The Bard Music Festival’s second weekend featuring Camille Saint-Saëns (1835–1921) starts on August 17th. The concerts, lectures, and panel discussions of the festival are complemented by a book of related articles, essays, and letters edited by a prominent music scholar. Princeton University Press is pleased to announce:
Camille Saint-Saëns and His World
Edited by Jann Pasler
Camille Saint-Saëns–perhaps the foremost French musical figure of the late nineteenth century and a composer who wrote in nearly every musical genre, from opera and the symphony to film music–is now being rediscovered after a century of modernism overshadowed his earlier importance. In a wide-ranging and trenchant series of essays, articles, and documents, Camille Saint-Saëns and His World deconstructs the multiple realities behind the man and his music. Topics range from intimate glimpses of the private and playful Saint-Saëns, to the composer’s interest in astronomy and republican politics, his performances of Mozart and Rameau over eight decades, and his extensive travels around the world. This collection also analyzes the role he played in various musical societies and his complicated relationship with such composers as Liszt, Massenet, Wagner, and Ravel. Featuring the best contemporary scholarship on this crucial, formative period in French music, Camille Saint-Saëns and His World restores the composer to his vital role as innovator and curator of Western music.
You can find more information about the Bard Music Festival and activities this weekend at:
For more information on the Bard Music Festival Book Series, check out: