|Join KGB Bar as they welcome Gary Whitehead, Jessica Greenbaum, and Anthony Carelli on May 8.Princeton University Press Contemporary Poets
May 08, 2013
7:00 pm – 9:00 pm
85 East 4th St.
NY, NY 10003
Gary J. Whitehead has authored three collections of poetry, the most recent of which is A Glossary of Chickens, chosen by Paul Muldoon for the Princeton University Press Contemporary Poets Series. His work has appeared in the New Yorker and has been featured on Garrison Keillor’s public radio program the Writer’s Almanac. He has been the recipient of a New York Foundation for the Arts Fellowship in Poetry. Whitehead teaches English at Tenafly High School in New Jersey and lives in New York’s Hudson Valley.
Jessica Greenbaum was born in Brooklyn in 1957, but didn’t ascend to residency there until 1987, after living stints in Long Island, Manhattan and Houston, TX. She is a winner of the Nation’s Discovery Award, PEN’s Emerging Writer Award and the Gerald Cable Prize for her first book, Inventing Difficulty. Her second book, The Two Yvonnes, came out from Princeton’s Contemporary Poets Series . She is the poetry editor for the annual upstreet and lives, with her family, in Ft. Greene, where she takes advantage of foot traffic going to the Brooklyn Flea to raise money for girls’ and women’s civil rights issues in the third world.
Anthony Carelli was raised in Poynette, Wisconsin and studied at the University of Wisconsin–Madison and New York University. In 2011 he was awarded a Hodder Fellowship at Princeton University. His poems have appeared in various magazines, including the New Yorker. His first book of poems, Carnations (Princeton, 2011), was named a finalist for the 2011 Levis Reading Prize. Anthony lives in Brooklyn, New York and teaches expository writing at New York University.
This week we have a couple of PUP books for any prospective Hogwarts student seeking placement in the Hufflepuff house. Hufflepuffs don’t really get too much attention; their only notable student was Cedric Diggory who was killed by He-Who-Can’t-Be-Named. Yet, Hufflepuffs value hard work, patience, loyalty, and fair play making them interested in some of our books about art and overall well-being.
1. No Joke: Making Jewish Humor by Ruth Wisse- This book is a perfect balance of scholarly and funny.
Humor is the most celebrated of all Jewish responses to modernity. In this book, Ruth Wisse evokes and applauds the genius of spontaneous Jewish joking–as well as the brilliance of comic masterworks by writers like Heinrich Heine, Sholem Aleichem, Isaac Babel, S. Y. Agnon, Isaac Bashevis Singer, and Philip Roth. At the same time, Wisse draws attention to the precarious conditions that have called Jewish humor into being–and the price it may exact from its practitioners and audience.
Wisse broadly traces modern Jewish humor around the world, teasing out its implications as she explores memorable and telling examples from German, Yiddish, English, Russian, and Hebrew. Among other topics, the book looks at how Jewish humor channeled Jewish learning and wordsmanship into new avenues of creativity, brought relief to liberal non-Jews in repressive societies, and enriched popular culture in the United States.
Even as it invites readers to consider the pleasures and profits of Jewish humor, the book asks difficult but fascinating questions: Can the excess and extreme self-ridicule of Jewish humor go too far and backfire in the process? And is “leave ‘em laughing” the wisest motto for a people that others have intended to sweep off the stage of history?
2. The Importance of Being Civil: The Struggle for Political Decency by John A. Hall- Knowing of Hufflepuffs’ desire for cooperation, they would probably praise this book and recommend it to those at the Ministry of Magic.
Civility is desirable and possible, but can this fragile ideal be guaranteed? The Importance of Being Civil offers the most comprehensive look at the nature and advantages of civility, throughout history and in our world today. Esteemed sociologist John Hall expands our understanding of civility as related to larger social forces–including revolution, imperialism, capitalism, nationalism, and war–and the ways that such elements limit the potential for civility. Combining wide-ranging historical and comparative evidence with social and moral theory, Hall examines how the nature of civility has fluctuated in the last three centuries, how it became lost, and how it was reestablished in the twentieth century following the two world wars. He also considers why civility is currently breaking down and what can be done to mitigate this threat.
Paying particular attention to the importance of individualism, of rules allowing people to create their own identities, Hall offers a composite definition of civility. He focuses on the nature of agreeing to differ over many issues, the significance of fashion and consumption, the benefits of inclusive politics on the nature of identity, the greater ability of the United States in integrating immigrants in comparison to Europe, and the conditions likely to assure peace in international affairs. Hall factors in those who are opposed to civility, and the various methods with which states have destroyed civil and cooperative relations in society.
3. Why Philanthropy Matters: How the Wealthy Give, and What it Means for Our Economic Well-Being by Zoltan Acs- I could see a Hufflepuff doing good magical deeds for others and this book shows the necessity of such deeds as philanthropy.
Philanthropy has long been a distinctive feature of American culture, but its crucial role in the economic well-being of the nation–and the world–has remained largely unexplored. Why Philanthropy Matters takes an in-depth look at philanthropy as an underappreciated force in capitalism, measures its critical influence on the free-market system, and demonstrates how American philanthropy could serve as a model for the productive reinvestment of wealth in other countries. Factoring in philanthropic cycles that help balance the economy, Zoltan Acs offers a richer picture of capitalism, and a more accurate backdrop for considering policies that would promote the capitalist system for the good of all.
Examining the dynamics of American-style capitalism since the eighteenth century, Acs argues that philanthropy achieves three critical outcomes. It deals with the question of what to do with wealth–keep it, tax it, or give it away. It complements government in creating public goods. And, by focusing on education, science, and medicine, philanthropy has a positive effect on economic growth and productivity. Acs describes how individuals such as Benjamin Franklin, Andrew Carnegie, Bill Gates, and Oprah Winfrey have used their wealth to establish institutions and promote knowledge, and Acs shows how philanthropy has given an edge to capitalism by promoting vital forces–like university research–necessary for technological innovation, economic equality, and economic security. Philanthropy also serves as a guide for countries with less flexible capitalist institutions, and Acs makes the case for a larger, global philanthropic culture.
4. A Glossary of Chickens: Poems by Gary Whitehead- For some lighter reading, Hufflepuffs would certainly enjoy this collection of poetry.
With skillful rhetoric and tempered lyricism, the poems in A Glossary of Chickens explore, in part, the struggle to understand the world through the symbolism of words. Like the hens of the title poem, Gary J. Whitehead’s lyrics root around in the earth searching for sustenance, cluck rather than crow, and possess a humble majesty.
Confronting subjects such as moral depravity, nature’s indifference, aging, illness, death, the tenacity of spirit, and the possibility of joy, the poems in this collection are accessible and controlled, musical and meditative, imagistic and richly figurative. They are informed by history, literature, and a deep interest in the natural world, touching on a wide range of subjects, from the Civil War and whale ships, to animals and insects. Two poems present biblical narratives, the story of Lot’s wife and an imagining of Noah in his old age. Other poems nod to favorite authors: one poem is in the voice of the character Babo, from Herman Melville’s Benito Cereno, while another is a kind of prequel to Emily Dickinson’s “She rose to His Requirement.”
As inventive as they are observant, these memorable lyrics strive for revelation and provide their own revelations.
Now that all four Hogwarts houses have their respective required reading lists, which house do you belong in?
Today is believed to be the day of William Shakespeare’s birth (and death!). Born in 1564, Shakespeare occupies a universal position as one of the greatest literary figures of all time. In celebration of all of his contributions to drama, poetry, literary history and more, we’ve compiled a reading list of our best books on Shakespeare’s life and works. Today, let’s celebrate the man who enriched language and our imaginations, and think of him as we read his own words, “Some are born great, some achieve greatness, and some have greatness thrust upon them.” (Twelfth Night, Act II, Scene V).
Lectures on Shakespeare
W. H. Auden, Edited by Arthur Kirsch
Here’s Chapter 1
Reflecting the twentieth-century poet’s lifelong engagement with the crowning masterpieces of English literature, these lectures add immeasurably to both our understanding of Auden and our appreciation of Shakespeare.
Shakespeare’s Festive Comedy: A Study of Dramatic Form and Its Relation to Social Custom
C. L. Barber, With a new foreword by Stephen Greenblatt
Check out Chapter 1
Revealing the interplay between social custom and dramatic form, the book shows how the Elizabethan antithesis between everyday and holiday comes to life in the comedies’ combination of seriousness and levity.
Shakespeare’s Brain: Reading with Cognitive Theory
Mary Thomas Crane
Here’s the Introduction
Crane reveals in Shakespeare’s texts a web of structures and categories through which meaning is created. The approach yields fresh insights into a wide range of his plays, including The Comedy of Errors, As You Like It, Twelfth Night, Hamlet, Measure for Measure, and The Tempest.
Hamlet in Purgatory
Winner of 2002 Erasmus Institute Book Prize
One of Choice’s Outstanding Academic Titles for 2001
Read Chapter 1
This book constitutes an extraordinary feat that could have been accomplished by only Stephen Greenblatt. It is at once a deeply satisfying reading of medieval religion, an innovative interpretation of the apparitions that trouble Shakespeare’s tragic heroes, and an exploration of how a culture can be inhabited by its own spectral leftovers.
Shakespeare and Elizabeth: The Meeting of Two Myths
Read the Introduction
Did William Shakespeare ever meet Queen Elizabeth I? There is no evidence of such a meeting, yet for three centuries writers and artists have been provoked and inspired to imagine it. This is the first book to explore the rich history of invented encounters between the poet and the Queen, and examines how and why the mythology of these two charismatic and enduring cultural icons has been intertwined in British and American culture.
Johann Gottfried Herder, Translated and edited by Gregory Moore
Here’s Chapter 1
One of the most important and original works in the history of literary criticism, this passionate essay pioneered a new, historicist approach to cultural artifacts by arguing that they should be judged not by their conformity to a set of conventions imported from another time and place, but by the effectiveness of their response to their own historical and cultural context.
Hamlet’s Arab Journey: Shakespeare’s Prince and Nasser’s Ghost
Read the Introduction
Documenting how global sources and models helped nurture a distinct Arab Hamlet tradition, this book represents a new approach to the study of international Shakespeare appropriation.
Double Vision: Moral Philosophy and Shakespearean Drama
Here’s Chapter 1
Developing an account of literature’s relation to knowledge, morality, and rhetoric, and advancing philosophical-literary readings of Richard III, Macbeth, Romeo and Juliet, Othello, Antony and Cleopatra, Hamlet, and King Lear, Zamir shows how his approach can open up familiar texts in surprising and rewarding ways.
Renowned historian Ayesha Jalal will visit the Hindi Urdu Flagship at University of Texas Austin today to launch her new book The Pity of Partition: Manto’s Life, Times, and Work across the India-Pakistan Divide. Jalal will give a seminar on her book at 3.30pm on April 11 in the Meyerson Conference Room, WCH 4.118. The seminar is free and open to the public.
For details, please check out the Hindi Urdu Flagship site: http://hindiurduflagship.org/2013/04/renowned-historian-ayesha-jalal-to-launch-new-book-at-huf/
Acclaimed author of Create Dangerously: The Immigrant Artist at Work Edwidge Danticat penned an op-ed for the Washington Post and also appeared on MSNBC’s The Cycle to discuss immigration and immigration reform in light of the release of over 2,200 immigrant detainees in February due to budgetary savings measures.
During my sophomore year of college I read Edwidge Danticat’s Brother, I’m Dying as part of required reading for my multicultural literature course. It was a good read and just one of various works by Danticat about immigration and immigration reform. Her most recent work, Create Dangerously: The Immigrant Artist at Work, discusses art and exile for artists from countries in turmoil.
In this deeply personal book, the celebrated Haitian-American writer Edwidge Danticat reflects on art and exile, examining what it means to be an immigrant artist from a country in crisis. Inspired by Albert Camus’ lecture, “Create Dangerously,” and combining memoir and essay, Danticat tells the stories of artists, including herself, who create despite, or because of, the horrors that drove them from their homelands and that continue to haunt them. Danticat eulogizes an aunt who guarded her family’s homestead in the Haitian countryside, a cousin who died of AIDS while living in Miami as an undocumented alien, and a renowned Haitian radio journalist whose political assassination shocked the world. Danticat writes about the Haitian novelists she first read as a girl at the Brooklyn Public Library, a woman mutilated in a machete attack who became a public witness against torture, and the work of Jean-Michel Basquiat and other artists of Haitian descent. Danticat also suggests that the aftermaths of natural disasters in Haiti and the United States reveal that the countries are not as different as many Americans might like to believe.
Create Dangerously is an eloquent and moving expression of Danticat’s belief that immigrant artists are obliged to bear witness when their countries of origin are suffering from violence, oppression, poverty, and tragedy.
Ayesha Jalal discusses the influential literary figure Saadat Hasan Manto and her upcoming book about him at the Lahore Literary Festival. Her book, The Pity of Partition: Manto’s Life, Times, and Work across the India-Pakistan Divide, presents an in-depth history of Manto and is available soon.
Our anxiously awaited Italo Calvino: Letters, 1941-1985, masterfully translated by Martin McLaughlin and with an introduction by the inimitable Michael Wood, is still forthcoming. But in the meantime, writer João Chiodini has created a quirky little Harlem Shake-meme video featuring some of Calvino’s greatest hits. (The video features Portuguese editions, but you get the idea.)
Don’t forget to check out one of the letters from the Calvino collection in the latest issue of Harper’s.
The Believer’s February issue featured an interview with Colin Dayan, author of The Law is a White Dog. Only a short excerpt is available on the web site, so pick up the full magazine to read the entire thing:
THE BELIEVER: Wait. You’re saying that the subjective component that matters here—in cases about prison cruelty—is not the prisoner’s experience but the state of mind of the alleged abuser? What matters is whether a guard or warden intended harm rather than whether the prisoner is harmed?
COLIN DAYAN: Exactly. No matter how much actual suffering is experienced by a prisoner, if you can’t establish that harm was intended, then the effect of that harm on the prisoner is not a matter for judicial review.
BLVR: And that’s a Supreme Court decision.
The timing of this interview is particularly good as a roundtable on The Law is a White Dog is planned for the Association for the Study of Law, Culture, and Humanities meetings at Birkbeck, University of London, March 22, 2013.
Fact: Les Misérables was one of the most popular novels of the nineteenth century and Tolstoy called it “the greatest of all novels.” The novel took seventeen years to complete. The first version of the manuscript was written in Paris between 1845 and 1848–Les Miséres–and the definitive version was written in Guernsey between 1860 and 1862.
The book lives on and new generations enjoy plays, musicals and movies based on Les Misérables. In The Temptation of the Impossible, one of the world’s great novelists, Mario Vargas Llosa, helps us to appreciate the incredible ambition, power, and beauty of Victor Hugo’s masterpiece and, in the process, presents a humane vision of fiction as an alternative reality that can help us imagine a different and better world.
We invite you to read the introduction:
The Temptation of the Impossible:
Victor Hugo and Les Misérables
by Mario Vargas Llosa, the 2010 Winner of the Nobel Prize in Literature
Translated by John King
We invite you to be among the first to check out our new literature catalog! http://press.princeton.edu/catalogs/lit13.pdf
Of particular interest is the fourth edition of The Princeton Encyclopedia of Poetry and Poetics, which no reader or writer of poetry will want to be without. Also be sure to note Simon Gikandi’s Slavery and the Culture of Taste, co-winner of the 2011 Modern Language Association’s James Russell Lowell Prize. The catalog also features our Essays in the Arts series including Alexander Nemerov’s stunning Wartime Kiss: Visions of the Moment in the 1940s and Leonard Barkan’s examination of the deliciously ambiguous history of the relationship between words and pictures, Mute Poetry, Speaking Pictures.
Forthcoming titles you’ll want to add to your reading list include the expertly rendered Italo Calvino: Letters, 1941-1985 selected and with an introduction by Michael Wood, Reiner Stach’s riveting Kafka biographies, and Ruth R. Wisse’s fascinating No Joke: Making Jewish Humor.
If you’re interested in hearing more about our literature titles, sign up with ease here: http://press.princeton.edu/subscribe/ Your email address will remain confidential!
We’ll see everyone at the meeting of the Modern Language Association January 3-6 in Boston, MA. Come visit us at booth 508! Be sure to stop by at 4:30 p.m. Friday, January 4th for a celebratory reception with the editors of the fourth edition of The Princeton Encyclopedia of Poetry and Poetics—the most comprehensive and authoritative poetry reference for more than four decades. Wine and cheese will be served!
Princeton University Press Director Peter Dougherty Speaks at the Lunch and Salon Hosted by the Association of American University Presses at the Princeton Club of New York
November 29, 2012: Peter Dougherty and several other press directors discuss the accomplishments of University Presses and the future direction of books at the salon gathering entitled “What’s Next for Publishing? Rethinking the University Press.” Dougherty answwered questions from a group of journalists spectating at the event:
Several comments picked up on ideas from Dougherty’s July 23 article for the Chronicle of Higher Education, entitled “The Global University Press.” As he wrote: “University presses can become an even larger and more influential force in the global theater of ideas by capitalizing on two converging trends: the growth of global scholarship and the expansion of digital communications networks.” Though university presses reach a smaller audience of readers, in difficult economic times and rapid technological change, they remain committed to their authors and, as Jordan said, will pursue the “new digital reader” and “champion the spirit of innovation.”
Click here to read the rest of the article on the official Publishers Weekly website: Panel Debates The Future of University Presses
Peter J. Dougherty was appointed Director of Princeton University Press at the March 2005 meeting of the Press’ board of trustees. “We sought an individual of broad editorial vision and were fortunate that the field of candidates was rich in such talents. Happily, however, we found Walter Lippincott’s successor right here at Princeton,” said W. Drake McFeely, chair of the Press’ board.
“Peter Dougherty has been instrumental in the Press’ success over the past 13 years,” he continued. “More than that, his 33 years of experience in publishing affords him a clear vision of how to build on Walter’s great achievements. I am delighted that he has agreed to lead the Press into its second century.”
McFeely, president and chair of W.W. Norton in New York, co-chaired the search committee with Princeton University Provost Christopher Eisgruber, who added, “Peter Dougherty will be a great leader for the Princeton University Press. He has distinguished himself as a brilliant editor of books about economics, and his list of authors and titles in that field is the envy of every other university press.
Read more about Princeton University Press Director, Peter Dougherty: Official Princeton University Press Website