
is Cybelle Fox’s publication that has earned her a slot as one of five finalists in this year’s award candidacy. The Society for the Study of Social Problems reviewed 67 nominated books to select the top five authors eligible for this award.Each year, members of the Society are encouraged to submit letters of nomination for this prestigious annual award. Self nominations are acceptable.Edited volumes, textbooks, fiction and self-published works are not eligible.The C. Wright Mills Award, established in 1964, is made annually and carries with it a stipend of $500 for the author(s) of the winning book.
The 2012 award will be presented at the 62nd Annual Meeting in New York City, NY, on Saturday, August 10 at the awards ceremony.
Criteria:
(http://www.sssp1.org/index.cfm/m/548/2012_C_Wright_Mills_Award_Finalists/)
In order for Fox to be considered for the award, she had to meet the requirements for the award to an “outstanding degree,” according to The Society for the Study of Social Problems’ criteria listed on the site:
- Critically addresses an issue of contemporary public importance.
- Brings to the topic a fresh, imaginative perspective.
- Advances social scientific understanding of the topic.
- Displays a theoretically informed view and empirical orientation.
- Evinces quality in style of writing. Explicitly or implicitly contains implications for courses of action.
- Explicitly or implicitly contains implications for courses of action
“In the vast literature of love, The Seducer’s Diary is an intricate curiosity–a feverishly intellectual attempt to reconstruct an erotic failure as a pedagogic success, a wound masked as a boast,” observes John Updike in his foreword to Søren Kierkegaard’s narrative. This work, a chapter from Kierkegaard’s first major volume, Either/Or, springs from his relationship with his fiancée, Regine Olsen. Kierkegaard fell in love with the young woman, ten years his junior, proposed to her, but then broke off their engagement a year later. This event affected Kierkegaard profoundly. Olsen became a muse for him, and a flood of volumes resulted. His attempt to set right, in writing, what he feels was a mistake in his relationship with Olsen taught him the secret of “indirect communication.” The Seducer’s Diary, then, becomes Kierkegaard’s attempt to portray himself as a scoundrel and thus make their break easier for her.
In 1937, Mexican workers were among the strikers and supporters beaten, arrested, and murdered by Chicago policemen in the now infamous Republic Steel Mill Strike. Using this event as a springboard, Zaragosa Vargas embarks on the first full-scale history of the Mexican-American labor movement in twentieth-century America. Absorbing and meticulously researched, Labor Rights Are Civil Rightspaints a multifaceted portrait of the complexities and contours of the Mexican American struggle for equality from the 1930s to the postwar era.
In this classic work, acclaimed Shakespeare critic C. L. Barber argues that Elizabethan seasonal festivals such as May Day and Twelfth Night are the key to understanding Shakespeare’s comedies. Brilliantly interweaving anthropology, social history, and literary criticism, Barber traces the inward journey–psychological, bodily, spiritual–of the comedies: from confusion, raucous laughter, aching desire, and aggression, to harmony. Revealing the interplay between social custom and dramatic form, the book shows how the Elizabethan antithesis between everyday and holiday comes to life in the comedies’ combination of seriousness and levity.![j10031[1]](http://blog.press.princeton.edu/wp-content/uploads/2013/01/j100311.gif)
Humor is the most celebrated of all Jewish responses to modernity. In this book, Ruth Wisse evokes and applauds the genius of spontaneous Jewish joking–as well as the brilliance of comic masterworks by writers like Heinrich Heine, Sholem Aleichem, Isaac Babel, S. Y. Agnon, Isaac Bashevis Singer, and Philip Roth. At the same time, Wisse draws attention to the precarious conditions that have called Jewish humor into being–and the price it may exact from its practitioners and audience.
Civility is desirable and possible, but can this fragile ideal be guaranteed? The Importance of Being Civil offers the most comprehensive look at the nature and advantages of civility, throughout history and in our world today. Esteemed sociologist John Hall expands our understanding of civility as related to larger social forces–including revolution, imperialism, capitalism, nationalism, and war–and the ways that such elements limit the potential for civility. Combining wide-ranging historical and comparative evidence with social and moral theory, Hall examines how the nature of civility has fluctuated in the last three centuries, how it became lost, and how it was reestablished in the twentieth century following the two world wars. He also considers why civility is currently breaking down and what can be done to mitigate this threat.
Philanthropy has long been a distinctive feature of American culture, but its crucial role in the economic well-being of the nation–and the world–has remained largely unexplored. Why Philanthropy Matters takes an in-depth look at philanthropy as an underappreciated force in capitalism, measures its critical influence on the free-market system, and demonstrates how American philanthropy could serve as a model for the productive reinvestment of wealth in other countries. Factoring in philanthropic cycles that help balance the economy, Zoltan Acs offers a richer picture of capitalism, and a more accurate backdrop for considering policies that would promote the capitalist system for the good of all.
With skillful rhetoric and tempered lyricism, the poems in A Glossary of Chickens explore, in part, the struggle to understand the world through the symbolism of words. Like the hens of the title poem, Gary J. Whitehead’s lyrics root around in the earth searching for sustenance, cluck rather than crow, and possess a humble majesty.![Alexander-Poster_web-image[1]](http://blog.press.princeton.edu/wp-content/uploads/2013/04/Alexander-Poster_web-image1.jpg)
Alias Ruby Blade: A Story of Love and Revolution is an intimate, involving documentary that goes behind the scenes of East Timor’s battle for independence, structured like a gripping thriller with a decidedly personal edge. In 1991, Australian Kirsty Sword went to East Timor as part of a team posing as tourists while actually making a secret film about the embattled Indonesian island. Almost immediately, the Australian teacher and activist found herself right in the middle of the violent struggle as bullets flew all around her and her team, but they kept the cameras rolling, compiling amazing footage that helped alert the world as to what was happening there. Sword soon became a courier for the revolution, adopting the spy name Ruby Blade and smuggling in notes and, eventually, electronic equipment to jailed resistance leader Kay Rala “Xanana” Gusmão, who was serving a life sentence in Jakarta’s Cipinang Prison. Armed with a camera, Sword took remarkable footage during those years, most of which has never before been shown to the public; she opened up her archives for husband-and-wife documentarians Tanya Ager Meillier and Alex Meillier and speaks extensively with them in the film, relating her involvement with the independence movement — which included falling in love with the charismatic Xanana. The Meilliers also talk with such key resistance fighters as Nobel Peace Prize winner José Ramos-Horta and diplomat Constancio Pinto as well as historian and human rights activist Geoffrey Robinson and Inside Indonesia editor Pat Walsh, who share their stories about the Indonesian occupation that lasted from 1975 to 1999, followed by a UN-sponsored referendum for independence that led to yet more horrors. But Sword, who narrates much of the film, and Xanana, who appears primarily in archival footage and photographs, never gave up their dream of a free, democratic East Timor while also considering a life together. As much as Alias Ruby Blade delves into the political situation in East Timor, it’s really about how a young, strong woman followed her heart and made a difference in a faraway part of the globe. Alias Ruby Blade will have its North American premiere at the Tribeca Film Festival, where it’s part of the Documentary Competition. (By the way, the less you know about how things turned out in East Timor, the more exciting the film is, so don’t read up on it before going to one of the four screenings.)










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