Browse Our New Art & Architecture 2017 Catalog

Our new Art & Architecture catalog includes a major new work by Hans Belting, a stunning reinterpretation of the paintings of Bosch and Bruegel, and the latest in Michel Pastoureau’s series on color, Red.

If you will be at the CAA meeting in New York next week, please stop by booth 609 where we will have all these books on display and you can pick up a copy of the catalog in person. In addition, we will be holding a special event on the Thursday evening:

Reception and Book Signing
Princeton University Press, Booth 609
Thursday, February 16, 2017
5 p.m. to 6 p.m.

Princeton University Press celebrates the publication of the two most recent volumes in the A. W. Mellon Lectures in the Fine Arts series, Bosch and Bruegel: From Enemy Painting to Everyday Life, by Joseph Leo Koerner, and Chinese Painting and its Audiences, by Craig Clunas. Please join us for wine and cheese. Joseph Koerner will be signing copies of Bosch and Bruegel. The A. W. Mellon Lectures are published in association with the National Gallery of Art, Washington.

Following his acclaimed books Black and Green, Michel Pastoureau digs into the history of a color with powerful cultural associations, from warfare and religion to love and passion: Red. Through February we will be giving away copies of Red on Goodreads, Twitter and Instagram: visit our Giveaways page for further details on how you can enter the giveaway.

Red by Michel Pastoureau

Based on his lecture series for the  2008 A. W. Mellon Lectures in the Fine Arts, Joseph Leo Koerner’s Bosch and Bruegel: From Enemy Painting to Everyday Life analyses the links between the great Dutch painters Hieronymous Bosch and Pieter Bruegel and demonstrates the emergence of Bruegel’s scenes of everyday life from Bosch’s hellish phantasmagorias.

Bosch and Bruegel, by Joseph Leo Koerner

In Face and Mask, Hans Belting embarks on a full cultural history and anthropology of the face across the full breadth of human civilization, and explores the paradox by which, despite ever increasing verisimilitude, representations of the face inevitably become a hollow signifier, the mask.

Face and Mask, by Hans Belting

Find these titles and many more in our Art & Architecture 2017 catalog.

New Art and Architecture Catalog!

Be among the first to browse and download our new art and architecture catalog!

http://press.princeton.edu/catalogs/art14.pdf

Of particular interest is T. J. Clark’s Picasso and Truth: From Cubism to Guernica. Was Picasso the artist of the twentieth century? In Picasso and Truth, Clark uses his inimitable skills as art historian and writer to answer this question and reshape our understanding of Picasso’s achievement. Supported by more than 200 images, Clark’s new approach to the central figure of modern art focuses on Picasso after the First World War: his galumphing nudes of the early 1920s, the incandescent Guitar and Mandolin on a Table from 1924, Three Dancers done a year later, the hair-raising Painter and Model from 1927, the monsters and voracious bathers that follow, and finally—summing up but also saying farewell to the age of Cubism—the great mural Guernica.

Also be sure to note Daniel Arasse’s Take a Closer Look. What happens when we look at a painting? What do we think about? What do we imagine? How can we explain, even to ourselves, what we see or think we see? And how can art historians interpret with any seriousness what they observe? In six engaging, short narrative “fictions,” each richly illustrated in color, Arasse, one of the most brilliant art historians of our time, cleverly and gracefully guides readers through a variety of adventures in seeing, from Velázquez to Titian, Bruegel to Tintoretto.

And don’t miss out on Monica Bohm-Duchen’s Art and the Second World War, the first book in English to provide a comprehensive and detailed international overview of the complex and often disturbing relationship between war and the fine arts during this crucial period of modern history. This generously illustrated volume starts by examining the art produced in reaction to the Spanish Civil War (often viewed as “the first battle of World War II”), and then looks at painting, sculpture, prints, and drawing in each of the major combatant nations, including Japan and China. Breathtaking in scope, this scholarly yet accessible publication places wartime art within its broader cultural, political, and military contexts while never losing sight of the power and significance of the individual image and the individual artist.

More of our leading titles in art and architecture can be found in the catalog. You may also sign up with ease to be notified of forthcoming titles at http://press.princeton.edu/subscribe/. Your e-mail address will remain confidential!

If you’re heading to the College Association’s annual meeting in Chicago, IL, February 12th-15th, come visit us at booth 304 and meet our new Executive Editor for Art and Architecture, Michelle Komie. For updates and information on our new and forthcoming titles throughout the meeting, follow #CAA2014 and @PrincetonUnivPress on Twitter. See you there!