Mount Wutai: Visions of a Sacred Buddhist Mountain

View from Central Terrace, Mount Wutai, Shanxi Province, China. Photograph by author, 2005.

“The attributes of a great place like this
are difficult for someone like myself to relate.”

—Translation modified from Illich, Marina. “Selections from the Life of a Tibetan Buddhist Polymath: Chankya Rolpai Dorje (lcang skya rol pa’i rdo rje), 1717–1786.” Ph.D. dissertation, Columbia University, New York, 2006.

“‘At the formation of the world, this earth is situated on top of a golden wheel. On the golden wheel are sharp spikes, one of which bore a small golden wheel. This wheel is located half way up the northern terrace. It is where Mañjuśrī’s Palace of the Seven Jewels is located. Groves of fruit trees fill the entire compound, surrounded by ten thousand bodhisattvas. On top of the northern terrace is a pond. Its name is the golden well. The great sage Mañjuśrī and all sagely entourage appear from it. It is interconnected with the Diamond Grotto. The domain of the Great Sage is no ordinary realm.’”

“‘世界初成. 此大地踞金輪之上. 又於金輪上. 撮骨狼牙. 生一小金輪.其輪.至北臺半腹.文殊菩薩七寶宮殿之所在焉.園林果樹.咸悉充滿. 一萬菩薩之所圍遶. 北臺上面. 有一水池. 名曰金井. 大聖文殊. 與諸聖眾. 於中出沒. 與金剛窟正相通矣. 大聖所都. 非凡境界.’”

Taishō shinshū daizōkyō 大正新修大藏經 (The Buddhist Canon, comp. Taishō era, 1912–1926). Edited by Takakusu Junjirō 高楠順次郎 and Watanabe Kaigyoku 渡邊海旭. Tokyo: Taishō issaikyo kankokai, 1924–1932. 2099: 51, 1119a2–15.

The domain of the Great Sage, or Mount Wutai—also known as the Clear and Cool Mountains, the Pure and Cool Mountains, the Clear and Cold Mountains, or the Five-Peaked Mountain—has been a preeminent site of international pilgrimage for over a millennium. Home to more than one hundred temples, the entire range is considered a Buddhist paradise on earth, and has received visitors ranging from emperors to monastic and lay devotees.

Wen-shing Chou’s Mount Wutai explores the history of this sacred Buddhist mountain through Qing dynasty-era objects of art, architecture, worship, and translation. Chou explains how Qing Buddhist rulers and clerics from Inner Asia, including Manchus, Tibetans, and Mongols, reimagined the mountain as their own during the eighteenth and nineteenth centuries.

The Mañjughọsa Emperor, 18th century. Thangka. Ink and colors on silk. 113.5 × 64 cm. The Freer Gallery of Art, Smithsonian Institution, Washington, DC. Purchased by anonymous donor and with Museum funds, F2000.4.

“‘I see the Clear and Cool Mountains illuminated by the radiance of lapis lazuli, foothills of the mountain ornamented by various jeweled trees whose radiance brightly illuminates the entire place without the slightest difference between day and night, and that land of the Venerable One is not a place within my domain.’”

“’Ngas bltas na ri bo dwangs bsil ’di baiḍūrya’i mdangs su gsal zhing / ri bo rnams kyi zhol du rin bo che’i ljon shing sna tshogs kyis sbras pa ’od ’tsher bas nyin mtshan kyad med du lhan ne lhang nger snang ste / rje btsun gyi yul ni kho bo’i spyod yul min no shes smras te mi nang bar gyur to /.’”

—Lcang skya Rol pa’i rdo rje, Lo chen Ngag dbang bskal bzang, Gro tshang Mkhan sprul, and Lcang lung Ārya Paṇḍita Ngag dbang blo bzang bstan pa’i rgyal mtshan. Zhing mchog ri bo dwangs bsil gyi gnas bshad dad pa’i padmo rgyas byed ngo mtshar nyi ma’i snang ba (Guide to the Clear and Cool Mountains: A Vision of Marvelous Sun Rays That Causes Lotuses of Devotion to Blossom). Beijing: Zung gru ze’i par khang, 1831. Typeset edition, Xining: Mtsho sngon mi rigs dpe sgrun khang, 1993. 29b, lines 1 and 2.

Map of Mount Wutai in Laozang Danba, New Gazetteer of Clear and Cool Mountains, 1701. Library of Congress, Washington, DC.

“‘Have you not heard that the same phenomenon will be perceived differently by three people? Just as the eyes of their karmic retribution are different, what they see will also be different. If the Clear and Cool Mountains that you see are in the color of emerald green, with terraces and hills filled with variegated jeweled trees with illuminating radiance that eliminates the slightest difference between day and night, this dwelling place of the bodhisattva is not within my reach.’”

“‘師豈不聞一法無異, 三人殊見者乎? 蓋隨其各具業報之眼有殊, 而所見亦異. 若某所見清涼山, 碧琉璃色, 諸臺麓間, 皆雜寶林, 光明煥發, 日夜無閒. 而菩薩住處, 非我所及也.’”

—Qingliang shan zhi 清凉山志 (Gazetteer of the Clear and Cool Mountains). Compiled by Zhencheng 鎮澄 (1546–1617). Originally published 1596; revised in 1660 by Lama Awang Laozang 阿王老 藏 (1601–1687); reprinted in Gugong bowuyuan, Qingliang shan zhi, Qingliang shan xin zhi, Qinding Qingliang shan zhi. Updated compilation by Yinguang 印光 (1862–1940) in 1933; reprinted in Du Jiexiang 杜潔祥, ed., Zhongguo fosi shizhi huikan 中國佛寺史志彙刊. Taipei: Mingwen shuju, 1980–1985. Juan 7, 8a.

Bodhisattva’s Peak, Mount Wutai. From Sekino and Daijō, Shina bunka shiseki, vol. 1, pl. 92.

“What mountain anywhere is not sacred?
Why go to the Five-Peaked Mountain with a walking stick?
Even if a lion with the golden mane manifests in the clouds,
It is nothing special when seen with pure eye.”

“Nyin cig ri bo rtse lngar chas tsam na / hwa shang zhig gis tshigs su bcad pa smras pa / sa phyogs gang gi ri kun chos kyi ri / ci’i phyir ri bo rtse lngar ’khar bas ’gro / smrin gseb mngon pa’i seng ge gser ral can / ngag pa’i mig gis bltas na dge mtshan min / zhes so // chan shis de la ’jus nas dag pa’i mig ces pa ci yin zhes dril pas cang mi zer ro / de nas chan shis khur po bsnams te bzhud do /.

—Lcang skya, Zhing mchog, 42b, lines 1 and 3.

Gelöng Lhundrub, Panoramic View of Mount Wutai, ca. 1846. Honolulu Museum of Art. Accession no. 3202.1.

“This little map of Mount Wutai cannot possibly exhaust every detail of the mountain. The benefactors from all four directions who make a pilgrimage to the sacred realm of the Clear and Cool, see this map of the mountain, listen to and recount the spiritual efficacy and wondrous dharma of the bodhisattva, will in this life be free from all calamities and diseases, and enjoy boundless blessings, happiness, and longevity. After this life, they will be reborn in a blessed land…. Should a person make the vow to print this image, they will accumulate immeasurable merit.”

“此五台一小山圖, 未能盡其詳細, 四方善士凡朝清涼聖境, 及見此山圖, 聞講菩薩靈驗妙法者, 今生能消一切災難疾病, 享福享壽, 福祿綿長, 命終之後, 生於有福之地…. 如有大發願心, 印此山圖者, 則功德無量矣.”

—Inscription of Gelöng Lhundrub, Panoramic Picture of the Sacred Realm of the Mountain of Five Terraces, 1846, bottom-right corner.

Donald Lopez on the Lotus Sutra

Lopez, Jr. In The Lotus Sutra: A Biography, Donald Lopez traces the many roles of what is perhaps the most famous of Buddhist historical texts, the Lotus Sutra.  Examining the history of the famous scripture that was composed in India in the first centuries of the Common Era, Lopez’s biography provides an engaging background to the enduring classic. Lopez recently took the time to answer some questions about his own early encounters with the text, and why its proclamations remain so important today.

What is the Lotus Sutra?

DL: The Lotus Sutra is arguably the most famous of all Buddhist texts.  It is one of only three Buddhist works, among a vast canon, that is well known in the West by its English title (the other two being the Heart Sutra and the Diamond Sutra). The Lotus Sutra was composed in India, and in the Sanskrit language, where its title is Saddharmapuṇḍarīka Sūtra. This might be translated as the Discourse on the White Lotus of the True Doctrine. As I explain in the book, this title is rather “loaded” from a Buddhist perspective. It is not just a lotus (the traditional flower of Buddhism), but the white lotus, the best of lotuses. It does not just teach the dharma, the doctrine, but the true doctrine. As a sutra, or “discourse,” it is traditionally attributed to the Buddha himself.

Why is it so famous?

DL: Although composed in India, the Lotus Sutra became particularly important in China and Japan.  In terms of Buddhist doctrine, it is renowned for two powerful proclamations by the Buddha.  The first is that there are not three vehicles to enlightenment but one, that all beings in the universe will one day become buddhas. The second is that the Buddha did not die and pass into nirvana; in fact, his lifespan is immeasurable. The sutra is also famous for its parables, like the Parable of the Burning House and the Parable of the Prodigal Son. It was because of these parables that the Lotus Sutra became the first Buddhist text to be translated from Sanskrit into a European language (French). The Lotus Sutra has several dramatic scenes; perhaps the most famous is when a giant bejeweled stupa (a tomb of a buddha) emerges from the earth and a living buddha is found inside. Such scenes inspired hundreds of works of art across East Asia.  At the Dunhuang cave complex in China, scenes from the Lotus Sutra are found in some seventy-five caves.

What was your first encounter with the Lotus Sutra?

DL: When I was in college in the 1970s, a friend invited me over for a meeting with a Buddhist teacher. I was surprised to find not a monk in saffron robes but a white guy in a business suit. After a brief talk, he knelt down in front of a small altar that he had brought with him and started chanting something that I couldn’t understand. In retrospect, I realize that he was chanting in Japanese, saying Namu myoho renge kyo, “Homage to the Lotus Sutra.” He was likely a member of Nichiren Shoshu of America, the “Orthodox Nichiren School of America.” The Buddhist monk Nichiren (1222-1282) was the most famous of the many devotees of the Lotus Sutra in Japan. He is a central figure in the book.

This is the second book you have contributed to PUP’s Lives of Great Religious Books series.  How did you choose the Lotus Sutra and what is it about the text that lends itself to a reception history?

DL: My first book for the series was about The Tibetan Book of the Dead. The famous version, first published in 1927, is an odd work. For example, it is not called the “book of the dead” in Tibetan; it is called Liberation in the Intermediate State through Hearing. It is not a translation of the entire work, and it includes all manner of rather eccentric prefaces, appendices, addenda, and notes by the editor, the American Theosophist Walter Evans-Wentz. Because of its strange history, it was a perfect candidate for Lives of Great Religious Books, but it would have been unfortunate had it been the only Buddhist work in the series. The series editor, Fred Appel, thus agreed to include a second Buddhist text, and I chose the Lotus Sutra.

I chose it in part because of its great fame in the Buddhist world. I also chose it because it is obsessed with the question of how its teachings are received, making it an ideal candidate for a reception history. That obsession derives from the fact that although the Lotus Sutra purports to be the words of the historical Buddha, it is not. It was composed some four centuries after the Buddha’s death. It is thus the most famous of the Mahayana sutras, or “Great Vehicle” sutras, works that set forth a different vision of the Buddhist path. In order to have authority, however, they must claim to have been taught by the Buddha himself.

In researching the book, what did you find that was unexpected?

DL: The anonymous authors of the Lotus Sutra presented a radical re-vision of both the Buddhist path and of the person of the Buddha. They did this with remarkable skill; they were clearly monks who were deeply versed in traditional Buddhist doctrine but were also deeply dissatisfied with the state of the Buddhist tradition as it existed around the beginning of the Common Era. One of the things that I saw again and again in the text was a concern with legitimation. The authors were determined to portray their work as the words of the Buddha and thus have the Buddha constantly praise the Lotus Sutra, promising rewards to those who embrace it and punishments to those who reject it.

If you could write a second book about the Lotus Sutra, what would it be?

DL: Funny you should ask. One of the attractive features of the titles in the Lives of Great Religious Books series is their beautiful production and their compact size, only about 60,000 words. In researching the book, I found that there was much more that I wanted to say about the content of the sutra. Each of the twenty-eight chapters is fascinating in its own right; the Lotus Sutra is a masterpiece of Buddhist literature, but the mastery of its authors is not fully evident without knowing something of the historical and doctrinal background. Professor Jacqueline Stone of Princeton (a leading expert on the Lotus Sutra in Japan) and I will be writing a guide to the Lotus Sutra (also to be published by Princeton University Press). The goal of both books is to bring this remarkable text, already so famous in the Buddhist world, to a wider readership.

Donald Lopez is the Arthur E. Link Distinguished University Professor of Buddhist and Tibetan Studies at the University of Michigan. He has contributed other books to the PUP Lives of Religious Book series with titles such as The Tibetan Book of the Dead: A Biography (Princeton). He is also the author of the book The Princeton Dictionary of Buddhism (with Robert E. Buswell, Jr.). Lopez currently resides in Ann Arbor, Michigan.

 

 

 

Quick Questions for David Gordon White

drishti-detailDavid Gordon White is the J. F. Rowny Professor of Comparative Religion at the University of California, Santa Barbara where he focuses on “delineating the parameters of Tantra as the most perennial and pervasive ‘great tradition’ of South Asia.”

His books include Yoga in Practice (Princeton), Sinister Yogis, and, most recently, The Yoga Sutra of Patanjali: A Biography, which Library Journal calls “a fascinating presentation of the rise, fall, and rediscovery of the Yoga Sutra [that] will appeal to those looking to expand their knowledge.”

Now, on to the questions!

What inspired you to get into your field?

A high school history teacher who had been to India showed us slides of the country and spoke with great emotion about the people and culture there. At about the same time, the Beatles began sporting beads and Nehru collars, picked up during their stay with Maharishi Mahesh Yogi in Rishikesh.


These non-fiction subjects have been as magical and wondrous as anything that surrealist or magical realist authors have ever produced.


What would you have been if not a professor of comparative religion?

I long fancied myself as a novelist, and do have a completed novel, written in the 1980s, sitting in a drawer. Graduate school stifled my creative writing mojo, although I do work very hard at making my academic writing readable and enjoyable for a non-specialist readership. I hope to get back to writing fiction at some point, although it must be said that the non-fiction subjects I have written on over the past decades (Hindu alchemy, the lives of yogis, the mythology of dog-headed men, tantric sex, etc.) have been as magical and wondrous as anything that surrealist or magical realist authors have ever produced.

What was the most interesting thing you learned from writing a biography of the Yoga Sutra of Patanjali?

Apart from the period between about 700 and 1200 CE, no one in South Asia was interested in the Yoga Sutra until the twentieth century. Other works, such as the Bhagavad Gita, Yoga Yajnavalkya, and Yoga Vasistha, were the principal guides to yoga.

Who do you see as the audience for the book?

Any practitioner of yoga who is curious about the origins and history of their practice.

What is your next project?

A book on the spread of demonology along the Silk Road, in which one finds Buddhist demons in Manichean sources, Roman demons in Indian sources, and so forth. Demons and the spells and charms used against them were far more portable than gods or theological doctrines. Working title: Demons are Forever.

 


David is the author of:

bookjacket The Yoga Sutra of Patanjali: A Biography
David Gordon WhiteHardcover | 2014 | $24.95 / £16.95 | ISBN: 9780691143774
296 pp. | 4 1/2 x 7 1/2 | 1 table.
eBook | ISBN: 9781400850051
Reviews
Table of Contents
Chapter 1[PDF]
Bibliography
Notes

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