The dawn of photography coincided with the expansion of European imperialism; as a result, many of the oldest photographs from the Middle East come from the skewed colonial perspective of Europeans. In his forthcoming book, The Arab Imago: A Social History of Portrait Photography 1860-1910, Stephen Sheehi offers an alternative history via numerous Arab and Armenian photographers who created their own images of Middle Eastern people. Sheehi seeks to define the past by these insider photographs, not the Orientalist pictures first circulated by foreign photographers. Many of the images come from posed studio portraits, showcasing the intricacy and clarity of the style, as well as the wide range of people who chose to be photographed.
This slideshow represents just a small selection of the early photographs featured in the book. Click on an image to enlarge and read the caption.