Exploring the Black Experience through the Arts

Black Americans’ work in the arts has long been both prominent and under-recognized. Black artists’ expressions of their experiences are some of the most iconic artifacts of American history. This Black History Month, we explore Black resistance through visual art, literature, and other art forms, and we highlight the central role of Black artists and Black art in American aesthetics and culture.

These books from PUP’s catalog focus on an iconic historical engraving, an award-winning immigrant writer, Black literature under surveillance, an important contemporary visual artist, and the poetry of loss, memory, and the natural world.

One of the most iconic images of slavery is a schematic wood engraving depicting the human cargo hold of a slave ship. First published by British abolitionists in 1788, it exposed this widespread commercial practice for what it really was–shocking, immoral, barbaric, unimaginable. Printed as handbills and broadsides, the image Cheryl Finley has termed the “slave ship icon” was easily reproduced, and by the end of the eighteenth century it was circulating by the tens of thousands around the Atlantic rim. Committed to Memory provides the first in-depth look at how this artifact of the fight against slavery became an enduring symbol of black resistance, identity, and remembrance.

Beautifully illustrated, Committed to Memory features works from around the world, taking readers from the United States and England to West Africa and the Caribbean. It shows how contemporary black artists and their allies have used this iconic eighteenth-century engraving to reflect on the trauma of slavery and come to terms with its legacy.

“Create dangerously, for people who read dangerously. This is what I’ve always thought it meant to be a writer. Writing, knowing in part that no matter how trivial your words may seem, someday, somewhere, someone may risk his or her life to read them.”—Create Dangerously

In this deeply personal book, the celebrated Haitian-American writer Edwidge Danticat reflects on art and exile, examining what it means to be an immigrant artist from a country in crisis. Inspired by Albert Camus’ lecture, “Create Dangerously,” and combining memoir and essay, Danticat tells the stories of artists, including herself, who create despite, or because of, the horrors that drove them from their homelands and that continue to haunt them. Danticat also suggests that the aftermaths of natural disasters in Haiti and the United States reveal that the countries are not as different as many Americans might like to believe.

Create Dangerously is an eloquent and moving expression of Danticat’s belief that immigrant artists are obliged to bear witness when their countries of origin are suffering from violence, oppression, poverty, and tragedy.

Brooklyn-born Jean-Michel Basquiat (1960-88) was one of the most important artists of the 1980s. A key figure in the New York art scene, he inventively explored the interplay between words and images throughout his career, first as a member of SAMO, a graffiti group active on the Lower East Side in the late 1970s, and then as a painter acclaimed for his unmistakable Neoexpressionist style. From 1980 to 1987, he filled numerous working notebooks with drawings and handwritten texts. This facsimile edition reproduces the pages of eight of these fascinating and rarely seen notebooks for the first time.

The Notebooks are filled with images and words that recur in Basquiat’s paintings and other works. Iconic drawings and pictograms of crowns, teepees, and hatch-marked hearts share space with handwritten texts, including notes, observations, and poems that often touch on culture, race, class, and life in New York. Like his other work, the notebooks vividly demonstrate Basquiat’s deep interests in comic, street, and pop art, hip-hop, politics, and the ephemera of urban life. They also provide an intimate look at the working process of one of the most creative forces in contemporary American art.

Few institutions seem more opposed than African American literature and J. Edgar Hoover’s white-bread Federal Bureau of Investigation. But behind the scenes the FBI’s hostility to black protest was energized by fear of and respect for black writing. Drawing on nearly 14,000 pages of newly released FBI files, F.B. Eyes exposes the Bureau’s intimate policing of five decades of African American poems, plays, essays, and novels. Starting in 1919, year one of Harlem’s renaissance and Hoover’s career at the Bureau, secretive FBI “ghostreaders” monitored the latest developments in African American letters. By the time of Hoover’s death in 1972, these ghostreaders knew enough to simulate a sinister black literature of their own. The official aim behind the Bureau’s close reading was to anticipate political unrest. Yet, as William J. Maxwell reveals, FBI surveillance came to influence the creation and public reception of African American literature in the heart of the twentieth century.

Illuminating both the serious harms of state surveillance and the ways in which imaginative writing can withstand and exploit it, F.B. Eyes is a groundbreaking account of a long-hidden dimension of African American literature.

In Radioactive Starlings, award-winning poet Myronn Hardy explores the divergences between the natural world and technology, asking what progress means when it destroys the places that sustain us. Primarily set in North Africa and the Middle East, but making frequent reference to the poet’s native United States, these poems reflect on loss, beauty, and dissent, as well as memory and the contemporary world’s relationship to the collective past.

A meditation on the complexities of transformation, cultures, and politics, Radioactive Starlings is an important collection from a highly accomplished young poet.


Happy Election Day!

Congratulations.  You’ve done your civic duty.  Next stop?  The holiday gift hunt.

After a Herculean feat of self restraint, I allowed November 1 to pass without rushing full-tilt from Halloween into the official holiday season.  Patience is a virtue, after all, (though a somewhat overrated one) and I made the conscious decision to pace myself.  No use wigging out when there’s leftover candy to be devoured to fuel the creative thrust of merry-making.

Now then, November 1, as you’ll note, is over…and so is the waiting!  So on this Election Day, I celebrate democracy with a healthy dose of pre-holiday cheer brought to you by the PUP Gift Elf.

In order to maximize the season upon us, the Elf will post gift book recommendations from PUP staff members once a week now through December 23: that’s eight whole weeks of insider tips to make informed holiday book purchasing decisions.  You’ll find a range of choices which reflect our multitudinous tastes/personalities; some will be books we’ve published while others might include perennial favorites.  Let PUP’s Gift Elf take the guess work out of your next trip to the bookstore.  No malls required!  Give the gift that keeps on giving: knowledge.

And now our inaugural picks for Holiday 2010 brought to you by Jennifer Roth, Sales Associate and Copywriter.

  • Create Dangerously by Edwidge Danticat It’s easy to spend the week between Christmas and New Year’s hunkered down and Snuggie-clad, lost in your own little world. I suggest instead slipping into someone else’s experience for a bit with this deeply personal book by Danticat. The stories she tells may not be as sunny as the holiday specials on TV, but they are much richer and infinitely more satisfying.
  • A Week in December by Sebastian Faulks – This seasonally appropriate novel was one of the best books I read in 2010. The two main characters that drive the plot—a greedy hedge fund manager and an angry young Muslim—could have easy become one-dimensional stereotypes, but Faulks’ smart pacing and quirky details will keep you guessing and turning the pages.
  • How the Grinch Stole Christmas by Dr. Seuss – Still the book that best captures that warm, peppermint-scented holiday spirit. Even better when paired with the original cartoon, impeccably narrated by Boris Karloff.

Stay tuned for our next installment on Tuesday, November 9.

-Gift Elf Out

© iStockphoto.com

Details on Edwidge Danticat’s New Yorker Festival panel, October 1

Fiction Night
Giving Voice
Uwem Akpan, Edwidge Danticat, and Dave Eggers with Cressida Leyshon
Friday, October 01 at 9:30PM

at SVA Theatre 1
333 West 23rd Street
New York, NY 10011
Between 8th and 9th Avenues
A/C/E to 23rd Street

Uwem Akpan is a native of Nigeria and a Jesuit priest. His New Yorker début story, “An Ex-Mas Feast,” ran in 2005 and appeared in his story collection, “Say You’re One of Them,” which won a Commonwealth Writers’ Prize and a PEN/Beyond Margins Award. His story “Baptizing the Gun” ran in the January 4th issue of the magazine.

Edwidge Danticat was born in Haiti. She is the author of the memoir “Brother, I’m Dying,” which won a 2007 National Book Critics Circle Award; the story collection “Krik? Krak!”; and the novels “Breath, Eyes, Memory,” “The Farming of Bones,” and “The Dew Breaker,” parts of which first appeared in The New Yorker. A new memoir, “Create Dangerously: The Immigrant Artist at Work,” comes out in September.

Dave Eggers is the author of six books, including “Zeitoun” and “What Is the What.” Several of his books, among them the story collection “How We Are Hungry” and “The Wild Things,” an interpretation of Maurice Sendak’s “Where the Wild Things Are,” were first excerpted in The New Yorker. He is the founder of McSweeney’s and of 826 National, a network of nonprofit writing and tutoring centers for young people.

Cressida Leyshon is the deputy fiction editor of The New Yorker.