey, Kroodsma describes listening to the world wake up around him from inside the tent, his son sleeping beside him (“Best not to get up before the sun,” he says.).

A robin begins to sing, 5:34 a.m. according to my watch, about half an hour before sunrise. His low, sweet carols drop from above one by one, cheerily, cheer-up, cheerio, cheerily, and I am soon silently singing with him, three to five carols over a few seconds, then a brief pause. I feel his tempo, counting the number of carols in the next package and pausing, counting and pausing, his initial measured pace calming. I try to stretch each quarter-second carol into a second or more, slowing his performance, relishing the varying patterns in pitch and rhythm, listening and watching as miniature musical scores float through my mind.

American Robin
Day 2 brings a trip to Malvern Hill, sight of a bloody Civil War battle nearly 150 years before. In memory of that battle, the intrepid duo is subdued as they listen to the sweet call of a field sparrow.

Emerging from the insanity of this scene is the requiem now offered by a field sparrow nearby. His gentle whistles accelerate, sliding down the scale, each whistle a little shorter and lower than the one before, a two-second lament for all who suffered here. Every few seconds he repeats his mournful song, over and over, never-ending. In the distance I hear two others, each with a unique cadence, each offering his own comment on the scene that his ancestors some hundred generations ago would have witnessed here.

Field Sparrows
On the road between Afton and Lexington, Virginia, day 6, an early morning ride is accompanied by the Eastern towhee.

Still, silence … until a single, tentative chewink of an eastern towhee pierces the quiet. With my right hand, I fumble beneath the sleeve over my left wrist to punch the light button on my watch, leaning over the left handlebar to catch a glimpse 5:25 a.m., 45 minutes before sunrise. The call is contagious, as chewinks now erupt from seemingly every roadside bush. In less than a minute I hear a feeble song, then a louder one, and soon the bushes sing, drink-your-teeeeeee, two strongly enunciated introductory notes followed by a rapid series of repeated notes. The birds ease into it, at first repeating one song several times, much as they do later in the morning, but then the warm-up is over and no holds are barred.

Eastern towhee
For the next two months, father and son cycled across the United States listening to hundreds of birds, meeting new people, and enjoying the great outdoors together. Read Listening to a Continent Sing and let Kroodsma take you along for the ride. And if you’re interested in the story behind the cover design, check out the PUP Design tumblr!

Kroodsma