What do grande Starbucks coffees and tickets to see Bill Chats: Story/Time: The Life of An Idea with Bill T. Jones and Jedediah Wheeler on Sunday November 9th at New York Live Arts at 5pm have in common? They’re both $5 dollars, give or take on the coffee. Jones, “one of the most influential and provocative dance artists our our time,” and author of Story/Time, joins Wheeler, Arts and Cultural Programming Executive Director at Montclair State University, to discuss Jones’ new book and the influence John Cage has had on his own work. This special conversation will also conclude with a book signing event, and don’t forget to use the code “STORYTIME” for $5 tickets! To buy tickets, and for more information on the event, click here.
Princeton, NJ, October 8, 2014 – Princeton University Press and Places Journal are excited to announce a new series: Places Books. The series will present smart, lively, peer-reviewed titles on architecture, landscape, and urbanism that are characterized by strong narrative, provocative argument, and engaging prose. Featuring the work of emerging and established scholars alike, Places Books will offer readers a range of the best contemporary writing on the built environment.
Edited by Nancy Levinson and Josh Wallaert and published by Princeton University Press, the books will be developed from Places articles and expanded into compact and accessible paperbacks and e-books with the aim of inciting dialogue across disciplines. According to Nancy Levinson, Editor and Executive Director of Places Journal, “We are thrilled to be collaborating with Princeton University Press. Places Books is an exciting opportunity to bring the very best public scholarship in design to a wider readership.”
The collaboration was conceived as an alternative to lengthy and heavily illustrated scholarly studies in art, architecture, and urbanism. Though the volumes will feature sophisticated design, lavish production values will be set aside to ensure that Places Books are affordable for a wide range of readers. The subjects of the series will be more timely and topical than authors would take on in traditional monographic projects, but investigated at greater length than in journal articles.
Places Books will launch with two titles. Where are the Women Architects?, by architectural historian Despina Stratigakos, will be an insightful exploration of why women have historically been underrepresented in architecture and what’s being done to rectify the imbalance. D.J. Waldie’s The Poetics of Suburbia will use photography and text to establish a new vocabulary for how suburban spaces are discussed, represented, and experienced. According to Michelle Komie, Executive Editor for Art and Architecture at Princeton University Press, “We want Places Books to influence a wider cultural conversation. Our goal is large: to reinvigorate the tradition of the public intellectual in architecture and urbanism.”
About Places Journal
Places is a leading journal of contemporary architecture, landscape, and urbanism, dedicated to harnessing the moral and investigative power of ambitious public scholarship to promote equitable cities and sustainable landscapes. Founded in 1983 by faculty at the Massachusetts Institute of Technology and the University of California, Berkeley, Places was a print journal for twenty-five years before moving fully online in 2009. Places is supported by an international network of academic partners as well as institutional and individual donors, whose collective engagement ensures that the journal’s rich and substantial content remains publicly accessible and free of charge.
About Princeton University Press
Princeton University Press is an independent publisher with close connections, both formal and informal, to Princeton University. As such it has overlapping responsibilities to the University, the academic community, and the reading public. Our fundamental mission is to disseminate scholarship (through print and digital media) both within academia and to society at large.
Julia Haav, Senior Publicist, Princeton University Press
Nancy Levinson, Editor and Executive Director, Places Journal
Click the image above to read Story #176 from Bill T. Jones’s Story/Time: The Life of an Idea.
If you’ve ever thought that mathematics and art don’t mix, this stunning visual history of geometry will change your mind. As much a work of art as a book about mathematics, Beautiful Geometry presents more than sixty exquisite color plates illustrating a wide range of geometric patterns and theorems, accompanied by brief accounts of the fascinating history and people behind each.
With artwork by Swiss artist Eugen Jost and text by acclaimed math historian Eli Maor, this unique celebration of geometry covers numerous subjects, from straightedge-and-compass constructions to intriguing configurations involving infinity. The result is a delightful and informative illustrated tour through the 2,500-year-old history of one of the most important and beautiful branches of mathematics.
We’ve created this slideshow so that you can sample some of the beautiful images in this book, so please enjoy!
Click here to sample selections from the book.
Be among the first to browse and download our new art and architecture catalog!
Of particular interest is T. J. Clark’s Picasso and Truth: From Cubism to Guernica. Was Picasso the artist of the twentieth century? In Picasso and Truth, Clark uses his inimitable skills as art historian and writer to answer this question and reshape our understanding of Picasso’s achievement. Supported by more than 200 images, Clark’s new approach to the central figure of modern art focuses on Picasso after the First World War: his galumphing nudes of the early 1920s, the incandescent Guitar and Mandolin on a Table from 1924, Three Dancers done a year later, the hair-raising Painter and Model from 1927, the monsters and voracious bathers that follow, and finally—summing up but also saying farewell to the age of Cubism—the great mural Guernica.
Also be sure to note Daniel Arasse’s Take a Closer Look. What happens when we look at a painting? What do we think about? What do we imagine? How can we explain, even to ourselves, what we see or think we see? And how can art historians interpret with any seriousness what they observe? In six engaging, short narrative “fictions,” each richly illustrated in color, Arasse, one of the most brilliant art historians of our time, cleverly and gracefully guides readers through a variety of adventures in seeing, from Velázquez to Titian, Bruegel to Tintoretto.
And don’t miss out on Monica Bohm-Duchen’s Art and the Second World War, the first book in English to provide a comprehensive and detailed international overview of the complex and often disturbing relationship between war and the fine arts during this crucial period of modern history. This generously illustrated volume starts by examining the art produced in reaction to the Spanish Civil War (often viewed as “the first battle of World War II”), and then looks at painting, sculpture, prints, and drawing in each of the major combatant nations, including Japan and China. Breathtaking in scope, this scholarly yet accessible publication places wartime art within its broader cultural, political, and military contexts while never losing sight of the power and significance of the individual image and the individual artist.
More of our leading titles in art and architecture can be found in the catalog. You may also sign up with ease to be notified of forthcoming titles at http://press.princeton.edu/subscribe/. Your e-mail address will remain confidential!
If you’re heading to the College Association’s annual meeting in Chicago, IL, February 12th-15th, come visit us at booth 304 and meet our new Executive Editor for Art and Architecture, Michelle Komie. For updates and information on our new and forthcoming titles throughout the meeting, follow #CAA2014 and @PrincetonUnivPress on Twitter. See you there!
When I first approached the editor of The Finch and Pea about possibly reviewing The Unfeathered Bird, he suggested I send three copies and he would ask his colleagues to assist him with a new experiment — a review in three parts. The review(s) have just now published and they were well worth the wait. Calling upon experts in three areas — art; ornithology; and, well, book-reading and curiosity–The Finch and Pea has created a lovely, intertwined reading experience that (fortunately) is also positive about the book being reviewed.
“Daddy, what is this book about?”
“It’s a book about birds. It shows you the insides of birds so we can learn how they work.”
In the “layers” portion of the review (though it really is the curiosity, good-parenting, reading part of the review) Josh Witten describes his 4 year-old catching a first glimpse of The Unfeathered Bird. Subsequent conversations ranged over ostriches at the zoo, penguins, finches, robins, and every other bird a 4-year old might want to discuss. But, as Witten describes:
A book like The Unfeathered Bird is more than pretty pictures and informative prose. It is a resource – a bridge – to knowledge and curiosity. What let’s that hummingbird hover at your feeder? Page 80. How does that vulture find the roadkill? Page X. Our lives are filled with everyday events that make us wonder, “How does that work?”; and we so rarely get the answers. What could be more compelling than those creatures that have mastered the air?
Next up, Michelle Banks approaches the book from an artist’s perspective, which initially makes her a bit skeptical:
I approached this book as a visual artist and a decidedly non-expert reader, and I will admit an initial bias against it. I love color. I was convinced that a coffee-table book of birds drawn without their feathers was like producing a book on ice cream that featured only the cones.
Though after a few days with the book, skepticism is pushed aside:
The cream-colored pages, sepia-tinted pencil drawings, and hand-drawn fonts give the book the look of a timeless classic….The book is full of visual delights. If I had to pick a single image that sums it up, Van Grouw’s rendering of an ostrich skeleton (p 229) is a tour de force, both exquisitely detailed and powerfully dramatic. The Unfeathered Bird is itself a unique specimen. While it’s sure to be treasured by bird-lovers, it has much to offer to readers who don’t know a grebe from a loon.
Lastly, Rebecca Heiss puts her hefty ornithology education credentials to work assessing the avian content of the book — the devil is in the details after all. Early on, Katrina decided to use a rather traditional system to categorize and group birds, a departure that Heiss describes:
Nodding to Linnaeus, the godfather of modern classification systems, van Grouw charges into the meat of her book, pairing species by anatomical features that appear to be common between the species. As it turns out, many of these features actually evolved independently through a process known as convergent evolution. In recent years, we have tended to reject groupings based on morphology in favor of grouping that reflect a species evolutionary history determined by DNA sequence. The old school naturalist in me, celebrates this throwback to the days where morphology was king and features were classified and compared based on functional similarity. Apologies to all my molecularly focused colleagues, but van Grouw’s pairings simply work for a book of this nature. It may be my bias as an organismal biologist, but focusing on functional similarity is the “right” way to organize species when your goal is teach people about the mechanics of birds. It also allows van Grouw to highlight the interesting and confusing aspects of convergent evolution.
To me, the power of this section was represented by the Secretary Bird. An intimidating image of a majestic, tall, and powerful bird, glowering beneath overhanging “eyebrows”, dominates a page while the accompanying text details its unique hunting habits. Those long, powerful legs are not just for show. The Secretary Bird uses them to literally stomp and kick its prey to death. Of course it does. Just look at the picture.
Be among the first to check out our new art and architecture catalog!
Of particular interest is Ai Weiwei’s Weiwei-isms, edited by Larry Warsh. Ai Weiwei is one of China’s most influential and inspiring figures. Artist, architect, curator, and activist, he has been an outspoken critic of the Chinese government’s stance on human rights and democracy. This collection of quotes demonstrates the elegant simplicity of Ai Weiwei’s thoughts on key aspects of his art, politics, and life.
Also be sure to note Robert Geddes’ Fit: An Architect’s Manifesto, a book about architecture and society that seeks to fundamentally change how architects and the public think about the task of design. For further reading on architecture, check out the POINT: Essays on Architecture series, featuring titles such as David Joselit’s trenchant illustrated After Art in which the author describes how art and architecture are being transformed in the age of Google.
We’ll also see you at the College Art Association’s annual conference February 13-16 in New York, NY at booth 107. Random drawings for two signed copies of Weiwei-isms will be held. Stop by for a visit and to enter for a chance to win!
We invite you to be among the first to check out our new literature catalog! http://press.princeton.edu/catalogs/lit13.pdf
Of particular interest is the fourth edition of The Princeton Encyclopedia of Poetry and Poetics, which no reader or writer of poetry will want to be without. Also be sure to note Simon Gikandi’s Slavery and the Culture of Taste, co-winner of the 2011 Modern Language Association’s James Russell Lowell Prize. The catalog also features our Essays in the Arts series including Alexander Nemerov’s stunning Wartime Kiss: Visions of the Moment in the 1940s and Leonard Barkan’s examination of the deliciously ambiguous history of the relationship between words and pictures, Mute Poetry, Speaking Pictures.
Forthcoming titles you’ll want to add to your reading list include the expertly rendered Italo Calvino: Letters, 1941-1985 selected and with an introduction by Michael Wood, Reiner Stach’s riveting Kafka biographies, and Ruth R. Wisse’s fascinating No Joke: Making Jewish Humor.
If you’re interested in hearing more about our literature titles, sign up with ease here: http://press.princeton.edu/subscribe/ Your email address will remain confidential!
We’ll see everyone at the meeting of the Modern Language Association January 3-6 in Boston, MA. Come visit us at booth 508! Be sure to stop by at 4:30 p.m. Friday, January 4th for a celebratory reception with the editors of the fourth edition of The Princeton Encyclopedia of Poetry and Poetics—the most comprehensive and authoritative poetry reference for more than four decades. Wine and cheese will be served!