#TheDress: Consulting the experts on color

White and gold or blue and black are the questions that have been taking the world by storm. For those who managed to miss it, #TheDress is a picture that has been floating around the Internet. Some say it’s white and gold, while others swear by black and blue. Others have even switched their allegiances. Amazingly, one dress has sparked a huge debate over color and how humans perceive it.

Neuroscientists have started to chime in on the discussion with scientific evidence. If you are curious about neuroscience perhaps want to provide some concrete reasoning for your color choice, or would like to read more on the social history of color, check out these two books:


 

bookjacket Colour:
Why the World Isn’t Grey
Hazel Rossotti

 

bookjacket Black:
The History of a Color
Michel Pastoureau

 

CLIMATE SHOCK authors on TheAtlantic.com: Will camels roam Canada again?

Climate ShockThe last time concentrations of carbon dioxide were as high as they are today, write Marty Weitzman and Gernot Wagner, authors of Climate Shock: The Economic Consequences of a Hotter Planet, camels lived in Canada. That was a bit over 3 million years ago, of course. But how certain does science have to be for the world to act? Wagner and Weitzman had a terrific op-ed appear today on The Atlantic.com where they argue that climate is best thought of as a global-scale risk management problem. Check it out here:

Will Camels Roam Canada Again?

What we know about climate change is bad enough. What we don’t could make it even worse.

Gernot Wagner and Martin L. Weitzman

You are cruising down the highway at 65 miles per hour, reading a book in your self-driving car. Your life is in the hands of a machine—an eminently benevolent one. Meanwhile, in the lane next to you, an 18-wheeler using decidedly last-century technology—relying on a fallible human driver—appears to be swerving your way.

Your car’s computer is on the case. Equipped with orders of magnitude more computing power than the Apollo moon lander, it determines with all the confidence it can muster that there’s a greater-than-50-percent chance—it’s “more likely than not”—that the truck is about to hit you.

You may want to look up from your book. More importantly, you want to know with certainty that your onboard computer will hit the brakes, even if there’s a 49-percent chance that doing so will be a false alarm.

If, instead of “more likely than not,” the danger were “likely,” “very likely,” or even “extremely likely,” the answer would be clearer still. Even if there’s a 95-percent probability of a crash, there’s still a 1-in-20 chance that nothing will happen—but no one would gamble their life on those odds. Your car’s computer hopefully will have engaged the anti-lock braking systems already.

A perfect self-driving car doesn’t exist yet, nor has the world solved global warming. But it’s surprising that, by the standards that we’d expect in a car to keep its occupants safe, the governments of the world haven’t stepped on the brakes to avoid planetary-scale global warming disaster—a 100-year-storm hitting New York every other year, frequent and massive droughts, inundated coastal cities. In 1995, the Intergovernmental Panel on Climate Change declared that it was “more likely than not” the case that global warming was caused by human activity. By 2001, it had progressed to “likely.” By 2007, it was “very likely.” By 2013, it was “extremely likely.” There’s only one step left in official IPCC lingo: “virtually certain.”

Read the rest at The Atlantic.com here.

 

Tracing proto-Indo-European

At a first glance, Indian, Iranian, English, and the European languages appear to have few similarities. Nevertheless, historical linguists have discovered the parallel between the languages, proto-Indo-European. This antiquated language has proven quite difficult to trace and has caused debates amongst linguists. Read more about the origins of modern languages in The New York Times. Delve deeper in this interesting topic by reading The Horse, the Wheel, and Language: How Bronze-Age Riders from the Eurasian Steppes Shaped the Modern World by David W. Anthony. You can read the first chapter for free, here.

 

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The Horse, the Wheel, and Language:
How Bronze-Age Riders from the Eurasian Steppes Shaped the Modern World

David W. Anthony

Calculus predicts more snow for Boston

Are we there yet? And by “there,” we mean spring and all the lovely weather that comes with it. This winter has been a tough one, and as the New York Times says, “this winter has gotten old.”

snow big[Photo Credit: John Talbot]

Our friends in Boston are feeling the winter blues after seven feet of precipitation over three weeks. But how much is still to come? You may not be the betting kind, but for those with shoveling duty, the probability of more winter weather may give you chills.

For this, we turn to mathematician Oscar Fernandez, professor at Wellesley College. Professor Fernandez uses calculus to predict the probability of Boston getting more snow, and the results may surprise you. In an article for the Huffington Post, he writes:

There are still 12 days left in February, and since we’ve already logged the snowiest month since record-keeping began in 1872 (45.5 inches of snow… so far), every Bostonian is thinking the same thing: how much more snow will we get?

We can answer that question with math, but we need to rephrase it just a bit. Here’s the version we’ll work with: what’s the probability that Boston will get at least s more inches of snow this month?

Check out the full article — including the prediction — over at the Huffington Post.

Math has some pretty cool applications, doesn’t it? Try this one: what is the most effective number of hours of sleep? Or — for those who need to work on the good night’s rest routine — how does hot coffee cool? These and other answers can be found through calculus, and Professor Fernandez shows us how in his book, Everyday Calculus: Discovering the Hidden Math All around Us.

This book was named one of American Association for the Advancement of Science’s “Books for General Audiences and Young Adults” in 2014. See Chapter One for yourself.

For more from Professor Fernandez, head over to his website, Surrounded by Math.

 

Photo Credit: https://www.flickr.com/photos/laserstars/.

Leah Wright Rigueur on the state of the Republican Party

Last Wednesday, the Republican National Committee Black Republican Trailblazers awards took place in Washington D.C.. The event honored black Republicans both past and present, and this year the awards celebrated the largest class of black Republicans in Congress since Reconstruction. Leah Wright Rigueur, author of The Loneliness of the Black Republican:Pragmatic Politics and the Pursuit of Power commented on the state of the Republican Party to All Things Considered. Read what Rigueur said and learn more about the awards, here.

Be sure to read the introduction to The Loneliness of the Black Republican: Pragmatic Politics and the Pursuit of Power, here.

 

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The Loneliness of the Black Republican:
Pragmatic Politics and the Pursuit of Power

Leah Wright Rigueur

Andrew Hodges honored with Scripter Award

 

Andrew Hodges, author of ALAN TURING: THE ENIGMA

Andrew Hodges, author of Alan Turing: The Enigma

Congratulations to PUP author Andrew Hodges, who along with The Imitation Game screenwriter Graham Moore, has been awarded the USC Libraries Scripter Award. Hodges’s book, Alan Turing: The Enigma, was used as the basis for the screenplay of the Oscar-nominated film.

Calling bookworms and movie-goers alike — this award has something for all of you. Established in 1988, the USC Libraries Scripter Award is an honor that recognizes the best adaptation of word to film. The award is given to both the author and the screenwriter.

Alan Turing: The Enigma — a New York Times–bestselling biography of the founder of computer science — is the definitive account of an extraordinary mind and life. Capturing both the inner and outer drama of Turing’s life, Andrew Hodges tells how Turing’s revolutionary idea of 1936 — the concept of a universal machine — laid the foundation for the modern computer and how Turing brought the idea to practical realization in 1945 with his electronic design.

The book also tells how this work was directly related to Turing’s leading role in breaking the German Enigma ciphers during World War II, a scientific triumph that was critical to Allied victory in the Atlantic. Turing’s work on this is depicted in The Imitation Game, which stars Benedict Cumberbatch and Keira Knightley.

Benedict Cumberbatch plays Alan Turing in THE IMITATION GAME © 2014 THE WEINSTEIN COMPANY

Benedict Cumberbatch plays Alan Turing in THE IMITATION GAME © 2014 The Weinstein Company

At the same time, Alan Turing: The Enigma is the tragic account of a man who, despite his wartime service, was eventually arrested, stripped of his security clearance, and forced to undergo a humiliating treatment program — all for trying to live honestly in a society that defined homosexuality as a crime. Alan Turing: The Enigma is a gripping story of mathematics, computers, cryptography, and homosexual persecution.

Check out Chapter 1 of Alan Turing: The Enigma for yourself here.

The other four finalists for the Scripter award included:

  • Gillian Flynn, author and screenwriter of Gone Girl
  • Novelist Thomas Pynchon and screenwriter Paul Thomas Anderson for Inherent Vice
  • Jane Hawking, author of Travelling to Infinity: My Life With Stephen, and screenwriter Anthony McCarten for The Theory of Everything
  • Screenwriter Nick Hornby for Wild, adapted from Cheryl Strayed’s memoir Wild: From Lost to Found on the Pacific Crest Trail

 

Princeton University Press launches The Digital Einstein Papers

DEP front page

Launching today, THE DIGITAL EINSTEIN PAPERS is a publicly available website of the collected and translated papers of Albert Einstein that allows readers to explore the writings of the world’s most famous scientist as never before.

Princeton, NJ – December 5, 2014 – Princeton University Press, in partnership with Tizra, Hebrew University of Jerusalem, and California Institute of Technology, announces the launch of THE DIGITAL EINSTEIN PAPERS (http://einsteinpapers.press.princeton.edu). This unique, authoritative resource provides full public access to the translated and annotated writings of the most influential scientist of the twentieth century: Albert Einstein.

“Princeton University Press has a long history of publishing books by and about Albert Einstein, including the incredible work found in The Collected Papers of Albert Einstein,” said Peter Dougherty, director of Princeton University Press. “We are delighted to make these texts openly available to a global audience of researchers, scientists, historians, and students keen to learn more about Albert Einstein. This project not only furthers the mission of the press to publish works that contribute to discussions that have the power to change our world, but also illustrates our commitment to pursuing excellence in all forms of publishing—print and digital.”

THE DIGITAL EINSTEIN PAPERS website presents the complete contents of The Collected Papers of Albert Einstein, and, upon its launch, the website—http://einsteinpapers.press.princeton.edu—will contain 5,000 documents covering the first forty-four years of Einstein’s life, up to and including the award of the Nobel Prize in Physics and his long voyage to the Far East. Additional material will be available on the website approximately eighteen months after the print publication of new volumes of The Collected Papers. Eventually, the website will provide access to all of Einstein’s writings and correspondence, accompanied by scholarly annotation and apparatus.

What sorts of gems will users discover in THE DIGITAL EINSTEIN PAPERS? According to Diana L. Kormos-Buchwald, director of the Einstein Papers Project, “This material has been carefully researched and annotated over the last twenty-five years and contains all of Einstein’s scientific and popular writings, drafts, lecture notes, and diaries, and his professional and personal correspondence up to his forty-fourth birthday—so users will discover major scientific articles on the general theory of relativity, gravitation, and quantum theory alongside his love letters to his first wife, correspondence with his children, and his intense exchanges with other notable scientists, philosophers, mathematicians, and political personalities of the early twentieth century.”

Buchwald also noted that THE DIGITAL EINSTEIN PAPERS will introduce current and future generations to important ideas and moments in history, saying, “It is exciting to think that thanks to the careful application of new technology, this work will now reach a much broader audience and stand as the authoritative digital source for Einstein’s written legacy.”

THE DIGITAL EINSTEIN PAPERS enables readers to experience the writings of Albert Einstein in unprecedented ways. Advance search technology improves discoverability by allowing users to perform keyword searches across volumes of Einstein’s writing and, with a single click, navigate between the original languages in which the texts were written and their English translations. Further exploration is encouraged by extensive explanatory footnotes, introductory essays, and links to the Einstein Archives Online, where there are thousands of high-quality digital images of Einstein’s writings.

The Tizra platform was selected for this project, according to Kenneth Reed, manager of digital production for Princeton University Press, because of its highly flexible, open, and intuitive content delivery approach, and its strong reputation for reliability. Equally important was creating a user-friendly reading experience.

“One of the reasons we chose Tizra is that we wanted to preserve the look and feel of the volumes,” said Reed. “You’ll see the pages as they appear in the print volumes, with added functionality such as linking between the documentary edition and translation, as well as linking to the Einstein Archives Online, and the ability to search across all the volumes in English and German.”

THE DIGITAL EINSTEIN PAPERS is an unprecedented scholarly collaboration that highlights what is possible when technology, important content, and a commitment to global scholarly communication are brought together. We hope you will join us in celebrating this achievement and invite you to explore Einstein’s writings with the links below.

Work on THE DIGITAL EINSTEIN PAPERS was supported by the Harold W. McGraw, Jr. endowment, the California Institute of Technology, the National Science Foundation, the National Endowment for the Humanities, and the Arcadia Fund, U.K.

A Sampling of Documents Found in THE DIGITAL EINSTEIN PAPERS

Website: http://einsteinpapers.press.princeton.edu

“My Projects for the Future” — In this high school French essay, a seventeen-year-old Einstein describes his future plans, writing that “young people especially like to contemplate bold projects.”

Letter to Mileva Marić — The first volume of The Collected Papers of Albert Einstein revealed that the young Einstein had fathered an illegitimate daughter. In this letter to his sweetheart and future wife, Einstein, age twenty-two, expresses his happiness at the birth of his daughter Lieserl, and asks about her health and feeding.

Einstein’s first job offer — Einstein graduated from university in 1900, but had great difficulty finding academic employment. He received this notice of his appointment as a technical clerk at the Swiss Patent Office in June 1902 and would later describe his time there as happy and productive.

“On the Electrodynamics of Moving Bodies” — Einstein’s 1905 paper on the special theory of relativity is a landmark in the development of modern physics.

“On a Heuristic Point of View Concerning the Production and Transformation of Light” — Einstein received the Nobel Prize in Physics for this paper on the hypothesis of energy quanta.

The telegram informing that Einstein he has won the Nobel Prize — Einstein was traveling in the Far East when he officially learned via telegram that he had been awarded the prize. However, he had long been expecting the prize, as evidenced by a clause regarding its disposition in a preliminary divorce agreement from Mileva in 1918.

“The Field Equations of Gravitation” — Einstein spent a decade developing the general theory of relativity and published this article in late 1915.

To his mother Pauline Einstein — Einstein writes to his ailing mother to share the happy news that his prediction of gravitational light bending was confirmed by a British eclipse expedition in 1919.

To Heinrich Zangger, on the mercurial nature of fame — Having been propelled to world fame, Einstein writes to his friend about the difficulties of being “worshipped today, scorned or even crucified tomorrow.”

To Max Planck, on receiving credible death threats — Einstein writes that he cannot attend the Scientist’s Convention in Berlin because he is “supposedly among the group of persons being targeted by nationalist assassins.”

Four Lectures on the Theory of Relativity, held at Princeton University in May 1921 — On his first trip to the United States, Einstein famously delivered these lectures on the theory of relativity.


About The Collected Papers of Albert Einstein
The Collected Papers of Albert Einstein is one of the most ambitious publishing ventures ever undertaken in the documentation of the history of science. Selected from among more than 40,000 documents contained in Einstein’s personal collection, and 15,000 Einstein and Einstein-related documents discovered by the editors since the beginning of the Einstein Project, The Collected Papers provides the first complete picture of a massive written legacy. When completed, the series will contain more than 14,000 documents as full text and will fill thirty volumes. The volumes are published by Princeton University Press, sponsored by the Hebrew University of Jerusalem, and supported by the California Institute of Technology.
http://www.einstein.caltech.edu/

About Princeton University Press
Princeton University Press is an independent publisher with close connections, both formal and informal, to Princeton University. As such it has overlapping responsibilities to the University, the academic community, and the reading public. Our fundamental mission is to disseminate scholarship (through print and digital media) both within academia and to society at large.
http://press.princeton.edu | Twitter: @PrincetonUPress

About Tizra
Tizra’ digital publishing platform makes it easy to distribute and sell ebooks and other digital content directly to readers, with exceptional control over the user experience. Combining intuitive control panels with integrated ecommerce, SEO, mobile, multimedia, and content remixing capabilities, Tizra empowers content owners to respond quickly to market feedback and build audience relationships that will hold up over the long haul. The company is headquartered in Providence, Rhode Island, and funded in part by Rhode Island’s Slater Technology Fund.
http://tizra.com  |  Twitter: @tizra

Media contacts:

In North America, Australia, & Asia:
Jessica Pellien
Phone: (609) 258-7879
Fax: (609) 258-1335
jessica_pellien@press.princeton.edu
In Europe, Africa, & the Middle East:
Julia Hall
Phone: 1993-814-900
Fax: 1993-814-504
julia_hall@press.princeton.edu

Ai Weiwei exhibition at Blenheim Palace: Our UK publicity assistant investigates!

Visitors can expect to experience something different this autumn at Blenheim Palace. Tradition meets modernity as the 18th century baroque architecture of Blenheim, the birthplace of wartime British Prime Minister Sir Winston Churchill, is host to an exhibition of the artwork of Chinese artist and dissident Ai Weiwei.Ai weiwei sign

This exciting exhibition is especially relevant to Princeton University Press for two reasons: not only is Blenheim Palace a stone’s throw from Princeton University Press’s European office in Woodstock, Oxfordshire, but Princeton University Press published Ai Weiwei’s ‘Little Black Book’, Weiwei-isms, last year.

Weiwei-isms is a collection of quotes demonstrating Ai Weiwei’s thoughts on key aspects of his art, politics and life, carefully selected by Larry Warsh from articles, tweets and interviews.

“Everything is art. Everything is politics.” — Weiwei-isms

Like Weiwei-isms, the exhibition at Blenheim Palace clearly demonstrates Ai Weiwei’s commitment to art as a powerful political statement, as a means of reacting against injustice, and inspiring others to do the same.

Blenheim chandelier“I want people to see their own power.” – Weiwei-isms

This certainly becomes clear as you enter the exhibition. You are given a leaflet which serves as a guide to Ai’s artwork, dispersed throughout the rooms of the palace. Despite this, none of the artwork is signposted and it becomes the visitor’s responsibility to seek it out and take meaning and inspiration from what they see.

The collection brings together pieces created by the artist over the past 30 years. It is especially impressive given that it was curated remotely, Ai Weiwei having been under house arrest since 2011. The old and new are often brought together, with artefacts from the past being reimagined in novel ways. Take, for example, the Han Dynasty vases transformed beyond recognition by car paint or by being ‘rebranded’ with the Coca Cola logo.

Blenheim zodiacHis ‘Circle of Animals/Zodiac Heads’ (2010), previously displayed at a year-long exhibition at Princeton University, is also at Blenheim. This work is an ironic interpretation of the bronze zodiac head statues that were looted from the Emperor’s summer palace (Yuan Ming Yuan) in Beijing in 1860.

Other highlights include ‘He Xie’ (2012), a work comprised of 2,300 porcelain crabs on the floor of the Red Drawing Room (‘He Xie’, meaning ‘river crabs’, puns on the Chinese phrase for ‘harmony’).

While some pieces are the first thing you see when you walk into a room, other pieces are integrated more subtly into the sumptuous interiors of Blenheim Palace. The Wave Plate (2014) is seamlessly integrated into the lavish table decoration as the centrepiece in the Salon, and a pair of handcuffs made of Huali wood (2012) – a reminder of Ai Weiwei’s current situation – placed suggestively on the bed in Churchill’s birth room might escape your attention due to the large number of visitors moving from room to room, all engrossed in the same treasure hunt as you.

Blenheim crabsAll in all, the collaboration between Blenheim Palace and Ai Weiwei really does merit a visit. Ai Weiwei’s work is all the more interesting and thought-provoking for being situated in the context of Blenheim Palace and its grounds.

The exhibition at Blenheim Palace highlights the ‘clash’ of the old and new, which is indeed something that is key to much of Ai Weiwei’s work.

“If a nation cannot face its past, it has no future.” – Weiwei-isms

In years to come, the Ai Weiwei exhibition at Blenheim Palace is sure to become part of the artist’s legacy and a poignant reminder of his struggle for justice and truth.

“The art always wins. Anything can happen to me, but the art will stay.” – Weiwei-isms

The exhibition runs until 14th December.

PUP News of the World — November 19, 2014

NewsOfTheWorld_Banner

Each week we post a round-up of some of our most exciting national and international PUP book coverage. Reviews, interviews, events, articles — this is the spot for coverage of all things “PUP books” that took place in the last week. Enjoy!


The Original Folk and Fairy Tales

of the Brothers Grimm

These are not the bedtime stories that you remember.

When Jacob and Wilhelm Grimm published their Children’s and Household Tales in 1812, followed by a second volume in 1815, they had no idea that such stories as “Rapunzel,” “Hansel and Gretel,” and “Cinderella” would become the most celebrated in the world. Yet few people today are familiar with the majority of tales from the two early volumes, since in the next four decades the Grimms would publish six other editions, each extensively revised in content and style.

For the very first time, The Original Folk and Fairy Tales of the Brothers Grimm makes available in English all 156 stories from the 1812 and 1815 editions. These narrative gems, newly translated and brought together in one beautiful book, are accompanied by sumptuous new illustrations from award-winning artist Andrea Dezsö.

The 156 stories in the Complete First Edition are raw, authentic, and unusual. Familiar tales are spare and subversive: “Rapunzel” ends abruptly when the title character gets pregnant, and in “Little Snow White” and “Hansel and Gretel,” the wicked stepmother is actually a biological mother. Unfamiliar tales such as “How Some Children Played at Slaughtering” were deleted, rewritten, or hidden in scholarly notes, but are restored to the collection here.

The Guardian interviewed author Jack Zipes for a piece on the Grimms and their tales. Here is a sneak peak of the article:

Wilhelm Grimm, said Zipes, “deleted all tales that might offend a middle-class religious sensitivity”, such as How Some Children Played at Slaughtering. He also “added many Christian expressions and proverbs”, continued Zipes, stylistically embellished the tales, and eliminated fairies from the stories because of their association with French fairy tales. “Remember, this is the period when the French occupied Germany during the Napoleonic wars,” said Zipes. “So, in Briar Rose, better known as Sleeping Beauty, the fairies are changed into wise women. Also, a crab announces to the queen that she will become pregnant, not a frog.”

Check out the full article on the Guardian‘s website.

On the other side of the pond, USA Today takes a look at the book in a piece entitled “These Grimm fairy tales are not for the kiddies,”  and cheezburger.com warns that “your kids may never sleep again.” Take a look for yourself — view Chapter One, The Frog King, or Iron Henry.

Our friends at the Times in South Africa and at NRC Handelsblad in Germany also discuss the book this week. Zipes discusses the book on Monocle radio.

now 11.19

 Alan Turing: The Enigma: The Book That Inspired the Film The Imitation Game

 

It is only a slight exaggeration to say that the British mathematician Alan Turing (1912-1954) saved the Allies from the Nazis, invented the computer and artificial intelligence, and anticipated gay liberation by decades–all before his suicide at age forty-one. This year, his story comes to a theater near you — The Imitation Game starring Benedict Cumberbatch and Keira Knightley is due out before the end of the year. And the inspiration for the script sits on a shelf here in Princeton: Alan Turing: The Enigma by Andrew Hodges.

This acclaimed biography of the founder of computer science, with a new preface by the author that addresses Turing’s royal pardon in 2013, is the definitive account of an extraordinary mind and life. Capturing both the inner and outer drama of Turing’s life, Andrew Hodges tells how Turing’s revolutionary idea of 1936–the concept of a universal machine–laid the foundation for the modern computer and how Turing brought the idea to practical realization in 1945 with his electronic design.

The book also tells how this work was directly related to Turing’s leading role in breaking the German Enigma ciphers during World War II, a scientific triumph that was critical to Allied victory in the Atlantic. At the same time, this is the tragic account of a man who, despite his wartime service, was eventually arrested, stripped of his security clearance, and forced to undergo a humiliating treatment program–all for trying to live honestly in a society that defined homosexuality as a crime.

As it is released in the UK, the Guardian takes a look at the film. Hodges provides comments for the piece:

Andrew Hodges, who published the first substantial biography of Turing, Alan Turing: The Enigma, in 1983, suggests that “the production and presentation of the new film [reflects] underlying cultural and political changes” of the last decade and a half – leading to Gordon Brown’s posthumous apology to Turing in 2009, and subsequent royal pardon in 2013.

Hodges said: “Obviously the changes that happened in the UK under the Labour government of 1997-2010, when a robust principle of equality was established in civil society, have made a big difference. Gordon Brown’s 2009 apology was a good example of those changes, and his words seemed to encourage a lot of other people to take the historical question as a serious human rights issue.”

Express reviews The Imitation Game, noting that:

Turing should be a national treasure, honoured for his extraordinary achievement in solving the fiendish mysteries of the greatest encryption device in history. He helped turn the tide against the Nazis. Without Turing the age of the computer might never have come to pass as quickly as it did.

Engineering and Technology magazine interviews Andrew Hodges — check out one of the questions below:

Q: The blue plaque at Alan Turing’s birthplace that you unveiled in 1998 describes Turing as ‘code-breaker and pioneer of computer science’. Are these six words a good crystallisation of the man, or do we need to expand upon them?

A: Turing would have described himself as a mathematician. I think it’s fair to unpack that and describe some of the things he did. The two things he did which are most distinctive are that he founded the whole concept of computer science, upon which everything in computer science theory is now based. And the other thing was his work during the Second World War, which was extremely important cryptanalysis.

Although what he did often seems abstruse, he was unusual in that he was very alive to engineering and the concrete application of difficult ideas. The best example of that is in his code-breaking work. But you can see it in everything he did. Computer science is all about linking logical possibilities with the physical reality. There are lots of paradoxes in Turing’s life, but this is the central theme.

Begin cracking the code by reading Chapter One of Alan Turing: The Enigma.

 

 

University Press Week is next week! #UPWeek

Monday is the start of University Press Week! Join us as we highlight the extraordinary work of nonprofit scholarly publishers and their many contributions to culture, the academy, and an informed society.

What is #UPWeek you ask?

In the summer of 1978, President Jimmy Carter proclaimed a University Press Week “in recognition of the impact, both here and abroad, of American university presses on culture and scholarship.” That influence continues today, as does the increasing vitality of university press publishing programs, the many ways and means by which works are now produced and distributed, and the urgent need for articulate discourse in times pervaded by sound bites. Pretty cool, huh?

This year, we have a lot to celebrate.

All week long, 31 different university presses will be bringing you the latest and greatest news, including what’s trending in their offices, on their shelves, and in their plans for the future. Every day, tune in here for a new roundup of posts from university presses. We’ll visit MIT on out to the University of Washington, with many stops in between. This year’s topics include:

upress week topics

We begin the week with a look at what’s new in press collaboration, and then we’ll give you an inside look at our presses. Can you spot university presses in pop culture? Just you wait — on Wednesday, we’ll provide the latest scoop. Then on Thursday, we take a look back at some terrific projects that have put university presses on the map. On Friday, we’ll recommend some topics and authors for you to follow — in addition to a discussion of social media.

Gearing Up

So what can you do to prep for a week of enlightening posts and great conversations? Check out this map of university presses to find which is closest to you. When it comes to university presses, you’re among friends — lots of them. The AAUP has over 130 members, all sharing a common commitment to scholarship, the academy, and society.

See you back here on Monday!

Upress week

common commitments to scholarship, the academy, and society – See more at: http://www.aaupnet.org/#sthash.ZdvOvvjy.dpuf
common commitments to scholarship, the academy, and society – See more at: http://www.aaupnet.org/#sthash.ZdvOvvjy.dpuf
common commitments to scholarship, the academy, and society – See more at: http://www.aaupnet.org/#sthash.ZdvOvvjy.dpuf

PUP News of the World — October 23, 2014

NewsOfTheWorld_Banner

Each week we post a round-up of some of our most exciting national and international PUP book coverage. Reviews, interviews, events, articles — this is the spot for coverage of all things “PUP books” that took place in the last week. Enjoy!


Do Zombies Dream of Undead Sheep?

Just in time for your spooky Halloween week, the living dead has been spotted lurking in your local bookstore. But where? Check in the neuroscience section. Yes, you read that right.

With their endless wandering, lumbering gait, insatiable hunger, antisocial behavior, and apparently memory-less existence, zombies are the walking nightmares of our deepest fears. What do these characteristic behaviors reveal about the inner workings of the zombie mind? Could we diagnose zombism as a neurological condition by studying their behavior?

In Do Zombies Dream of Undead Sheep?: A Neuroscientific View of the Zombie Brain, neuroscientists and zombie enthusiasts Timothy Verstynen and Bradley Voytek apply their neuro-know-how to dissect the puzzle of what has happened to the zombie brain to make the undead act differently than their human prey.

Do Zombies Dream of Undead Sheep? is featured on Nerdist. Science editor Kyle Hill writes:

“Neuroscientists and zombie enthusiasts Timothy Verstynen and Bradley Voytek have recently come out with a new book called Do Zombies Dream of Undead Sheep?, in which they apply their neuroscience backgrounds to an investigation of the undead. It’s filled with pages of increasingly nerdy explorations of zombie behavior, and I highly recommend it, but what really caught my eye was the authors’ conclusion: All the walking dead have Consciousness Deficit Hypoactivity Disorder, or CDHD.”

Don’t be scared… check out this TED-Ed talk by Verstynen and Voytek (“Diagnosing a zombie: Brain and behavior”).

Do Zombies Dream of Undead Sheep? was also featured on the blog of the NPR-affiliate in San Diego KPBS and featured in U-T San Diego.

It’s all fun until someone gets bitten. While you still can, take a look at the introduction.

now 10.23

Cowardice

“Are you afraid to finish your book?” So begins a recent piece in the Times Higher Education by PUP author Chris Walsh. He continues:

My colleague was in the habit of needling his fellow scholars with this question. It struck particularly deep with me, because my book was about being afraid – or rather, it was about being excessively afraid and therefore failing to do what you should do. It was about cowardice.

For twenty years, Walsh has studied the topic of cowardice. What exactly is cowardice? When terrorists are called cowards, does it mean the same as when the term is applied to soldiers? And what, if anything, does cowardice have to do with the rest of us? His new book, fittingly named Cowardice: A Brief History, brings together sources from court-martial cases to literary and film classics such as Dante’s Inferno, The Red Badge of Courage, and The Thin Red Line, to recount the great harm that both cowards and the fear of seeming cowardly have done.

Walsh traces the idea of cowardice’s power to its evolutionary roots. But he also shows that this power has faded, most dramatically on the battlefield. Misconduct that earlier might have been punished as cowardice has more recently often been treated medically, as an adverse reaction to trauma, and Walsh explores a parallel therapeutic shift that reaches beyond war, into the realms of politics, crime, philosophy, religion, and love.

Cowardice is also reviewed on a Psychology Today blog. Glenn Altschuler writes:

“… a fresh and fascinating examination of the use of the term on – and off – the primal theater of cowardice, the battlefield.  Drawing on research in evolutionary biology as well as an informed interpretation of American history and literature, Walsh analyzes the relationship between courage and cowardice, the tendency to characterize men and not women as cowards, and the distinction between physical and moral cowardice.  Most important, Walsh argues, provocatively and persuasively, that over the past century the idea of cowardice has faded in significance, especially in military settings, and reappeared with somewhat different connotations.”

Check out this coverage of Cowardice in Inside Higher Ed, and preview the introduction for yourself.

 

PUP News of the World — October 10, 2014

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Each week we post a round-up of some of our most exciting national and international PUP book coverage. Reviews, interviews, events, articles — this is the spot for coverage of all things “PUP books” that took place in the last week. Enjoy!


The Social Life of Money

Mobile money and Bitcoin — questions about the nature of money have gained a new urgency in the aftermath of the global financial crisis. Even as many people have less of it, there are more forms and systems of money. In The Social Life of Money, Nigel Dodd, one of today’s leading sociologists of money, reformulates the theory of the subject for a postcrisis world in which new kinds of money are proliferating.

What counts as legitimate action by central banks that issue currency and set policy? What underpins the right of nongovernmental actors to create new currencies? And how might new forms of money surpass or subvert government-sanctioned currencies? To answer such questions, The Social Life of Money takes a fresh and wide-ranging look at modern theories of money.

The Social Life of Money is reviewed in the Financial Times. Pietra Rivoli writes:

“Dodd presents a wide-ranging and sophisticated review and integration of the academic work related to alternative conceptions of modern money….[T]his is a richly rewarding book. Those of us accustomed to thinking of money as something we exchange for beer and pizza will never again have such a simple story.”

We’re putting our money where our mouth is — preview the introduction of The Social Life of Money and see how Dodd’s argument adds up.

The Copyright Wars

Today’s copyright wars can seem unprecedented. Sparked by the digital revolution that has made copyright—and its violation—a part of everyday life, fights over intellectual property have pitted creators, Hollywood, and governments against consumers, pirates, Silicon Valley, and open-access advocates.

But while the digital generation can be forgiven for thinking the dispute between, for example, the publishing industry and Google is completely new, the copyright wars in fact stretch back three centuries—and their history is essential to understanding today’s battles. The Copyright Wars—the first major trans-Atlantic history of copyright from its origins to today—tells this important story.

Peter Baldwin explains why the copyright wars have always been driven by a fundamental tension. Should copyright assure authors and rights holders lasting claims, much like conventional property rights, as in Continental Europe? Or should copyright be primarily concerned with giving consumers cheap and easy access to a shared culture, as in Britain and America? The Copyright Wars describes how the Continental approach triumphed, dramatically increasing the claims of rights holders.

An interview with Peter Baldwin ran in Publishers Weekly’s Frankfurt Show Daily issue (check out pages 34-36!).

Here is a sneak peak:

Andrew Richard Albanese: Why the title Copyright Wars? Has copyright historically been a war zone?

Peter Baldwin: There are two wars, partly overlapping. The historical war, which the book, as a work of history deals with, examines opposing visions of authors’ rights. Should copyright be seen as a temporary monopoly granted authors in order to stimulate them to further creativity? Or should copyright be seen as a form of property, much like more conventional property, that belongs to its owner wholly and perpetually.

That war was largely won by the mid-20th century when the US adopted the European position of strong authorial rights, and the British, as founding members of the Berne Convention, were pulled along by their international obligations in the same direction. But as digital technologies became widespread ad, the whole battle erupted anew. Digital has made it possible to reproduce and distribute almost for free. How were authors and owners going to assert claims to their works, now that they were no longer protected by the sheer physical inconvenience of the old analogue techniques of reproduction and distribution?

Be sure to take a look at the full interview!

The Copyright Wars was also reviewed on the Huffington Post by Glenn C. Altschuler. He writes:

“Baldwin has provided an often fascinating account of debates over intellectual property, including the defense of the moral rights of authors in Fascist Italy and Nazi Germany. Most important, Baldwin makes a compelling case that although claims to intellectual property have strengthened over the last three hundred years, they do not rest in nature. Intellectual property is, in fact, ‘a contingent, socially created right, in thrall to what the lawmakers of the day’ decide it is.”

Check out Chapter One for yourself.

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