Poetry by Heart

For the final entry in this year’s National Poetry Month (#npm15) series, we have a special piece by Catherine Robson, author of Heart Beats: Everyday Life and the Memorized Poem, on what changed her mind about the merits of poetry recitation.

Poetry By Heart
by Catherine Robson

Small-Blue-RGB-National-Poetry-Month-LogoLast month, the third annual final “Poetry By Heart”, a national recitation competition for British 14-18 year olds, was staged in Homerton College, Cambridge. Sitting there as one of the judges in the packed auditorium, I witnessed a series of magical transformations. Time and again, slightly awkward or diffident young people walked onto the stage, paused, and then became entirely different individuals altogether. When they started to speak the words they had committed to heart, they took possession not just of themselves and their poems, but of every other person in the room. I found it an exceptionally moving experience.Heart Beats

If you had told me ten years ago that I would volunteer to work on such a competition, I would have been very surprised. Back then, when I first began work on a book about the strange phenomenon of the memorized poem, I held few positive feelings about recitation. I knew that reciting poetry used to hold a privileged place in the elementary curricular programs of the past, but I didn’t know why or when the practice became mainstream, nor why and when we all stopped doing it. But I was sure that I was not a fan. Enforcing poetry on (or into) the unwilling brains and bodies of the young seemed to me a questionable activity at best. What happened, then, to change my mind?

For one thing, I discovered in the course of my researches that my negative opinion was entirely typical for one of my age and nationality. Born in Britain in 1962, I attended state primary and secondary schools that had no time for what was then regarded as an outmoded pedagogical endeavor, an endeavor likely to turn individuals against poetry for life. Today this is not the prevailing attitude in all quarters – for one thing, the British government, in addition to funding “Poetry By Heart,” now makes “reciting” a specified activity for the youngest children in state education – but the concept of compulsory mass recitation continues to make many of my countrymen uncomfortable. The idea of the memorized poem in Britain summons up thoughts of both a discredited instructional practice and a discredited educational formation – which is to say, learning by rote, and the Victorian elementary school, the institution which supposedly backed up that rote-learning with liberal applications of the rod.

Because I have now lived in the United States for over a quarter of a century, I know that Americans, by and large, are much more positive about poetry recitation. If the topic comes up in casual conversation or the media, it tends to generates not just polite interest, but passionate engagement. I’ve lost count of the number of times an octogenarian has launched into a performance of “Thanatopsis” or a bit of Longfellow for me, and I’ve heard individuals of a range of ages and from both sides of the political spectrum turn wistful, lamenting the passing of a time when all were seemingly united by a joint stock of poetic knowledge.

Digging into the rich and at times complicated story of the memorized poem’s progress in two sharply distinct public education systems has helped me to understand why it is that Britons and Americans today feel so differently about this pedagogical practice: the book I’ve written devotes its first half to this history, and its second to the recitational fortunes of three short poems that were once school classics on two sides of the Atlantic. Coming to terms with my own dismissive attitude towards the repetition of poetry has been another kind of project altogether.

It took me some time, but today I can draw a line between bad recitation and good.  I still think it’s important to notice that dismal experiences with poetry afflicted the lives of many children in less-than-ideal pedagogical environments in the past, but I no longer believe that this fact negates the value of the practice.  I now feel that in the right circumstances, and for certain kinds of people, the memorized poem carries an enormous potential charge.  Last month in Cambridge, its power took hold of us all.

Jeff Nunokawa on Poetry

Small-Blue-RGB-National-Poetry-Month-LogoJeff Nunokawa, author of Note Book, has woken up and written a brief essay in the Notes section of his Facebook page every morning since 2007. Note Book is the compilation of 250 of these essays. A topic that Nunokawa is particularly articulate about is poetry, and as we are currently celebrating National Poetry Month, we thought it would be fun to highlight five of Nunokawa’s best poetry notes. (Quite a few of the notes listed below are prompted from poems written by W.H. Auden. If you want to read more of W.H. Auden’s poems, check out The Complete Works of W.H. Auden.) Without further ado, enjoy the following excerpts from Note Book and sample the first chapter, here.

3505. “Telephone Directory,” “Heaven”

W. H. Auden

One could conceive of Heaven having
a Telephone Directory (“Postscript …”).

We mostly don’t call each other anymore. Not like we used to, anyway. And when we do, we mostly
don’t pick up. That’s cool, though. It just makes us appreciate more the times we do get through.
Now, when we answer, it’s like the reverse charge of the bye, which always sounds like the
beginning of the big one; it’s like a hello from here, all the way to Heaven. That’s why our
hope goes way beyond the bounds of all area codes when we hear the ring at the other end of the
line—
Note: “Stardust in negative, between the rings” (Merrill, “Mirabell”).


3313. “Money is a kind of poetry”

Wallace Stevens

Yesterday, after my annual visit, I left my accountant’s office with tears in my eyes. I don’t
think I’ve ever left my accountant’s office actually weeping. Maybe I have and just forgot-
ten. I cry a lot, and I have a terrible memory.

Once a year, I see him about my taxes. My brother thinks I’m wasting my money. I think I’m
saving my soul. Also, a lot of time and peace of mind: I’m terrible with numbers.
Especially numbers that are symbols for money. Or maybe those numbers are bad with me—hell,
either way, it’s an ugly relationship, and I’ve basically given up on it. (Don’t tell them
that—the numbers, I mean: they know exactly where I live, and they’ll come after me six ways to
Sunday.)

On the other hand, like you, I hope, I’m involved in a lot of relationships—close encounters,
lifelong romances, or some- thing simpler (like a good neighbor)—that just get better every
year. With each passing year, for example, my appreciation for the kinds of words that help
people get through a dark night or a long day just grows and grows. With each passing year, the
kinds of words that help people get brave or loving, or help them know that they can become
so—their interest compounds like nobody’s business.

Appreciating words like that, and helping others do so, too: well, that’s the better part of my
business. Of course, I lack the instruments to quantify the rescuing resonances of the
kinds of words that are the stock in trade for retail outfits like mine—like I say, unlike my
accountant, I’m not a numbers man. But let me tell you something: every year, I leave his
office a little less worried than I was when I walked in, and numbers or no numbers, I have to
figure that the better part of both our businesses is pretty much the same.

Note: “All these forms, familiar to all the arts, place us at a distance from the substance of
things; they speak to us ‘as from afar’; reality is touched not with direct confidence but with
fingertips that are immediately withdrawn” (Georg Simmel, The Philosophy of Money).


4301. “an extraordinary mildness”

Towards the end he sailed into an extraordinary mildness,

Auden, “Herman Melville” (for Lincoln Kirstein)

I’ve never met a mildness that didn’t seem extraordinary, and something toward the end: the
smoothing something of a final act of forgiveness after a long, jagged drama of anger and anguish
and being out at sea: some compassionate writing (don’t worry: it’s all right) that coaxes
something upset to right its balance long enough to make its way back to port; some signal sent
straight to a wayward heart that it’s safe to come home; some memory of wholeness that recalls the
amputated adventurer to the going grace of the last dance, just this side of the closing
curtain.

Lately, I’ve been meeting with another mildness as well, twin of the first, I think, and no less
extraordinary. It stretches toward a new start rather than the last rest—the one that comes
after the big fall, but well before the final flight.

Note: “so tender and mild” (“Silent Night”).


4304. “Mine would, sir, were I human”

Ariel: … if you now beheld them, your affections
Would become tender.

Prospero: Dost thou think so, spirit?

Ariel: Mine would, sir, were I human.

Shakespeare, The Tempest

Not being a human being himself, the spirit settles instead for making someone who is a better
one. He’s like a poem or a page or a play or a pool that prepares its pupil to navigate the sea
of tears that surrounds us. He’s like the first song you heard about someone breaking up—the one
you go back to whenever you’re breaking up, yourself, to learn again some basic lessons in
tenderness and decency under duress. He’s like the strokes you were taught in your first swim
lessons when, later, you suddenly find yourself really over your head and very far from shore.
That’s what he’s like, and all you have to do is to remember what those like him have to teach
you, and then, no matter how dark and stormy, you’ll always make it back to where you have to be.

Note: “lessons at love’s pain and heartache school” (Jackson
Browne, “Fountain of Sorrow”).

Nunokawa Blog on Poetry


4349. “I have heard the mermaids singing, each to
each”

T. S. Eliot, “The Love Song of J. Alfred Prufrock”

—oh, I’ve heard a lot of amazing creatures sing and say a lot of amazing things. And I still
do—every day of the week, and sometimes twice on Sundays. I want to tell you the secret of
my continuing hearing, because someday (maybe not today,
but maybe someday, ten years or fifty years from today), it may come in handy for you: I don’t
worry, like I used to worry, whether what I’m hearing is meant for my ears. Now, when I listen
to people talk about what or who or how they love, I don’t care as much as I once did, if
they’re talking about me, or even to me. I’m just glad that the waves of sound are so pitched
with devotion.

If this sounds too good to be true, all I can say is that it seems like all the truest goods
sound too good to be true—something as good as clearing (slow or swift) from deafness to delight,
or a change in the mood of a verb, or a vision, that gives a new form of life to the most
tried and tired drab directions.

“You can’t hear God speak to someone else, you can hear him only if you are being
addressed.”—That is a grammati- cal remark (Wittgenstein). But grammar can be transformed at the
speed of a dream or the shift of a continent, and before you know it, you could wind up at a
case where you can only hear what you might call God speaking to someone else; never when you are being addressed, alone.

In any case, that’s all I have to say to you. And I’ll leave you in peace now, since I
know you have plenty to talk about amongst yourselves.
Note: “poetry is overheard” (John Stuart Mill, “What Is
Poetry?”).

Celebrate National Poetry Month with Colm Tóibín’s On Elizabeth Bishop

Small-Blue-RGB-National-Poetry-Month-Logo

Author photo by Phoebe

Author photo by Phoebe Ling

In the first entry in this month’s National Poetry Month (#npm15) blog series, we are proud to feature Colm Tóibín’s On Elizabeth Bishop, the latest title in the Writers on Writers series. Irish novelist, critic, and playwright Tóibín is both a fan of and known as a master of subtle language (as evidenced by his selection of Henry James’s The Golden Bowl as current host of The Wall Street Journal Book Club), so it is apt that he considers the famously enigmatic American poet Bishop among one of his lasting literary influences.

Tóibín discovered Bishop in his teens and brought her Selected Poems in his suitcase to Barcelona (the setting of his first novels The South and Homage to Barcelona). He offers a personal and incisive introduction to Bishop’s life and work. Spanning her poetry, biography, letters, and prose works, Tóibín creates a beautiful and complex picture of Bishop while also revealing how her work has shaped his sensibility as a writer and how her experiences of loss and exile resonate with his own relationships to place, memory, and language.

Tampa Bay TiToibin_OnElizabethBishopmes book editor Colette Bancroft recently selected On Elizabeth Bishop as one of her notable prose books on poetry. Kirkus Reviews writes that Tóibín’s book is “[a]n admiring critical portrait of a great American poet and a master of subtlety….An inspiring appreciation from one writer to another.” A Starred Review in Publishers Weekly reads, “Novelist Tóibín gives an intimate and engaging look at Elizabeth Bishop’s poetry and its influence on his own work. . . . Whether one is familiar with Bishop’s life and work or is looking to Tóibín to learn more, this book will appeal to many readers.” At the Arts Fuse, Lloyd Schwartz calls it “a particularly welcome addition to the Princeton University Press Writers on Writers series. . . . [F]ew critics have dealt more revealingly than Tóibin with Bishop’s habitual illusion of ‘spontaneous’ self-correction, her process of thinking aloud on the page.” Across the pond, poet Eavan Boland writes in the Irish Times:

[C]ritical method at its best….Unorthodox, original and deeply effective….The close mesh between Tóibín’s growth as a writer and Bishop’s journey as a poet, the eloquent mirroring of place and displacement, and above all the openness to a poet’s language, a poet’s truth put this among the best books on poetry I have read in years. I have no doubt it will become an essential text on her work.

Read the first chapter of On Elizabeth Bishop on the PUP site. You can also read eleven of Bishop’s poems, including “One Art” and “The Fish,” at the Academy of American Poets site.

Don’t forget that this year’s Poem in Your Pocket Day is coming up at the end of the month (April 30; #pocketpoem). Which of Bishop’s poems would you want to carry around in your pocket to share with friends and family?

PUP celebrates National Poetry Month

Princeton University Press will be kicking off National Poetry Month by featuring a new poetry-related title each week on the blog, starting with Colm Tóibín’s deeply personal introduction to the life and work of Elizabeth Bishop. The first National Poetry Month was held in 1996, inspired in part by the success of Black History Month. Organized by the Academy of American Poets, this month-long April holiday has become a widespread way to bolster the appreciation of poetry. Poets.org offers a wealth of free educational resources and information on local poetry events, from PoemCity in Montpelier, VT, to Poetry & the Creative Mind in New York City.

In addition to retrospectives like Tóibín’s On Elizabeth Bishop from our Writers on Writers series, and cultural histories like Catherine Robson’s on poetry recitation, Princeton University Press has long published the best of emerging and established poets in the Princeton Series of Contemporary Poets, currently under the editorship of Princeton professor and former MacArthur Fellow Susan Stewart. Here are some poetry-related choices to enjoy this April:

 

On Elizabeth Bishop What W.H. Auden Can Do For You
The Complete Works of W.H. Auden Volume V The Complete Works of W.H. Auden Volume VI
Heart Beats The Eternal City: Poems

Books in literature in 2015

Be among the first to browse and download our new literature catalog!

Of particular interest is The Original Folk and Fairy Tales of the Brothers Grimm: The Complete First Edition. When Jacob and Wilhelm Grimm published their Children’s and Household Tales in 1812, followed by a second volume in 1815, they had no idea that such stories as “Rapunzel,” “Hansel and Gretel,” and “Cinderella” would become the most celebrated in the world. Yet few people today are familiar with the majority of tales from the two early volumes, since in the next four decades the Grimms would publish six other editions, each extensively revised in content and style. For the very first time, The Original Folk and Fairy Tales of the Brothers Grimm makes available in English all 156 stories from the 1812 and 1815 editions. These narrative gems, newly translated and brought together in one beautiful book, are accompanied by sumptuous new illustrations from award-winning artist Andrea Dezsö.

More of our leading titles in literature can be found in the catalog. You may also sign up with ease to be notified of forthcoming titles at http://press.princeton.edu/subscribe/. (Your e-mail address will remain confidential!)

If you’re heading to the Modern Language Association annual convention in Vancouver, BC January 8th–11th, come visit us at booth 217. See you there!

How to Do Things with Books in Victorian Britain winner of the 2014 Robert Lowry Patten Award

Congratulations are in order for Leah Price. Her recent book, How to Do Things with Books in Victorian Britain, won the 2014 Robert Lowry Patten Award from SEL Studies in English Literature 1500-1900!

“The Robert Lowry Patten Award, established in 2012, is given in alternate years to either the best recent study in nineteenth-century British literary studies or the best recent study in British literary studies of the Restoration and Eighteenth Century. The Patten award was created to honor the distinguished scholarly career of Bob Patten, who for more than forty years was a professor of English at Rice University, and who for nearly thirty of those years was either editor or publisher and executive editor of SEL Studies in English Literature 1500-1900.”

bookjacket

How to Do Things with Books in Victorian Britain
Leah Price 

 

 

Princeton University Press’s #NewBooks for this week

Books released during the week of October 6, 2014
The <i>Bhagavad Gita</i>: A Biography<br>Richard H. Davis The Bhagavad Gita:
A Biography
Richard H. Davis


“This is an exciting book about an exciting book, namely, the Bhagavad Gita, a text in which Hinduism comes closest to possessing a universal scripture. Davis traces the varying course of its semantic trajectory through history with erudite clarity. A must-read for anyone interested in the Gita.”–Arvind Sharma, author of Gandhi: A Spiritual Biography
Biomolecular Feedback Systems<br>Domitilla Del Vecchio & Richard M. Murray Biomolecular Feedback Systems
Domitilla Del Vecchio & Richard M. Murray


“This is an excellent compendium of the most important techniques and results in the application of feedback and control to biomolecular systems. Biomolecular Feedback Systems is very timely, and a must-read for students and researchers.”–Ernesto Estrada, University of Strathclyde
Birds of New Guinea: Second Edition<br>Thane K. Pratt & Bruce M. Beehler<br>Illustrated by John C. Anderton & Szabolcs Kókay Birds of New Guinea:
Second Edition
Thane K. Pratt & Bruce M. Beehler
Illustrated by John C. Anderton & Szabolcs Kókay


Praise for the first edition:”This book is not only indispensable to any bird-watcher visiting New Guinea and the adjacent islands, but, owing to the wealth of its information, it will be of great interest to anyone who is seriously interested in birds.”–American Scientist
Birds of Western Africa: Second Edition<br>Nik Borrow & Ron Demey Birds of Western Africa:
Second Edition
Nik Borrow & Ron Demey


Praise for the first edition:”Invaluable for serious birders and scientists working in or visiting the area. It would also make an excellent addition to a collection of field guides for home or office use.”–Condor
The Birth of Hedonism: The Cyrenaic Philosophers and Pleasure as a Way of Life<br>Kurt Lampe The Birth of Hedonism:
The Cyrenaic Philosophers and Pleasure as a Way of Life
Kurt Lampe


“The Cyrenaics were the earliest philosophical hedonists. Evidence for their views is limited, but Kurt Lampe combines expert historical scholarship and imaginative sympathy to offer a compelling account of what they believed, what it might have been like to inhabit their worldview, and why it matters today. His itinerary takes him in the end to Walter Pater, who offered late Victorians the profound experience and attractions of a ‘new Cyrenaicism.’ This is a learned and important book, in which Lampe, like Pater, brings aspects of a lost Greek philosophical past to life.”–Charles Martindale, University of Bristol and University of York
Change They Can't Believe In: The Tea Party and Reactionary Politics in America<br>Christopher S. Parker & Matt A. Barreto<br>With a new afterword by the authors Change They Can’t Believe In:
The Tea Party and Reactionary Politics in America
Christopher S. Parker & Matt A. Barreto
With a new afterword by the authors


“A scathing analysis of the Tea Party movement, linking it in spirit to the Ku Klux Klan and the John Birch Society. Taking today’s conservative populists to be dangerous and their ideas self-incriminating, the authors speculate that Tea Party supporters may perceive of social change as subversion. Based on research and interviews, they suggest racism, desire for social dominance . . . drives the Tea Party.”–Publishers Weekly
The Fourth Pig<br>Naomi Mitchison<br>With a new introduction by Marina Warner The Fourth Pig
Naomi Mitchison
With a new introduction by Marina Warner


“At her best, Naomi Mitchison is forthright and witty, writes with brio and passion and lucidity, and conveys a huge appetite for life, for people, for new adventures, and for breaking through barriers.”–From the introduction by Marina Warner
Genealogy of the Tragic: Greek Tragedy and German Philosophy<br>Joshua Billings Genealogy of the Tragic:
Greek Tragedy and German Philosophy
Joshua Billings


“There is no body of work as important for understanding the idea of the tragic as German Idealism, which fundamentally changed modernity’s notions of tragedy. I can think of no better guide to these formidable writings than Joshua Billings, who takes the reader through them with clarity, deep knowledge, and revelatory exposition. A great achievement, this is a book that scholars and students of tragedy have needed for years.”–Simon Goldhill, University of Cambridge
The Great Rebalancing: Trade, Conflict, and the Perilous Road Ahead for the World Economy<br>Michael Pettis<br>With a new preface by the author The Great Rebalancing:
Trade, Conflict, and the Perilous Road Ahead for the World Economy
Michael Pettis
With a new preface by the author


“[Michael Pettis is] a brilliant economic thinker.”–Edward Chancellor, Wall Street Journal
How to Solve It: A New Aspect of Mathematical Method<br>G. Polya<br>With a foreword by John Conway How to Solve It:
A New Aspect of Mathematical Method
G. Polya
With a foreword by John Conway


“Every prospective teacher should read it. In particular, graduate students will find it invaluable. The traditional mathematics professor who reads a paper before one of the Mathematical Societies might also learn something from the book: ‘He writes a, he says b, he means c; but it should be d.'”–E. T. Bell, Mathematical Monthly
Inheriting Abraham: The Legacy of the Patriarch in Judaism, Christianity, and Islam<br>Jon D. Levenson Inheriting Abraham:
The Legacy of the Patriarch in Judaism, Christianity, and Islam
Jon D. Levenson


“[T]he figure of Abraham has more often been a battleground than a meeting place. This is the brilliantly elaborated theme of Levenson’s book, which retells the Abraham story while examining the use made of Abraham in later Jewish, Christian, and (to a lesser extent) Muslim thought.”–Adam Kirsch, New York Review of Books
Latino Catholicism: Transformation in America's Largest Church<br>Timothy Matovina Latino Catholicism:
Transformation in America’s Largest Church
Timothy Matovina

“Matovina gives a detailed examination of the different pastoral approaches that have been adopted to deal with the influx of Latino immigrants, with some advocating the need to assimilate quickly to American ways and others preferring to focus on preserving the religious and cultural heritage that the immigrants have brought with them. . . . Matovina’s book should be mandatory reading for all bishops, clergy, and lay leaders, and for anyone else who wants to understand the future of American Catholicism.”–Michael Sean Winters, New Republic
The Life of Roman Republicanism<br>Joy Connolly The Life of Roman Republicanism
Joy Connolly


“As a demonstration of how reading Roman literature becomes absorbing political argument, this book succeeds brilliantly. Joy Connolly possesses a keen mind and her approach is informed by an astonishing stock of contemporary intellectual perspectives. She is also a deeply imaginative reader with a gift for explaining complex ideas lucidly and compellingly. I learned a great deal from this book: about Hannah Arendt and Philip Pettit as well as about Cicero, Sallust, and Horace.”—Andrew Feldherr, Princeton University
The Meaning of Relativity: Including the Relativistic Theory of the Non-Symmetric Field (Fifth Edition)<br>Albert Einstein<br>With a new introduction by Brian Greene The Meaning of Relativity:
Including the Relativistic Theory of the Non-Symmetric Field (Fifth Edition)
Albert Einstein
With a new introduction by Brian Greene


“A condensed unified presentation intended for one who has already gone through a standard text and digested the mechanics of tensor theory and the physical basis of relativity. Einstein’s little book then serves as an excellent tying-together of loose ends and as a broad survey of the subject.”–Physics Today
Poetic Trespass: Writing between Hebrew and Arabic in Israel/Palestine<br>Lital Levy Poetic Trespass:
Writing between Hebrew and Arabic in Israel/Palestine
Lital Levy


“This is a work of immense accomplishment dedicated to understanding what it means to write in two languages about a condition of life that is, at once, both shared and separate. Lital Levy’s critical speculations are careful and courageous as her beautiful prose moves back and forth across the borderline of Israel/Palestine, forging a way of moving toward a solidarity built of sorrow and survival, failure and hope. Read Poetic Trespass and reflect anew on the ethical and poetic possibilities of a translational dialogue in a star-crossed region.”–Homi Bhabha, Harvard University
Power Lines: Phoenix and the Making of the Modern Southwest<br>Andrew Needham Power Lines:
Phoenix and the Making of the Modern Southwest
Andrew Needham


“Rarely does a work of history unite so many seemingly disconnected fields of inquiry in such new and exciting ways. Masterfully interweaving urban, Native American, and environmental history, Power Lines is a sobering assessment of Phoenix’s expansive postwar development. The legacies of the region’s coal-powered history continue to shape contemporary politics, spaces, and our shared environmental future, making Power Lines as timely as it is insightful.”–Ned Blackhawk, Yale University
QED: The Strange Theory of Light and Matter<br>Richard P. Feynman<br>With a new introduction by A. Zee QED:
The Strange Theory of Light and Matter
Richard P. Feynman
With a new introduction by A. Zee


“Physics Nobelist Feynman simply cannot help being original. In this quirky, fascinating book, he explains to laymen the quantum theory of light, a theory to which he made decisive contributions.”–The New Yorker
The Struggle for Equality: Abolitionists and the Negro in the Civil War and Reconstruction<br>James M. McPherson<br>With a new preface by the author The Struggle for Equality:
Abolitionists and the Negro in the Civil War and Reconstruction
James M. McPherson
With a new preface by the author


“Must surely be assigned an important place in the literature of the history of ideas and of race relations in the United States.”–The Times Literary Supplement
Theories of International Politics and Zombies: Revived Edition<br>Daniel W. Drezner Theories of International Politics and Zombies:
Revived Edition
Daniel W. Drezner


“Drezner . . . comes up with an intriguing intellectual conceit to explain various schools of international political theory. He imagines a world overrun with zombies and considers the likely responses of national governments, the U.N and other international organizations, and nongovernment organizations (NGOs). . . . This slim book is an imaginative and very helpful way to introduce its subject–who knew international relations could be this much fun?”–Publishers Weekly
Theory of Stellar Atmospheres: An Introduction to Astrophysical Non-equilibrium Quantitative Spectroscopic Analysis<br>Ivan Hubeny & Dimitri Mihalas Theory of Stellar Atmospheres:
An Introduction to Astrophysical Non-equilibrium Quantitative Spectroscopic Analysis
Ivan Hubeny & Dimitri Mihalas


“This eagerly anticipated book is an excellent guide for anyone interested in radiation transport in astrophysics, as well as for those wanting to make detailed analyses of astrophysical spectra. Comprehensive, lucid, and stimulating, Theory of Stellar Atmospheres is ideal for students and scientists alike.”–Bengt Gustafsson, Uppsala University
Told Again: Old Tales Told Again<br>Walter de la Mare<br>With a new introduction by Philip Pullman<br>Illustrated by A. H. Watson Told Again:
Old Tales Told Again
Walter de la Mare
With a new introduction by Philip Pullman
Illustrated by A. H. Watson


Praise for previous editions: “Walter de la Mare has given the familiar old tales so much sparkle and humor and romance that they are like new stories.”–Horn Book Magazine
The Two-Mile Time Machine: Ice Cores, Abrupt Climate Change, and Our Future<br>Richard B. Alley<br>With a new preface by the author The Two-Mile Time Machine:
Ice Cores, Abrupt Climate Change, and Our Future
Richard B. Alley
With a new preface by the author


“Although not all scientists will agree with Alley’s conclusions, [this] engaging book–a brilliant combination of scientific thriller, memoir and environmental science–provides instructive glimpses into our climatic past and global future . . . “–Publisher’s Weekly
Worldly Philosopher: The Odyssey of Albert O. Hirschman<br>Jeremy Adelman Worldly Philosopher:
The Odyssey of Albert O. Hirschman
Jeremy Adelman


“[A] biography worthy of the man. Adelman brilliantly and beautifully brings Hirschman to life, giving us an unforgettable portrait of one of the twentieth century’s most extraordinary intellectuals. . . . [M]agnificent.”–Malcolm Gladwell, New Yorker

New Literature Catalog!

Be among the first to browse and download our new literature catalog!

Of particular interest is the Dictionary of Untranslatables: A Philosophical Lexicon edited by Barbara Cassin. This is an encyclopedic dictionary of close to 400 important philosophical, literary, and political terms and concepts that defy easy—or any—translation from one language and culture to another. Drawn from more than a dozen languages, terms such as Dasein (German), pravda (Russian), saudade (Portuguese), and stato (Italian) are thoroughly examined in all their cross-linguistic and cross-cultural complexities. Spanning the classical, medieval, early modern, modern, and contemporary periods, these are terms that influence thinking across the humanities. The entries, written by more than 150 distinguished scholars, describe the origins and meanings of each term, the history and context of its usage, its translations into other languages, and its use in notable texts. The dictionary also includes essays on the special characteristics of particular languages—English, French, German, Greek, Italian, Portuguese, Russian, and Spanish.

Also be sure to note The Lives of the Novel: A History by Thomas G. Pavel. This is a boldly original history of the novel from ancient Greece to the vibrant world of contemporary fiction. Thomas Pavel argues that the driving force behind the novel’s evolution has been a rivalry between stories that idealize human behavior and those that ridicule and condemn it. Impelled by this conflict, the novel moved from depicting strong souls to sensitive hearts and, finally, to enigmatic psyches. Pavel makes his case by analyzing more than a hundred novels from Europe, North and South America, Asia, and beyond. The result is a wide-ranging survey of the novel and a provocative reinterpretation of its development.

And don’t miss out on Moral Imagination: Essays by David Bromwich. Spanning many historical and literary contexts, Moral Imagination brings together a dozen recent essays by one of America’s premier cultural critics. David Bromwich explores the importance of imagination and sympathy to suggest how these faculties may illuminate the motives of human action and the reality of justice. These wide-ranging essays address thinkers and topics from Gandhi and Martin Luther King on nonviolent resistance, to the dangers of identity politics, to the psychology of the heroes of classic American literature.

Even more foremost titles in literature can be found in the catalog. You may also sign up with ease to be notified of forthcoming titles at http://press.princeton.edu/subscribe/. Your e-mail address will remain confidential!

If you’re heading to the Modern Language Association’s annual meeting in Chicago, IL, January 9th-12th come visit us at booth 326. We’ll be hosting a reception to celebrate the publication of the Dictionary of Untranslatables Friday, January 10th 4:00-5:00 at our booth. Also follow #MLA14 and @PrincetonUnivPress on Twitter for updates and information on our new and forthcoming titles throughout the meeting. See you there!

Leah Price Recieves Honorable Mention for the 2012 James Russell Lowell Prize

Leah Price - How to Do Things with Books in Victorian Britain
Honorable Mention for the 2012 James Russell Lowell Prize, Modern Language Association

The James Russell Lowell Prize is awarded annually for an outstanding book—a literary or linguistic study, a critical edition of an important work, or a critical biography—written by a member of the association. “Leah Price’s How to Do Things with Books in Victorian Britain disentangles the network of practices the Victorians developed for not reading their books through an innovative approach she calls rejection history. By analyzing the many uses of books aside from being read, Price provides an exhaustive and well-documented account of their material life and culture. From paperweight to garbage, she looks at the evolution of the bound book in ways that trump what can only be read between the covers. Giving welcome attention not only to familiar literary classics but also to less-studied genres, Price provides new models for reading the history of the book as object, commodity, and literary artifact. To learn more about this award, click here.

k9714How to Do Things with Books in Victorian Britain asks how our culture came to frown on using books for any purpose other than reading. When did the coffee-table book become an object of scorn? Why did law courts forbid witnesses to kiss the Bible? What made Victorian cartoonists mock commuters who hid behind the newspaper, ladies who matched their books’ binding to their dress, and servants who reduced newspapers to fish ‘n’ chips wrap?

Shedding new light on novels by Thackeray, Dickens, the Brontës, Trollope, and Collins, as well as the urban sociology of Henry Mayhew, Leah Price also uncovers the lives and afterlives of anonymous religious tracts and household manuals. From knickknacks to wastepaper, books mattered to the Victorians in ways that cannot be explained by their printed content alone. And whether displayed, defaced, exchanged, or discarded, printed matter participated, and still participates, in a range of transactions that stretches far beyond reading.

Supplementing close readings with a sensitive reconstruction of how Victorians thought and felt about books, Price offers a new model for integrating literary theory with cultural history. How to Do Things with Books in Victorian Britain reshapes our understanding of the interplay between words and objects in the nineteenth century and beyond.

Leah Price is professor of English at Harvard University. She is the author of The Anthology and the Rise of the Novel.

Meredith Martin Wins the 2012 MLA Prize for a First Book

Meredith MartinThe Rise and Fall of Meter: Poetry and English National Culture, 1860–1930
Winner of the 2012 MLA Prize for a First Book, Modern Language Association

Meredith Martin’s The Rise and Fall of Meter is an impressive, elegant work that intervenes in old and new literary histories alike. This book traces the surprisingly polemical history of the standardization of English prosody. Bringing to light new archival materials, the work excavates the full turbulence and excitement of the nineteenth- and twentieth-century debates about English verse rhythms. Complex, concise, and clear, Martin’s book deftly weaves together cultural analysis; the study of language, form, and sound; and literary history. With a rich critical eclecticism, the book reframes and reanimates our understanding of the history of poetry and poetics. The result is an intriguing story, as relevant to the new aesthetics as it is to older historical and cultural studies. Martin’s work reminds us that at its best, great scholarship has much in common with great storytelling. To read more, click here.

http://press.princeton.edu/images/k9715.gif The Rise and Fall of Meter tells the unknown story of English meter from the late eighteenth century until just after World War I. Uncovering a vast and unexplored archive in the history of poetics, Meredith Martin shows that the history of prosody is tied to the ways Victorian England argued about its national identity. Gerard Manley Hopkins, Coventry Patmore, and Robert Bridges used meter to negotiate their relationship to England and the English language; George Saintsbury, Matthew Arnold, and Henry Newbolt worried about the rise of one metrical model among multiple competitors. The pressure to conform to a stable model, however, produced reactionary misunderstandings of English meter and the culture it stood for. This unstable relationship to poetic form influenced the prose and poems of Robert Graves, Siegfried Sassoon, Wilfred Owen, W. B. Yeats, Ezra Pound, and Alice Meynell. A significant intervention in literary history, this book argues that our contemporary understanding of the rise of modernist poetic form was crucially bound to narratives of English national culture.

Meredith Martin is associate professor of English at Princeton University.

Happy Birthday, Jane Austen!

Two hundred and thirty-eight candles for the late Jane Austen, who was born today in 1775. Happy birthday, dear Jane!

Wondering how to celebrate the Pride and Prejudice writer’s special day? Luckily, PUP has compiled a crop of all things Austen. Our list even includes a word with our resident Jane Austen enthusiast and author of Jane Austen, Game Theorist, scholar Michael Chwe.

Jane Austen, Game Theorist

ALL THINGS AUSTEN

For the competitive types (you know who you are):

Jane Austen, a game theorist? Michael Chwe argues that Austen’s books are teeming with examples of her classic characters using game theory in their decisions. Check out his latest interview, where he makes his case for why Miss Austen’s work is one of game theory’s true scientific predecessors. Here is a preview:

I think that Austen’s literary worlds are worlds where […] you think about yourself in terms of decisions. Other people’s worlds might think in terms of visuals or characters or history, but when you think about Austen’s worlds, it’s about […] what would you do? What would you think about? What connections would you make?

To find out more, read a sample chapter of Chwe’s book.

For the visual folks:

Check out this visual, used by Chwe. Mr. Darcy makes everything more complicated, doesn’t he?

“Elizabeth, who was by this time tolerably well acquainted with her own feelings, was perfectly aware that, had she known nothing of Darcy, she could have borne the dread of Lydia’s infamy somewhat better.  It would have spared her, she thought, one sleepless night out of two.”

Austen, Pride and Prejudice

Jane Austen graphFor the game lovers:

Jane, Plain No More” — This clever New York Times article highlights the year’s mentions of Jane Austen, complete with an Austen-themed board game.

For the brainiacs:

The New York Times also designed a Jane Austen quiz, which boasts that it will “separate the Lizzys from the Lydias.” How many answers can you get right, PUP readers? Let us know your score!

For the book worms:

If your copy of Mansfield Park is worn from your many re-reads, take a look at Princeton University Press’s list of Austen-related books.

For the ultimate fans (we’re right there with you!):

Grab your bonnet and step back in time with Ever, Jane, a virtual Jane Austen online game. As the website states, this is not a game of “kill or be killed, but invite or be invited.” The prototype is available for download on their website. Game on.

 

*Happy British National Poetry Day!*

A Celebration of Poetry in the Past 20 Years by Princeton University Press intern, Oliver Newman

The cloning of Dolly the sheep, 9/11, the introduction of the Euro, the election of the first black American president, the birth of Justin Bieber… A lot has happened in the 20 years since the last edition of The Princeton Encyclopaedia of Poetry and Poetics was published. What, though, has happened in the world of contemporary poetry (not including Justin Bieber’s rise to fame)?

k9677T.S. Eliot once declared that, at its best, contemporary poetry ‘can give us a feeling of excitement and a sense of fulfilment different from any sentiment aroused even by very much greater poetry of a past age.’ Here, Eliot is implying that contemporary poetry can evoke powerful emotional reactions borne from its immediate relevance to, and subsequent reflection of, the age in which we live. Adopting this philosophy, poetry’s development during the last 20 years should reflect the development of modern society. This is immediately apparent with the rise of electronic poetry, which resembles our age through its inherent reliance upon modern technological advances and almost unlimited, instantaneous networking via the internet. However, the correlation between contemporary poetry and the present age is perhaps most interesting when examining the medium’s development as a social spectacle, and poetry is rarely more spectacular than when being “slammed” from one opponent to another.

Poetry slamming first appeared in 1984, and has generated heated reactions from poets and academics alike. Unlike electronic poetry, which leaves original material unaltered, poetry slamming is predominantly reliant upon impermanent, sensual reactions that manifest out of the spectacle surrounding the original material, lending it to comparisons with some of the most popular forms of entertainment available today. ‘Seeing poetry slams often reminds me of watching American Idol. You’ve got a series of judges, an audience that comes in looking for a certain shtick that they want to see and that’s what they’re going to cheer for’, stated University of South Carolina Professor Kip Fulbeck in an interview with the Santa Barbara Independent. Whether the audience is ‘looking for a certain kind of shtick’ is subjective, but poetry slamming’s resemblance to shows such as American Idol and X-Factor is certainly evident. Indeed, it follows the same basic formula – three minute rounds, multiple opponents who are graded respectively by a panel of judges, and a general emphasis upon personality and performance.

While academics such as Harold Bloom, who has labelled poetry slamming ‘the death of art’, denounce the form for its reliance upon exhibitionism and competition, it could be argued that these very features elevate the medium to an altogether new art form, one that ironically reflects our age in a way that ordinary poetry could never do. By consciously emphasising performance over artistry, purveyors of the form are unconsciously parodying the age’s fascination with spectacle over original material, a fascination displayed through the overwhelming popularity of shows such as X-Factor (the 2011 final of which garnered a viewing audience of just over 15 million people).

Whether or not these resemblances give the reader a feeling of excitement and a sense of fulfilment equal to poetry of a past age, or whether it simply distorts the artistry of the original material is just one of the many themes explored in the new edition of The Princeton Encyclopaedia of Poetry and Poetics. In fact this fourth edition, revised and updated for the twenty-first century, offers more than 250 new entries and covers all aspects of poetry from its history, movements and genres, to its rhetorical devices, critical terms and more, making it the most comprehensive and definitive edition yet.

Happy National Poetry Day!