Concepts in Color: Beautiful Geometry by Eli Maor and Eugen Jost

If you’ve ever thought that mathematics and art don’t mix, this stunning visual history of geometry will change your mind. As much a work of art as a book about mathematics, Beautiful Geometry presents more than sixty exquisite color plates illustrating a wide range of geometric patterns and theorems, accompanied by brief accounts of the fascinating history and people behind each.

With artwork by Swiss artist Eugen Jost and text by acclaimed math historian Eli Maor, this unique celebration of geometry covers numerous subjects, from straightedge-and-compass constructions to intriguing configurations involving infinity. The result is a delightful and informative illustrated tour through the 2,500-year-old history of one of the most important and beautiful branches of mathematics.

We’ve created this slideshow so that you can sample some of the beautiful images in this book, so please enjoy!

Plate 00
Plate 4
Plate 6
Plate 7
Plate 10
Plate 15.1
Plate 16
Plate 17
Plate 18
Plate 19
Plate 20
Plate 21
Plate 22
Plate 23
Plate 24.2
Plate 26.2
Plate 29.1
Plate 29.2
Plate 30
Plate 33
Plate 34.1
Plate 36
Plate 37
Plate 38
Plate 39
Plate 40.2
Plate 44
Plate 45
Plate 47
Plate 48
Plate 49
Plate 50
Plate 51

Beautiful Geometry by Eli Maior and Eugen Jost

"My artistic life revolves around patterns, numbers, and forms. I love to play with them, interpret them, and metamorphose them in endless variations." --Eugen Jost

Figurative Numbers

Plate 4, Figurative Numbers, is a playful meditation on ways of arranging 49 dots in different patterns of color and shape. Some of these arrangements hint at the number relations we mentioned previously, while others are artistic expressions of what a keen eye can discover in an assembly of dots. Note, in particular, the second panel in the top row: it illustrates the fact that the sum of eight identical triangular numbers, plus 1, is always a perfect square.

Pythagorean Metamorphosis

Pythagorean Metamorphosis shows a series of right triangles (in white) whose proportions change from one frame to the next, starting with the extreme case where one side has zero length and then going through several phases until the other side diminishes to zero.

The (3, 4, 5) Triangle and its Four Circles

The (3, 4, 5) Triangle and its Four Circles shows the (3, 4, 5) triangle (in red) with its incircle and three excircles (in blue), for which r = (3+4-5)/2 = 1, r = (5+3-4)/2 = 2, rb = (5+4-3)/2 = 3, and rc = (5+4+3)/2 = 6.

Mean Constructions

Mean Constructions (no pun intended!), is a color-coded guide showing how to construct all three means from two line segments of given lengths (shown in red and blue). The arithmetic, geometric, and harmonic means are colored in green, yellow, and purple, respectively, while all auxiliary elements are in white.

Prime and Prime Again

Plate 15.1, Prime and Prime Again, shows a curious number sequence: start with the top eight-digit number and keep peeling off the last digits one by one, until only 7 is left. For no apparent reason, each number in this sequence is a prime.

0.999... = 1

Celtic Motif 1

Our illustration (Plate 17) shows an intriguing lace pattern winding its way around 11 dots arranged in three rows; it is based on an old Celtic motif.

Seven Circles a Flower Maketh

Parquet

Plate 19, Parquet, seems at first to show a stack of identical cubes, arranged so that each layer is offset with respect to the one below it, forming the illusion of an infinite, three-dimensional staircase structure. But if you look carefully at the cubes, you will notice that each corner is the center of a regular hexagon.

Girasole

Plate 20, Girasole, shows a series of squares, each of which, when adjoined to its predecessor, forms a rectangle. Starting with a black square of unit length, adjoin to it its white twin, and you get a 2x1 rectangle. Adjoin to it the green square, and you get a 3x2 rectangle. Continuing in this manner, you get rectangles whose dimensions are exactly the Fibonacci numbers. The word Girasole ("turning to the sun" in Italian) refers to the presence of these numbers in the spiral arrangement of the seeds of a sunflower - a truly remarkable example of mathematics at work in nature.

The Golden Ratio

Plate 21 showcases a sample of the many occurrences of the golden ratio in art and nature.

Pentagons and Pentagrams

Homage to Carl Friedrich Gauss

Gauss's achievement is immortalized in his German hometown of Brunswick, where a large statue of him is decorated with an ornamental 17-pointed star (Plate 23 is an artistic rendition of the actual star on the pedestal, which has deteriorated over the years); reportedly the mason in charge of the job thought that a 17-sided polygon would look too much like a circle, so he opted for the star instead.

Celtic Motif 2

Plate 24.2 shows a laced pattern of 50 dots, based on an ancient Celtic motif. Note that the entire array can be crisscrossed with a single interlacing thread; compare this with the similar pattern of 11 dots (Plate 17), where two separate threads were necessary to cover the entire array. As we said before, every number has its own personality.

Metamorphosis of a Circle

Plate 26.2, Metamorphosis of a Circle, shows four large panels. The panel on the upper left contains nine smaller frames, each with a square (in blue) and a circular disk (in red) centered on it. As the squares decrease in size, the circles expand, yet the sum of their areas remains constant. In the central frame, the square and circle have the same area, thus offering a computer-generated "solution" to the quadrature problem. In the panel on the lower right, the squares and circles reverse their roles, but the sum of their areas ins till constant. The entire sequence is thus a metamorphosis from square to circle and back.

Reflecting Parabola

Ellipses and Hyperbolas

When you throw two stones into a pond, each will create a disturbance that propagates outward from the point of impact in concentric circles. The two systems of circular waves eventually cross each other and form a pattern of ripples, alternating between crests and troughs. Because this interference pattern depends on the phase difference between the two oncoming waves, the ripples invariably form a system of confocal ellipses and hyperbolas, all sharing the same two foci. In this system, no two ellipses ever cross one another, nor do two hyperbolas, but every ellipse crosses every hyperbola at right angles. The two families form an orthogonal system of curves, as we see in plate 29.2.

3/3=4/4

Euler's e

Plate 33, Euler's e, gives the first 203 decimal places of this famous number - accurate enough for most practical applications, but still short of the exact value, which would require an infinite string of nonrepeating digits. In the margins there are several allusions to events that played a role in the history of e and the person most associated with it, Leonhard Euler: an owl ("Eule" in German); the Episcopal crosier on the flag of Euler's birthplace, the city of Basel; the latitude and longitude of Königsberg (now Kaliningrad in Russia), whose seven bridges inspired Euler to solve a famous problem that marked the birth of graph theory; and an assortment of formulas associated with e

Spira Mirabilis

Epicycloids

Plate 36 shows a five-looped epicycloid (in blue) and a prolate epicycloid (in red) similar to Ptolemy's planetary epicycles. In fact, this latter curve closely resembles the path of Venus against the backdrop of the fixed stars, as seen from Earth. This is due to an 8-year cycle during which Earth, Venus, and the Sun will be aligned almost perfectly five times. Surprisingly, 8 Earth years also coincide with 13 Venusian years, locking the two planets in an 8:13 celestial resonance and giving Fibonacci aficionados one more reason to celebrate!

Nine Points and Ten Lines

Our illustration Nine Points and Ten Lines (plate 37) shows the point-by-point construction of Euler's line, beginning with the three points of defining the triangle (marked in blue). The circumference O, the centroid G, and the orthocenter H are marked in green, red, and orange, respectively, and the Euler line, in yellow. We call this a construction without words, where the points and lines speak for themselves.

Inverted Circles

Steiner's Prism

Plate 39 illustrates several Steiner chains, each comprising five circles that touch an outer circle (alternately colored in blue and orange) and an inner black circle. The central panel shows this chain in its inverted, symmetric "ball-bearing" configuration.

Line Design

Plate 40.2 shows a Star of David-like design made of 21 line parabolas.

Gothic Rose

Plate 44, Gothic Rose, shows a rosette, a common motif on stained glass windows like those one can find at numerous places of worship. The circle at the center illustrates a fourfold rotation and reflection symmetry, while five of the remaining circles exhibit threefold rotation symmetries with or without reflection (if you disregard the inner details in some of them). The circle in the 10-o'clock position has the twofold rotation symmetry of the yin-yang icon.

Symmetry

Pick's Theorem

Plate 47 shows a lattice polygon with 28 grid points (in red) and 185 interior points (in yellow). Pick's formula gives us the area of this polygon as A = 185 + 28/2 - 1 = 198 square units.

Morley's Theorem

Variations on a Snowflake Curve

Plate 49 is an artistic interpretation of Koch's curve, starting at the center with an equilateral triangle and a hexagram (Star of David) design but approaching the actual curve as we move toward the periphery.

Sierpinski's Triangle

The Rationals Are Countable!

In a way, [Cantor] accomplished the vision of William Blake's famous verse in Auguries of Innocence:

To see the world in a grain of sand,
And heaven in a wild flower.
Hold infinitely in the palm of your hand,
And eternity in an hour.

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Click here to sample selections from the book.

BOOK FACT FRIDAY – Trigonometric Delights

BOOK FACT excerpted from Trigonometric Delights by Eli Maor:

It is no coincidence that trigonometry up until the sixteenth century was developed mainly by astronomers. Aristarchus and Hipparchus, who founded trigonometry as a distinct branch of mathematics, were astronomers, as was Ptolemy, the author of the Almagest. During the Middle Ages, Arab and Hindu astronomers, notably Abul-Wefa, al-Battani, Aryabhata, and Ulugh Beg of Samarkand (1393-1449), absorbed the Greek mathematical heritage and greatly expanded it, especially in spherical trigonometry. And when this combined heritage was passed on to Europe, it was again an astronomer who was at the forefront: Johann Muller, known as Regiomontanus.

Regiomontanus was the first publisher of mathematical and astronomical books for commercial use. In 1474 he printed his Ephemerides, tables listing the position of the sun, moon, and planets for each day from 1475 to 1506. This work brought him great acclaim; Christopher Columbus had a copy of it on his fourth voyage to the New World and used it to predict the famous lunar eclipse of February 29, 1504. Regiomontanus’s most influential work was his De triangulis omnimodis (On triangles of every kind), a work in five parts (“books”) modeled after Euclid’s Elements. As he states in his introduction, Regiomontanus’s main goal in On Triangles was to provide a mathematical introduction to astronomy. Regiomontanus completed writing On Triangles in 1464, but it was not published until 1533, more than half a century after his death.

We are pleased to announce a new paperback edition is now available:
Trigonometric Delights
by Eli Maor

Trigonometry has always been an underappreciated branch of mathematics. It has a reputation as a dry and difficult subject, a glorified form of geometry complicated by tedious computation. In this book, Eli Maor draws on his remarkable talents as a guide to the world of numbers to dispel that view. Rejecting the usual arid descriptions of sine, cosine, and their trigonometric relatives, he brings the subject to life in a compelling blend of history, biography, and mathematics. He presents both a survey of the main elements of trigonometry and a unique account of its vital contribution to science and social development. Woven together in a tapestry of entertaining stories, scientific curiosities, and educational insights, the book more than lives up to the title Trigonometric Delights.

Maor also sketches the lives of some of the intriguing figures who have shaped four thousand years of trigonometric history. We meet, for instance, the Renaissance scholar Regiomontanus, who is rumored to have been poisoned for insulting a colleague, and Maria Agnesi, an eighteenth-century Italian genius who gave up mathematics to work with the poor–but not before she investigated a special curve that, due to mistranslation, bears the unfortunate name “the witch of Agnesi.” The book is richly illustrated, including rare prints from the author’s own collection. Trigonometric Delights will change forever our view of a once dreaded subject.

Eli Maor teaches the history of mathematics at Loyola University in Chicago. He is the author of To Infinity and Beyond, e: The Story of a Number, Venus in Transit, and The Pythagorean Theorem: A 4,000-Year History.