|Empty Houses: Theatrical Failure and the Novel by David Kurnick and The Rise and Fall of Meter: Poetry and English National Culture, 1860–1930 by Meredith Martin are co-Winners of the 2013 Sonia Rudikoff Prize, Northeast Victorian Studies Association. Congratulations!The Rudikoff Prize was awarded for the best first book in Victorian Studies published in 2012. Here’s a bit more about the award from their web site:“The Sonya Rudikoff Award was established by the Robert Gutman family in honor of Mr. Gutman’s late wife. Ms. Rudikoff was an active member of the Northeast Victorian Studies Association and a recognized scholar. Her book, Ancestral Houses: Virginia Woolf and the Aristocracy, was published posthumously. A text nominated for this award should be the author’s first book, and the subject should address Victorian literature and/or culture. Our focus is on Victorian Great Britain and the Empire, though we will consider texts that are transatlantic in focus. We will not, however, consider texts that are strictly American Victorian.”
Link to the list of current and past winners: http://www.nvsa.org/rudikoff3.htm
Congratulations to David Kurnick and Meredith Martin!
We are delighted that the following Princeton authors will be speaking at the Oxford Literary Festival in Oxford, UK, in the last week of March. Details of all events can be found at the links below:
Jacqueline and Simon Mitton, husband and wife popular astronomy writers and authors of From Dust to Life: The Origin and Evolution of Our Solar System and Heart of Darkness: Unraveling the Mysteries of the Invisible Universe respectively, will be speaking on Monday 24 March at 4:00pm http://oxfordliteraryfestival.org/literature-events/2014/Monday-24/in-search-of-our-cosmic-origins-from-the-big-bang-to-a-habitable-planet
David Edmonds, author of Would You Kill the Fat Man? The Trolley Problem and What Your Answer Tells Us about Right and Wrong will be speaking on Monday 24 March at 6:00pm http://oxfordliteraryfestival.org/literature-events/2014/Monday-24/morality-puzzles-would-you-kill-the-fat-man
Robert Bartlett, author of Why Can the Dead Do Such Great Things? Saints and Worshippers from the Martyrs to the Reformation will be speaking on Tuesday 25 March at 2:00pm http://oxfordliteraryfestival.org/literature-events/2014/Tuesday-25/why-can-the-dead-do-such-great-things
Michael Scott, author of Delphi: A History of the Center of the Ancient World will be speaking on Wednesday 26 March at 10:00am http://oxfordliteraryfestival.org/literature-events/2014/Wednesday-26/delphi-a-history-of-the-centre-of-the-ancient-world
Simon Blackburn, author of Mirror, Mirror: The Uses and Abuses of Self-Love will be speaking on Wednesday 26 March at 4:00pm http://oxfordliteraryfestival.org/literature-events/2014/Wednesday-26/mirror-mirror-the-uses-and-abuses-of-self-love
Roger Scruton author of the forthcoming The Soul of the World will be speaking Thursday 27 March 12:00pm http://oxfordliteraryfestival.org/literature-events/2014/Thursday-27/the-soul-of-the-world
Alexander McCall Smith, author of What W. H. Auden Can Do for You will be speaking about how this poet has enriched his life and can enrich yours too on Friday 28 March at 12:00pm http://oxfordliteraryfestival.org/literature-events/2014/Friday-28/what-w-h-auden-can-do-for-you
Averil Cameron, author of Byzantine Matters will be speaking on Friday 28 March at 2:00pm http://oxfordliteraryfestival.org/literature-events/2014/Friday-28/byzantine-matters
Edmund Fawcett, author of Liberalism: The Life of an Idea will be speaking on Saturday 29 March at 10:00am http://oxfordliteraryfestival.org/literature-events/2014/Saturday-29/liberalism-the-life-of-an-idea
In addition, Ian Goldin will be giving the inaugural “Princeton Lecture” at The Oxford Literary Festival, on the themes within his forthcoming book, The Butterfly Defect: How Globalization Creates Systemic Risks, and What to Do about It on Thursday 27 March at 6:00pm http://oxfordliteraryfestival.org/literature-events/2014/Thursday-27/the-princeton-lecture-the-butterfly-defect-how-globalisation-creates-system
Earlier this week, close to one hundred humanities lovers gathered for a discussion around the Dictionary of Untranslatables: A Philosophical Lexicon with editors Emily Apter, Jacques Lezra, and Michael Wood, due out this month from Princeton University Press.
Please enjoy this video of the entire event, the first in this season’s Great New Books in the Humanities series co-sponsored by the Humanities Initiative and by the New York Institute for the Humanities at New York University:
Please enjoy Gillen D’Arcy Wood discussing his new book TAMBORA: The Eruption That Changed the World, due out from Princeton University Press in May.
Be among the first to browse and download our new literature catalog!
Of particular interest is the Dictionary of Untranslatables: A Philosophical Lexicon edited by Barbara Cassin. This is an encyclopedic dictionary of close to 400 important philosophical, literary, and political terms and concepts that defy easy—or any—translation from one language and culture to another. Drawn from more than a dozen languages, terms such as Dasein (German), pravda (Russian), saudade (Portuguese), and stato (Italian) are thoroughly examined in all their cross-linguistic and cross-cultural complexities. Spanning the classical, medieval, early modern, modern, and contemporary periods, these are terms that influence thinking across the humanities. The entries, written by more than 150 distinguished scholars, describe the origins and meanings of each term, the history and context of its usage, its translations into other languages, and its use in notable texts. The dictionary also includes essays on the special characteristics of particular languages—English, French, German, Greek, Italian, Portuguese, Russian, and Spanish.
Also be sure to note The Lives of the Novel: A History by Thomas G. Pavel. This is a boldly original history of the novel from ancient Greece to the vibrant world of contemporary fiction. Thomas Pavel argues that the driving force behind the novel’s evolution has been a rivalry between stories that idealize human behavior and those that ridicule and condemn it. Impelled by this conflict, the novel moved from depicting strong souls to sensitive hearts and, finally, to enigmatic psyches. Pavel makes his case by analyzing more than a hundred novels from Europe, North and South America, Asia, and beyond. The result is a wide-ranging survey of the novel and a provocative reinterpretation of its development.
And don’t miss out on Moral Imagination: Essays by David Bromwich. Spanning many historical and literary contexts, Moral Imagination brings together a dozen recent essays by one of America’s premier cultural critics. David Bromwich explores the importance of imagination and sympathy to suggest how these faculties may illuminate the motives of human action and the reality of justice. These wide-ranging essays address thinkers and topics from Gandhi and Martin Luther King on nonviolent resistance, to the dangers of identity politics, to the psychology of the heroes of classic American literature.
Even more foremost titles in literature can be found in the catalog. You may also sign up with ease to be notified of forthcoming titles at http://press.princeton.edu/subscribe/. Your e-mail address will remain confidential!
If you’re heading to the Modern Language Association’s annual meeting in Chicago, IL, January 9th-12th come visit us at booth 326. We’ll be hosting a reception to celebrate the publication of the Dictionary of Untranslatables Friday, January 10th 4:00-5:00 at our booth. Also follow #MLA14 and @PrincetonUnivPress on Twitter for updates and information on our new and forthcoming titles throughout the meeting. See you there!
When someone thinks of Princeton University Press, “sexy” probably isn’t one of the first adjectives that come to mind. And yet, one of our most recently published books is the fifth and final volume of a series translated from an ancient Chinese novel that has a certain, ahem, erotic nature.
Translated by David Tod Roy, The Plum in the Golden Vase or, Chin P’ing Mei focuses on the domestic life of Hsi-men Ch’ing, a corrupt, upwardly mobile merchant in a provincial town, who maintains a harem of six wives and concubines. This work, known primarily for its erotic realism, is also a landmark in the development of the narrative art form–not only from a specifically Chinese perspective but in a world-historical context.
In a recent New York Times review, Jennifer Schuessler called it “the first long Chinese narrative to focus not on mythical heroes or military adventures, but on ordinary people and everyday life, chronicled down to the minutest details of food, clothing, household customs, medicine, games and funeral rites, with exact prices given for just about everything, including the favor of bribe-hungry officials up and down the hierarchy.”
This might not be quite the same as the raunchy love between Anastasia and Christian in 50 Shades of Grey, but I’ve heard some pretty risque things about Chapter 27, so watch out!
Author Ruth R. Wisse will be making several appearances in the next couple of months to discuss her new book, No Joke: Making Jewish Humor. In this book, Ruth Wisse evokes and applauds the genius of spontaneous Jewish joking–as well as the brilliance of comic masterworks by writers like Heinrich Heine, Sholem Aleichem, Isaac Babel, S. Y. Agnon, Isaac Bashevis Singer, and Philip Roth. At the same time, Wisse draws attention to the precarious conditions that have called Jewish humor into being–and the price it may exact from its practitioners and audience.
The first two events will be held in October, the first being October 16th from 6:30-8:30 PM at the Mid-Manhattan Public Library. To learn more about the event, click here.
The second event will be held at the Princeton Public Library in the Community Room on October 17th from 7:00-9:00 PM. To learn more about the event, click here.
For both events, Wisse will discuss “No Joke: Making Jewish Humor,” her book about the most celebrated of all Jewish responses to modernity.
At a recent event for the Humanities Initiative at New York University, authors John T. Hamilton and Emily Apter spoke about their new books and their views on comparative literature.
John T. Hamilton is professor of comparative literature at Harvard University. He is the author of Music, Madness, and the Unworking of Language and Soliciting Darkness: Pindar, Obscurity, and the Classical Tradition. His most recent book, Security: Politics, Humanity, and the Philology of Care, addresses how “security” has become one of the most overused words in culture and politics today. In this original and timely book, John Hamilton examines the discursive versatility and semantic vagueness of security both in current and historical usage.
His discussion can be found here.
Emily Apter is professor of comparative literature and French at New York University. Her book, The Translation Zone: A New Comparative Literature, argues that the field of translation studies, habitually confined to a framework of linguistic fidelity to an original, is ripe for expansion as the basis for a new comparative literature. Her newest project, Dictionary of Untranslatables: A Philosophical Lexicon, is an encyclopedic dictionary of close to 400 important philosophical, literary, and political terms and concepts that defy easy–or any–translation from one language and culture to another.
Her discussion can be found here.
According to the dominant tradition of literary criticism, the novel is the form par excellence of the private individual. Empty Houses challenges this consensus by reexamining the genre’s development from the mid-nineteenth to the mid-twentieth century and exploring what has until now seemed an anomaly–the frustrated theatrical ambitions of major novelists. Offering new interpretations of the careers of William Makepeace Thackeray, George Eliot, Henry James, James Joyce, and James Baldwin–writers known for mapping ever-narrower interior geographies–this book argues that the genre’s inward-looking tendency has been misunderstood. Delving into the critical role of the theater in the origins of the novel of interiority, David Kurnick reinterprets the novel as a record of dissatisfaction with inwardness and an injunction to rethink human identity in radically collective and social terms.
Exploring neglected texts in order to reread canonical ones, Kurnick shows that the theatrical ambitions of major novelists had crucial formal and ideological effects on their masterworks. Investigating a key stretch of each of these novelistic careers, he establishes the theatrical genealogy of some of the signal techniques of narrative interiority. In the process he illustrates how the novel is marked by a hunger for palpable collectivity, and argues that the genre’s discontents have been a shaping force in its evolution.
A groundbreaking rereading of the novel, Empty Houses provides new ways to consider the novelistic imagination.
David Kurnick is assistant professor of English at Rutgers University.
Yesterday marked the fifth anniversary of the Lehman Brothers filing for bankruptcy in 2008, sending our economy into a tailspin. To note this occasion, we posted a list of some of our Top Banking Books to help people try to figure out what in the world is going on with our economy.
Along that same thread, today we have a special excerpt of The Bankers’ New Clothes: What’s Wrong with Banking and What to Do about It by Anat Admati & Martin Hellwig posted below. In this excerpt (pages 11-12 to be exact), Admati and Hellwig address the Lehman Brothers fall and the ripple affect it had on America and even other countries abroad.
As a whole, the book addresses how risks in banking can impose significant costs on the economy. Many think that a safer banking system would require sacrificing lending and economic growth, but Admati and Hellwig argue that we can have a safer and healthier banking system without sacrificing any of the benefits of the system, and at essentially no cost to society.
Check out the excerpt below!
The Fifth Anniversary of the Lehman Brothers Bankruptcy and Our Top 10 Books on Banking
Since the economic downturn in America, people have been paying much more attention to what is going on with their government, their spending, and most certainly their banks. As today is the fifth anniversary of the Lehman Brothers filing for bankruptcy (the largest bankruptcy filing in the history of the United States), we here at the Press thought we would help you all out a little by suggesting some of our best publications on bank failures, economic regulations, and financial crises. Fun topic for a lazy Sunday, right?
Click on the titles below to learn more about them, and don’t forget to check back tomorrow for an exclusive excerpt from our newest banking book this year: The Bankers’ New Clothes: What’s Wrong with Banking and What to Do about It by Anat Admati and Martin Hellwig.
1) The Bankers’ New Clothes: What’s Wrong with Banking and What to Do about It
By: Anat Admati & Martin Hellwig
What is wrong with today’s banking system? The past few years have shown that risks in banking can impose significant costs on the economy. Many claim, however, that a safer banking system would require sacrificing lending and economic growth. The Bankers’ New Clothes examines this claim and the narratives used by bankers, politicians, and regulators to rationalize the lack of reform, exposing them as invalid.
2) Debt’s Dominion: A History of Bankruptcy Law in America
By: David A. Skeel Jr.
David Skeel provides the first complete account of the remarkable journey American bankruptcy law has taken from its beginnings in 1800, when Congress lifted the country’s first bankruptcy code right out of English law, to the present day.
3) How Big Banks Fail and What to Do about It
By: Darrell Duffie
How Big Banks Fail and What to Do about It examines how large dealer banks (like J.P. Morgan and Goldman Sachs) collapse and how we can prevent the need to bail them out.
4) Unsettled Account: The Evolution of Banking in the Industrialized World since 1800
By: Richard S. Grossman
In Unsettled Account, Richard Grossman takes the first truly comparative look at the development of commercial banking systems over the past two centuries in Western Europe, the United States, Canada, Japan, and Australia. Grossman focuses on four major elements that have contributed to banking evolution: crises, bailouts, mergers, and regulations.
5) Why Are There So Many Banking Crises? The Politics and Policy of Bank Regulation
By: Jean-Charles Rochet
Almost every country in the world has sophisticated systems to prevent banking crises. Yet such crises–and the massive financial and social damage they can cause–remain common throughout the world. Jean-Charles Rochet, one of the world’s leading authorities on banking regulation, makes the case that, although many banking crises are precipitated by financial deregulation and globalization, political interference often causes–and almost always exacerbates–banking crises.
6) Appeasing Bankers: Financial Caution on the Road to War
By: Jonathan Kirshner
The financial world values economic stability above all else, and crises and war threaten that stability. Appeasing Bankers shows that, when faced with the prospect of war or international political crisis, national financial communities favor caution and demonstrate a marked aversion to war.
7) Codes of Finance: Engineering Derivatives in a Global Bank
By: Vincent Antonin Lépinay
Codes of Finance takes readers behind the scenes of the equity derivatives business at one of the world’s leading investment banks before the crisis, providing a detailed firsthand account of the creation, marketing, selling, accounting, and management of these financial instruments–and of how they ultimately created havoc inside and outside the bank.
8) Balancing the Banks: Global Lessons from the Financial Crisis
By: Mathias Dewatripont, Jean-Charles Rochet & Jean Tirole
Translated by: Keith Tribe
Bringing together three leading financial economists to provide an international perspective, Balancing the Banks draws critical lessons from the causes of the crisis and proposes important regulatory reforms, including sound guidelines for the ways in which distressed banks might be dealt with in the future.
9) Banking on the Future: The Fall and Rise of Central Banking
By: Howard Davies & David Green
Banking on the Future provides a fascinating insider’s look into how central banks have evolved and why they are critical to the functioning of market economies. The book asks whether, in light of the recent economic fallout, the central banking model needs radical reform.
10) Banks and Politics in America from the Revolution to the Civil War
By: Bray Hammond
Bray Hammond investigates into the role of banking in the formation of American society. Hammond, who was assistant secretary of the Board of Governors of the Federal Reserve System from 1944 to 1950, presents this 771-page book with a definitive account of how banking evolved in the United States in the context of the nation’s political and social development.
It would be easy to assume that, in the eighteenth century, slavery and the culture of taste–the world of politeness, manners, and aesthetics–existed as separate and unequal domains, unrelated in the spheres of social life. But to the contrary, Slavery and the Culture of Taste demonstrates that these two areas of modernity were surprisingly entwined. Ranging across Britain, the antebellum South, and the West Indies, and examining vast archives, including portraits, period paintings, personal narratives, and diaries, Simon Gikandi illustrates how the violence and ugliness of enslavement actually shaped theories of taste, notions of beauty, and practices of high culture, and how slavery’s impurity informed and haunted the rarified customs of the time.
Gikandi focuses on the ways that the enslavement of Africans and the profits derived from this exploitation enabled the moment of taste in European–mainly British–life, leading to a transformation of bourgeois ideas regarding freedom and selfhood. He explores how these connections played out in the immense fortunes made in the West Indies sugar colonies, supporting the lavish lives of English barons and altering the ideals that defined middle-class subjects. Discussing how the ownership of slaves turned the American planter class into a new aristocracy, Gikandi engages with the slaves’ own response to the strange interplay of modern notions of freedom and the realities of bondage, and he emphasizes the aesthetic and cultural processes developed by slaves to create spaces of freedom outside the regimen of enforced labor and truncated leisure.
Through a close look at the eighteenth century’s many remarkable documents and artworks, Slavery and the Culture of Taste sets forth the tensions and contradictions entangling a brutal practice and the distinctions of civility.
Simon Gikandi is the Robert Schirmer Professor of English at Princeton University.