|Books released during the week of October 6, 2014|
|The Bhagavad Gita:
Richard H. Davis
“This is an exciting book about an exciting book, namely, the Bhagavad Gita, a text in which Hinduism comes closest to possessing a universal scripture. Davis traces the varying course of its semantic trajectory through history with erudite clarity. A must-read for anyone interested in the Gita.”–Arvind Sharma, author of Gandhi: A Spiritual Biography
|Biomolecular Feedback Systems
Domitilla Del Vecchio & Richard M. Murray
“This is an excellent compendium of the most important techniques and results in the application of feedback and control to biomolecular systems. Biomolecular Feedback Systems is very timely, and a must-read for students and researchers.”–Ernesto Estrada, University of Strathclyde
|Birds of New Guinea:
Thane K. Pratt & Bruce M. Beehler
Illustrated by John C. Anderton & Szabolcs Kókay
Praise for the first edition:”This book is not only indispensable to any bird-watcher visiting New Guinea and the adjacent islands, but, owing to the wealth of its information, it will be of great interest to anyone who is seriously interested in birds.”–American Scientist
|Birds of Western Africa:
Nik Borrow & Ron Demey
Praise for the first edition:”Invaluable for serious birders and scientists working in or visiting the area. It would also make an excellent addition to a collection of field guides for home or office use.”–Condor
|The Birth of Hedonism:
The Cyrenaic Philosophers and Pleasure as a Way of Life
“The Cyrenaics were the earliest philosophical hedonists. Evidence for their views is limited, but Kurt Lampe combines expert historical scholarship and imaginative sympathy to offer a compelling account of what they believed, what it might have been like to inhabit their worldview, and why it matters today. His itinerary takes him in the end to Walter Pater, who offered late Victorians the profound experience and attractions of a ‘new Cyrenaicism.’ This is a learned and important book, in which Lampe, like Pater, brings aspects of a lost Greek philosophical past to life.”–Charles Martindale, University of Bristol and University of York
|Change They Can’t Believe In:
The Tea Party and Reactionary Politics in America
Christopher S. Parker & Matt A. Barreto
With a new afterword by the authors
“A scathing analysis of the Tea Party movement, linking it in spirit to the Ku Klux Klan and the John Birch Society. Taking today’s conservative populists to be dangerous and their ideas self-incriminating, the authors speculate that Tea Party supporters may perceive of social change as subversion. Based on research and interviews, they suggest racism, desire for social dominance . . . drives the Tea Party.”–Publishers Weekly
|The Fourth Pig
With a new introduction by Marina Warner
“At her best, Naomi Mitchison is forthright and witty, writes with brio and passion and lucidity, and conveys a huge appetite for life, for people, for new adventures, and for breaking through barriers.”–From the introduction by Marina Warner
|Genealogy of the Tragic:
Greek Tragedy and German Philosophy
“There is no body of work as important for understanding the idea of the tragic as German Idealism, which fundamentally changed modernity’s notions of tragedy. I can think of no better guide to these formidable writings than Joshua Billings, who takes the reader through them with clarity, deep knowledge, and revelatory exposition. A great achievement, this is a book that scholars and students of tragedy have needed for years.”–Simon Goldhill, University of Cambridge
|The Great Rebalancing:
Trade, Conflict, and the Perilous Road Ahead for the World Economy
With a new preface by the author
“[Michael Pettis is] a brilliant economic thinker.”–Edward Chancellor, Wall Street Journal
|How to Solve It:
A New Aspect of Mathematical Method
With a foreword by John Conway
“Every prospective teacher should read it. In particular, graduate students will find it invaluable. The traditional mathematics professor who reads a paper before one of the Mathematical Societies might also learn something from the book: ‘He writes a, he says b, he means c; but it should be d.’”–E. T. Bell, Mathematical Monthly
The Legacy of the Patriarch in Judaism, Christianity, and Islam
Jon D. Levenson
“[T]he figure of Abraham has more often been a battleground than a meeting place. This is the brilliantly elaborated theme of Levenson’s book, which retells the Abraham story while examining the use made of Abraham in later Jewish, Christian, and (to a lesser extent) Muslim thought.”–Adam Kirsch, New York Review of Books
Transformation in America’s Largest Church
“Matovina gives a detailed examination of the different pastoral approaches that have been adopted to deal with the influx of Latino immigrants, with some advocating the need to assimilate quickly to American ways and others preferring to focus on preserving the religious and cultural heritage that the immigrants have brought with them. . . . Matovina’s book should be mandatory reading for all bishops, clergy, and lay leaders, and for anyone else who wants to understand the future of American Catholicism.”–Michael Sean Winters, New Republic
|The Life of Roman Republicanism
“As a demonstration of how reading Roman literature becomes absorbing political argument, this book succeeds brilliantly. Joy Connolly possesses a keen mind and her approach is informed by an astonishing stock of contemporary intellectual perspectives. She is also a deeply imaginative reader with a gift for explaining complex ideas lucidly and compellingly. I learned a great deal from this book: about Hannah Arendt and Philip Pettit as well as about Cicero, Sallust, and Horace.”—Andrew Feldherr, Princeton University
|The Meaning of Relativity:
Including the Relativistic Theory of the Non-Symmetric Field (Fifth Edition)
With a new introduction by Brian Greene
“A condensed unified presentation intended for one who has already gone through a standard text and digested the mechanics of tensor theory and the physical basis of relativity. Einstein’s little book then serves as an excellent tying-together of loose ends and as a broad survey of the subject.”–Physics Today
Writing between Hebrew and Arabic in Israel/Palestine
“This is a work of immense accomplishment dedicated to understanding what it means to write in two languages about a condition of life that is, at once, both shared and separate. Lital Levy’s critical speculations are careful and courageous as her beautiful prose moves back and forth across the borderline of Israel/Palestine, forging a way of moving toward a solidarity built of sorrow and survival, failure and hope. Read Poetic Trespass and reflect anew on the ethical and poetic possibilities of a translational dialogue in a star-crossed region.”–Homi Bhabha, Harvard University
Phoenix and the Making of the Modern Southwest
“Rarely does a work of history unite so many seemingly disconnected fields of inquiry in such new and exciting ways. Masterfully interweaving urban, Native American, and environmental history, Power Lines is a sobering assessment of Phoenix’s expansive postwar development. The legacies of the region’s coal-powered history continue to shape contemporary politics, spaces, and our shared environmental future, making Power Lines as timely as it is insightful.”–Ned Blackhawk, Yale University
The Strange Theory of Light and Matter
Richard P. Feynman
With a new introduction by A. Zee
“Physics Nobelist Feynman simply cannot help being original. In this quirky, fascinating book, he explains to laymen the quantum theory of light, a theory to which he made decisive contributions.”–The New Yorker
|The Struggle for Equality:
Abolitionists and the Negro in the Civil War and Reconstruction
James M. McPherson
With a new preface by the author
“Must surely be assigned an important place in the literature of the history of ideas and of race relations in the United States.”–The Times Literary Supplement
|Theories of International Politics and Zombies:
Daniel W. Drezner
“Drezner . . . comes up with an intriguing intellectual conceit to explain various schools of international political theory. He imagines a world overrun with zombies and considers the likely responses of national governments, the U.N and other international organizations, and nongovernment organizations (NGOs). . . . This slim book is an imaginative and very helpful way to introduce its subject–who knew international relations could be this much fun?”–Publishers Weekly
|Theory of Stellar Atmospheres:
An Introduction to Astrophysical Non-equilibrium Quantitative Spectroscopic Analysis
Ivan Hubeny & Dimitri Mihalas
“This eagerly anticipated book is an excellent guide for anyone interested in radiation transport in astrophysics, as well as for those wanting to make detailed analyses of astrophysical spectra. Comprehensive, lucid, and stimulating, Theory of Stellar Atmospheres is ideal for students and scientists alike.”–Bengt Gustafsson, Uppsala University
Old Tales Told Again
Walter de la Mare
With a new introduction by Philip Pullman
Illustrated by A. H. Watson
Praise for previous editions: “Walter de la Mare has given the familiar old tales so much sparkle and humor and romance that they are like new stories.”–Horn Book Magazine
|The Two-Mile Time Machine:
Ice Cores, Abrupt Climate Change, and Our Future
Richard B. Alley
With a new preface by the author
“Although not all scientists will agree with Alley’s conclusions, [this] engaging book–a brilliant combination of scientific thriller, memoir and environmental science–provides instructive glimpses into our climatic past and global future . . . “–Publisher’s Weekly
The Odyssey of Albert O. Hirschman
“[A] biography worthy of the man. Adelman brilliantly and beautifully brings Hirschman to life, giving us an unforgettable portrait of one of the twentieth century’s most extraordinary intellectuals. . . . [M]agnificent.”–Malcolm Gladwell, New Yorker
Be among the first to browse and download our new literature catalog!
Of particular interest is the Dictionary of Untranslatables: A Philosophical Lexicon edited by Barbara Cassin. This is an encyclopedic dictionary of close to 400 important philosophical, literary, and political terms and concepts that defy easy—or any—translation from one language and culture to another. Drawn from more than a dozen languages, terms such as Dasein (German), pravda (Russian), saudade (Portuguese), and stato (Italian) are thoroughly examined in all their cross-linguistic and cross-cultural complexities. Spanning the classical, medieval, early modern, modern, and contemporary periods, these are terms that influence thinking across the humanities. The entries, written by more than 150 distinguished scholars, describe the origins and meanings of each term, the history and context of its usage, its translations into other languages, and its use in notable texts. The dictionary also includes essays on the special characteristics of particular languages—English, French, German, Greek, Italian, Portuguese, Russian, and Spanish.
Also be sure to note The Lives of the Novel: A History by Thomas G. Pavel. This is a boldly original history of the novel from ancient Greece to the vibrant world of contemporary fiction. Thomas Pavel argues that the driving force behind the novel’s evolution has been a rivalry between stories that idealize human behavior and those that ridicule and condemn it. Impelled by this conflict, the novel moved from depicting strong souls to sensitive hearts and, finally, to enigmatic psyches. Pavel makes his case by analyzing more than a hundred novels from Europe, North and South America, Asia, and beyond. The result is a wide-ranging survey of the novel and a provocative reinterpretation of its development.
And don’t miss out on Moral Imagination: Essays by David Bromwich. Spanning many historical and literary contexts, Moral Imagination brings together a dozen recent essays by one of America’s premier cultural critics. David Bromwich explores the importance of imagination and sympathy to suggest how these faculties may illuminate the motives of human action and the reality of justice. These wide-ranging essays address thinkers and topics from Gandhi and Martin Luther King on nonviolent resistance, to the dangers of identity politics, to the psychology of the heroes of classic American literature.
Even more foremost titles in literature can be found in the catalog. You may also sign up with ease to be notified of forthcoming titles at http://press.princeton.edu/subscribe/. Your e-mail address will remain confidential!
If you’re heading to the Modern Language Association’s annual meeting in Chicago, IL, January 9th-12th come visit us at booth 326. We’ll be hosting a reception to celebrate the publication of the Dictionary of Untranslatables Friday, January 10th 4:00-5:00 at our booth. Also follow #MLA14 and @PrincetonUnivPress on Twitter for updates and information on our new and forthcoming titles throughout the meeting. See you there!
How to Do Things with Books in Victorian Britain asks how our culture came to frown on using books for any purpose other than reading. When did the coffee-table book become an object of scorn? Why did law courts forbid witnesses to kiss the Bible? What made Victorian cartoonists mock commuters who hid behind the newspaper, ladies who matched their books’ binding to their dress, and servants who reduced newspapers to fish ‘n’ chips wrap?
Shedding new light on novels by Thackeray, Dickens, the Brontës, Trollope, and Collins, as well as the urban sociology of Henry Mayhew, Leah Price also uncovers the lives and afterlives of anonymous religious tracts and household manuals. From knickknacks to wastepaper, books mattered to the Victorians in ways that cannot be explained by their printed content alone. And whether displayed, defaced, exchanged, or discarded, printed matter participated, and still participates, in a range of transactions that stretches far beyond reading.
Supplementing close readings with a sensitive reconstruction of how Victorians thought and felt about books, Price offers a new model for integrating literary theory with cultural history. How to Do Things with Books in Victorian Britain reshapes our understanding of the interplay between words and objects in the nineteenth century and beyond.
Leah Price is professor of English at Harvard University. She is the author of The Anthology and the Rise of the Novel.
The Rise and Fall of Meter tells the unknown story of English meter from the late eighteenth century until just after World War I. Uncovering a vast and unexplored archive in the history of poetics, Meredith Martin shows that the history of prosody is tied to the ways Victorian England argued about its national identity. Gerard Manley Hopkins, Coventry Patmore, and Robert Bridges used meter to negotiate their relationship to England and the English language; George Saintsbury, Matthew Arnold, and Henry Newbolt worried about the rise of one metrical model among multiple competitors. The pressure to conform to a stable model, however, produced reactionary misunderstandings of English meter and the culture it stood for. This unstable relationship to poetic form influenced the prose and poems of Robert Graves, Siegfried Sassoon, Wilfred Owen, W. B. Yeats, Ezra Pound, and Alice Meynell. A significant intervention in literary history, this book argues that our contemporary understanding of the rise of modernist poetic form was crucially bound to narratives of English national culture.
Meredith Martin is associate professor of English at Princeton University.
Two hundred and thirty-eight candles for the late Jane Austen, who was born today in 1775. Happy birthday, dear Jane!
Wondering how to celebrate the Pride and Prejudice writer’s special day? Luckily, PUP has compiled a crop of all things Austen. Our list even includes a word with our resident Jane Austen enthusiast and author of Jane Austen, Game Theorist, scholar Michael Chwe.
ALL THINGS AUSTEN
For the competitive types (you know who you are):
Jane Austen, a game theorist? Michael Chwe argues that Austen’s books are teeming with examples of her classic characters using game theory in their decisions. Check out his latest interview, where he makes his case for why Miss Austen’s work is one of game theory’s true scientific predecessors. Here is a preview:
I think that Austen’s literary worlds are worlds where […] you think about yourself in terms of decisions. Other people’s worlds might think in terms of visuals or characters or history, but when you think about Austen’s worlds, it’s about […] what would you do? What would you think about? What connections would you make?
To find out more, read a sample chapter of Chwe’s book.
For the visual folks:
Check out this visual, used by Chwe. Mr. Darcy makes everything more complicated, doesn’t he?
“Elizabeth, who was by this time tolerably well acquainted with her own feelings, was perfectly aware that, had she known nothing of Darcy, she could have borne the dread of Lydia’s infamy somewhat better. It would have spared her, she thought, one sleepless night out of two.”
Austen, Pride and Prejudice
For the game lovers:
“Jane, Plain No More” — This clever New York Times article highlights the year’s mentions of Jane Austen, complete with an Austen-themed board game.
For the brainiacs:
The New York Times also designed a Jane Austen quiz, which boasts that it will “separate the Lizzys from the Lydias.” How many answers can you get right, PUP readers? Let us know your score!
For the book worms:
If your copy of Mansfield Park is worn from your many re-reads, take a look at Princeton University Press’s list of Austen-related books.
For the ultimate fans (we’re right there with you!):
Grab your bonnet and step back in time with Ever, Jane, a virtual Jane Austen online game. As the website states, this is not a game of “kill or be killed, but invite or be invited.” The prototype is available for download on their website. Game on.
A Celebration of Poetry in the Past 20 Years by Princeton University Press intern, Oliver Newman
The cloning of Dolly the sheep, 9/11, the introduction of the Euro, the election of the first black American president, the birth of Justin Bieber… A lot has happened in the 20 years since the last edition of The Princeton Encyclopaedia of Poetry and Poetics was published. What, though, has happened in the world of contemporary poetry (not including Justin Bieber’s rise to fame)?
T.S. Eliot once declared that, at its best, contemporary poetry ‘can give us a feeling of excitement and a sense of fulfilment different from any sentiment aroused even by very much greater poetry of a past age.’ Here, Eliot is implying that contemporary poetry can evoke powerful emotional reactions borne from its immediate relevance to, and subsequent reflection of, the age in which we live. Adopting this philosophy, poetry’s development during the last 20 years should reflect the development of modern society. This is immediately apparent with the rise of electronic poetry, which resembles our age through its inherent reliance upon modern technological advances and almost unlimited, instantaneous networking via the internet. However, the correlation between contemporary poetry and the present age is perhaps most interesting when examining the medium’s development as a social spectacle, and poetry is rarely more spectacular than when being “slammed” from one opponent to another.
Poetry slamming first appeared in 1984, and has generated heated reactions from poets and academics alike. Unlike electronic poetry, which leaves original material unaltered, poetry slamming is predominantly reliant upon impermanent, sensual reactions that manifest out of the spectacle surrounding the original material, lending it to comparisons with some of the most popular forms of entertainment available today. ‘Seeing poetry slams often reminds me of watching American Idol. You’ve got a series of judges, an audience that comes in looking for a certain shtick that they want to see and that’s what they’re going to cheer for’, stated University of South Carolina Professor Kip Fulbeck in an interview with the Santa Barbara Independent. Whether the audience is ‘looking for a certain kind of shtick’ is subjective, but poetry slamming’s resemblance to shows such as American Idol and X-Factor is certainly evident. Indeed, it follows the same basic formula – three minute rounds, multiple opponents who are graded respectively by a panel of judges, and a general emphasis upon personality and performance.
While academics such as Harold Bloom, who has labelled poetry slamming ‘the death of art’, denounce the form for its reliance upon exhibitionism and competition, it could be argued that these very features elevate the medium to an altogether new art form, one that ironically reflects our age in a way that ordinary poetry could never do. By consciously emphasising performance over artistry, purveyors of the form are unconsciously parodying the age’s fascination with spectacle over original material, a fascination displayed through the overwhelming popularity of shows such as X-Factor (the 2011 final of which garnered a viewing audience of just over 15 million people).
Whether or not these resemblances give the reader a feeling of excitement and a sense of fulfilment equal to poetry of a past age, or whether it simply distorts the artistry of the original material is just one of the many themes explored in the new edition of The Princeton Encyclopaedia of Poetry and Poetics. In fact this fourth edition, revised and updated for the twenty-first century, offers more than 250 new entries and covers all aspects of poetry from its history, movements and genres, to its rhetorical devices, critical terms and more, making it the most comprehensive and definitive edition yet.
Happy National Poetry Day!
According to the dominant tradition of literary criticism, the novel is the form par excellence of the private individual. Empty Houses challenges this consensus by reexamining the genre’s development from the mid-nineteenth to the mid-twentieth century and exploring what has until now seemed an anomaly–the frustrated theatrical ambitions of major novelists. Offering new interpretations of the careers of William Makepeace Thackeray, George Eliot, Henry James, James Joyce, and James Baldwin–writers known for mapping ever-narrower interior geographies–this book argues that the genre’s inward-looking tendency has been misunderstood. Delving into the critical role of the theater in the origins of the novel of interiority, David Kurnick reinterprets the novel as a record of dissatisfaction with inwardness and an injunction to rethink human identity in radically collective and social terms.
Exploring neglected texts in order to reread canonical ones, Kurnick shows that the theatrical ambitions of major novelists had crucial formal and ideological effects on their masterworks. Investigating a key stretch of each of these novelistic careers, he establishes the theatrical genealogy of some of the signal techniques of narrative interiority. In the process he illustrates how the novel is marked by a hunger for palpable collectivity, and argues that the genre’s discontents have been a shaping force in its evolution.
A groundbreaking rereading of the novel, Empty Houses provides new ways to consider the novelistic imagination.
David Kurnick is assistant professor of English at Rutgers University.
It would be easy to assume that, in the eighteenth century, slavery and the culture of taste–the world of politeness, manners, and aesthetics–existed as separate and unequal domains, unrelated in the spheres of social life. But to the contrary, Slavery and the Culture of Taste demonstrates that these two areas of modernity were surprisingly entwined. Ranging across Britain, the antebellum South, and the West Indies, and examining vast archives, including portraits, period paintings, personal narratives, and diaries, Simon Gikandi illustrates how the violence and ugliness of enslavement actually shaped theories of taste, notions of beauty, and practices of high culture, and how slavery’s impurity informed and haunted the rarified customs of the time.
Gikandi focuses on the ways that the enslavement of Africans and the profits derived from this exploitation enabled the moment of taste in European–mainly British–life, leading to a transformation of bourgeois ideas regarding freedom and selfhood. He explores how these connections played out in the immense fortunes made in the West Indies sugar colonies, supporting the lavish lives of English barons and altering the ideals that defined middle-class subjects. Discussing how the ownership of slaves turned the American planter class into a new aristocracy, Gikandi engages with the slaves’ own response to the strange interplay of modern notions of freedom and the realities of bondage, and he emphasizes the aesthetic and cultural processes developed by slaves to create spaces of freedom outside the regimen of enforced labor and truncated leisure.
Through a close look at the eighteenth century’s many remarkable documents and artworks, Slavery and the Culture of Taste sets forth the tensions and contradictions entangling a brutal practice and the distinctions of civility.
Simon Gikandi is the Robert Schirmer Professor of English at Princeton University.