van Grouw’s Anatomy: The Unfeathered Bird in Scientific American

Who knew anatomy could be ‘sexy?’7-2 van Grouw

So says paleozoologist and science writer Darren Naish in describing the natural science world’s renewed interest in the field. But it’s not because Katrina van Grouw gives a ‘stripped-down’ look at avian remains; rather, it comes courtesy of stream-lined CT scanning and sophisticated 3D visualizations. Yet, Naish’s praise of Katrina van Grouw’s artful spin on ornithology in this behind-the-scenes look at her life and work is much more nuanced than all that fancy stuff. His article in Scientific American explores the all-encompassing passion of this world-class ornithologist, meanwhile loudly complimenting her new book for its precision in rendering every minute muscle, bone, and tendon of the creatures that fill its pages.

Naish doesn’t just jot down his observations from the sitting-room chair; he is given the walking tour, complete with a perusal into the eccentric couple’s inner- and out-sanctums. For example: Katrina and Hein van Grouw are proud owners of a muntjac deer skull collection, a business of ferrets (live ones, it must be noted), and an unsurprisingly vast treasury of mounted bird skeletons, all of which Naish ogles with palpable envy. In many ways, the home epitomizes the research executed for and presented in The Unfeathered Bird: brimming with ornithological insight and too full of artifacts to dismiss as mere decorative ploy.


“It is simply imperative that you get hold of this book if you consider yourself interested in bird anatomy and diversity, or in anatomy or evolution in general.”


Despite van Grouw’s untimely release from her position at a natural history museum, which resulted from her desire to produce the book, Naish commends her for transforming the inconvenience into a wonderful opportunity and looks longingly into the future toward her forthcoming book on domesticates.

The ethically sourced remains of dogs, cats, chickens and pigeons make the cut for the tour, but together, they’re just a small fraction of the never-ending plethora of both bizarre and mundane critters that comprise van Grouw’s professional interests; and we, like Naish, hope to see them all expressed thus in due time.

Katrina van Grouw is the author of:

7-2 Unfeathered The Unfeathered Bird by Katrina van Grouw
Hardcover | 2013 | $49.95 / £34.95 | ISBN: 9780691151342
304 pp. | 10 x 12 | 385 duotones/color illus. | eBook | ISBN: 9781400844890 | Reviews Table of Contents Introduction[PDF]

Quick Questions for Peter and Rosemary Grant

Grant and Grant_ In Search ofPeter R. Grant and B. Rosemary Grant are both emeritus professors in the Department of Ecology and Evolutionary Biology at Princeton University. They are the co-authors of How and Why Species Multiply: The Radiation of Darwin’s Finches and co-editors of In Search of the Causes of Evolution: From Field Observations to Mechanisms (both Princeton).

B. Rosemary Grant received her B.Sc. (with Honors) from Edinburgh University in Scotland, and completed her Ph.D. at Uppsala University, in Sweden. Peter Grant received his B.A. (with Honors) from Cambridge University, England, completed his Ph.D. at the University of British Columbia, Canada, and completed his Post-doctoral Fellowship at Yale University in New Haven, Connecticut. Their combined research efforts continue to offer “unparalleled insights into ecological and evolutionary changes in natural environments,” and in 2013, the couple was awarded the Margaret Morse Nice Prize by the Wilson Ornithological Society.

Now, on to the questions!

PUP: What inspired you to get into your field?
Peter and Rosemary Grant: Early experience followed by stimulating teachers. Before the age of five, we had each enjoyed the English countryside: the lake district of the north in Rosemary’s case and south of London in mine. Some of our earliest memories are similar, such as the thrill of finding a fossil, catching a butterfly, and smelling a flower. Much later as undergraduates we had inspiring teachers, and many of them. Foremost among them were the Edinburgh geneticists C.H. Waddington and D.G. Facloner (for Rosemary) and Yale ecologist G.E. Hutchinson (for me).


There is widespread misunderstanding about evolution; that it occurs extremely slowly….The idea that animals as large as birds might evolve before our eyes is not so well known.


What was the most influential book you’ve read?
Each of us read Charles Darwin’s Origin of Species at an important stage in our lives. This magisterial book opened our eyes to an understanding of the natural world that is within reach with careful observation, experiment, and logical reasoning, It is extraordinarily rich in insights, and repays re-reading, even with people like us who are older than Darwin when he died!

Why did you write this book?
Having written numerous papers in the specialized scientific literature, as well as three books on our research, we believed the time had come to synthesize all we had done and learned by following the fates of finches on Daphne for 40 years. We also wanted to explain and illustrate the excitement of scientific discovery to a broader audience than the professional biologists who might have read our more technical papers. Finally, we wanted to inspire and encourage students who might wish to study the workings of nature in remote places unaffected by humans, but who are not sure if and whether this can be done.

What was the most interesting thing you learned from writing this book?
Perhaps many scientists make the last observation and then start writing a book without returning to their scientific material. This is not what happened in our case. As we developed the main argument in the book about how new species are formed we were stimulated to improve the way we expressed the main ideas, to think along new lines, and to ask new questions. In a few instances those questions led us back to the files of data, to new analyses, and to a greater appreciation of the role of hybridization in evolution.


We are collaborating with no less than five different groups in pursuing evolutionary questions with the data we have collected.


What do you think is book’s most important contribution?
There is widespread misunderstanding about evolution; that it occurs extremely slowly and therefore cannot be studied in a person’s lifetime. This was the view of Charles Darwin. Many biologists and others now know that this is not correct. For example, evolution occurs in the bacteria that cause illness in us, such as streptococcus bacteria in hospitals, and in insects and weedy plants that are agricultural pests. We do our best to control our biological enemies and persecutors, and they evolve in ways that repeatedly thwart us. The idea that animals as large as birds might evolve before our eyes is not so well known, yet our study in the entirely natural world of Daphne Major island has revealed this does in fact happen when there is a change in the environment, and it takes place over a period as short as a year, and repeatedly.

PUP: How did you come up with the title or jacket?
The title is the essence of the book. That was an easy choice. The jacket was the brain-child of a designer employed by Princeton University Press. We already had a strong image for the cover with a picture of Daphne taken at sea level. However, the designer improved on this by picking one of our photographs taken from the land and cropped it creatively to present of visualization of what it is like to actually be on the island.

What is your next project?
Not sure. Our involvement in finch research has not ended with the publication of the book. We are collaborating with no less than five different groups in pursuing evolutionary questions with the data we have collected. We are also thinking about returning to the island to check on the birds, to see who has survived and who has not, and to find out what has happened to the new lineage of finches whose ups and downs we followed for thirty years.

 

 

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Peter R. Grant and B. Rosemary Grant are the authors of:

5-23 Grant 40 Years of Evolution: Darwin’s Finches on Daphne Major Island by Peter. R. Grant and B. Rosemary Grant
Hardcover | 2014 | $49.50 / £34.95 | ISBN: 9780691160467
432 pp. | 6 x 9 | 44 color illus. 129 line illus. 21 tables. |
eBook | ISBN: 9781400851300 | Reviews  Table of Contents[PDF]  Chapter 1[PDF]

Parrots of the World Debuts in House of Cards

Forshaw_Parrots of the World_F10Even House Majority Whips need some ornithology schooling. Frank Underwood, played by Kevin Spacey in the Netflix series House of Cards, demonstrates in episode 12 of season one that birds–specifically parrots–maintain exquisite complexities in both behavior and appearance that differentiate one species from another. Such intricacies are not easily detectable to the untrained eye. Fortunately, Underwood finds the publisher and field guide to solve his parrot identification dilemma: Princeton University Press’s Parrots of the World, written by Joseph. M. Forshaw and illustrated by Frank Knight.

When asked to identify the caged bird in the kitchen of Raymond Tusk, played by Gerald McRaney, Underwood, who hails from South Carolina’s 5th congressional district, dismissively offers, “Carolina Parakeet,” a “midsize green parrot with yellow head” with orange upper cheeks. “You’re wrong, but you’re close,” rebuts Tusk. He expounds, as noted in Parrots of the World, the Carolina Parakeet is extinct; the winged beauty in the room is a Sun Conure, a “black-billed yellow conure with green primaries and secondary-converts.”

Underwood comes to realize he has been too quick to assume and should have first honed his identification skills, both in birding and the context of his political conquest. Don’t follow in his footsteps–take a closer look at some Parrots of the World two-page spreads here:

whiteFrom the macaws of South America to the cockatoos of Australia, parrots are among the most beautiful and exotic birds in the world–and also among the most endangered. This stunningly illustrated, easy-to-use field guide covers all 356 species and well-differentiated subspecies of parrots, and is the only guide organized by geographical distribution–Australasian, Afro-Asian, and neotropical. It features 146 superb color plates depicting every kind of parrot, as well as detailed, facing-page species accounts that describe key identification features, distribution, subspeciation, habitat, and status. Color distribution maps show ranges of all subspecies, and field identification is further aided by relevant upperside and underside flight images. This premier field guide also shows where to observe each species in the wild, helping make this the most comprehensive and user-friendly guide to the parrots of the world.

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