Skies of Parchment, Seas of Ink: Jewish Illustrated Manuscripts edited by Marc Michael Epstein, the Mattie M. Paschall (1899) and Norman Davis Chair of Religion and Visual Culture at Vassar College, provides the first full survey of Jewish illuminated manuscripts—from hand illustrated versions of the Bible, to beloved Jewish texts, to marriage documents—ranging from their origins in the Middle Ages to the present day. The illustrations are magnificent. As Passover is occurring now through Saturday, Marc Epstein provided us background on a handful of particularly arresting images. More information on Passover can be found here, and you can read chapter one here.
Of particular interest is Drawing in Silver and Gold: Leonardo to Jasper Johns. From the Middle Ages to the present, master draftsmen have used the technique of metalpoint to create some of the most beautiful and technically accomplished drawings in the history of art. This book examines the history of this evocative medium, in which a metal stylus is used on a specially prepared surface to create lines of astonishing delicacy.
Also be sure to note Pleasure and Piety: The Art of Joachim Wtewael. A brilliant colorist and masterful storyteller, Dutch mannerist Joachim Wtewael (1566–1638) wielded a remarkably skilled brush and the technical ability to show it off in intricate compositions. He took inspiration from a wide range of biblical and mythological sources to create imaginative, often quite erotic scenes. While such pictures were prized in Wtewael’s time, more recently they were hidden away—behind other paintings, in leather folders on bookshelves, and in the reserves of great museums. This richly illustrated volume brings together more than fifty of Wtewael’s finest paintings and drawings, from a small jewel-like picture on copper depicting Mars and Venus to large-scale mannerist showpieces such as The Martyrdom of Saint Sebastian and Perseus and Andromeda.
More of our leading art titles can be found in the catalog. You may also sign up with ease to be notified of forthcoming titles at http://press.princeton.edu/subscribe/. (Your e-mail address will remain confidential!)
If you’re heading to the annual College Art Association meeting in New York, NY February 11th–14th, come visit us at booth 1112/1114. See you there!
Buying gift or coffee-table books online can be nerve-wracking when all you have to go on is the cover and maybe, if you’re lucky, a couple of sample pages. What will the book really look like? Will it be gift-y enough? We want to take the uncertainty out of the process for you with these videos that show off three of our sumptuous recommended gift books. These books are all available now to complete your last minute holiday shopping.
Penguins: The Ultimate Guide: http://press.princeton.edu/titles/10335.html
The Bee: A Natural History: http://press.princeton.edu/titles/10336.html
Atlas of Cities: http://press.princeton.edu/titles/10307.html
Visitors can expect to experience something different this autumn at Blenheim Palace. Tradition meets modernity as the 18th century baroque architecture of Blenheim, the birthplace of wartime British Prime Minister Sir Winston Churchill, is host to an exhibition of the artwork of Chinese artist and dissident Ai Weiwei.
This exciting exhibition is especially relevant to Princeton University Press for two reasons: not only is Blenheim Palace a stone’s throw from Princeton University Press’s European office in Woodstock, Oxfordshire, but Princeton University Press published Ai Weiwei’s ‘Little Black Book’, Weiwei-isms, last year.
Weiwei-isms is a collection of quotes demonstrating Ai Weiwei’s thoughts on key aspects of his art, politics and life, carefully selected by Larry Warsh from articles, tweets and interviews.
“Everything is art. Everything is politics.” — Weiwei-isms
Like Weiwei-isms, the exhibition at Blenheim Palace clearly demonstrates Ai Weiwei’s commitment to art as a powerful political statement, as a means of reacting against injustice, and inspiring others to do the same.
“I want people to see their own power.” — Weiwei-isms
This certainly becomes clear as you enter the exhibition. You are given a leaflet which serves as a guide to Ai’s artwork, dispersed throughout the rooms of the palace. Despite this, none of the artwork is signposted and it becomes the visitor’s responsibility to seek it out and take meaning and inspiration from what they see.
The collection brings together pieces created by the artist over the past 30 years. It is especially impressive given that it was curated remotely, Ai Weiwei having been under house arrest since 2011. The old and new are often brought together, with artefacts from the past being reimagined in novel ways. Take, for example, the Han Dynasty vases transformed beyond recognition by car paint or by being ‘rebranded’ with the Coca Cola logo.
His ‘Circle of Animals/Zodiac Heads’ (2010), previously displayed at a year-long exhibition at Princeton University, is also at Blenheim. This work is an ironic interpretation of the bronze zodiac head statues that were looted from the Emperor’s summer palace (Yuan Ming Yuan) in Beijing in 1860.
Other highlights include ‘He Xie’ (2012), a work comprised of 2,300 porcelain crabs on the floor of the Red Drawing Room (‘He Xie’, meaning ‘river crabs’, puns on the Chinese phrase for ‘harmony’).
While some pieces are the first thing you see when you walk into a room, other pieces are integrated more subtly into the sumptuous interiors of Blenheim Palace. The Wave Plate (2014) is seamlessly integrated into the lavish table decoration as the centrepiece in the Salon, and a pair of handcuffs made of Huali wood (2012) – a reminder of Ai Weiwei’s current situation – placed suggestively on the bed in Churchill’s birth room might escape your attention due to the large number of visitors moving from room to room, all engrossed in the same treasure hunt as you.
All in all, the collaboration between Blenheim Palace and Ai Weiwei really does merit a visit. Ai Weiwei’s work is all the more interesting and thought-provoking for being situated in the context of Blenheim Palace and its grounds.
The exhibition at Blenheim Palace highlights the ‘clash’ of the old and new, which is indeed something that is key to much of Ai Weiwei’s work.
“If a nation cannot face its past, it has no future.” — Weiwei-isms
In years to come, the Ai Weiwei exhibition at Blenheim Palace is sure to become part of the artist’s legacy and a poignant reminder of his struggle for justice and truth.
“The art always wins. Anything can happen to me, but the art will stay.” — Weiwei-isms
The exhibition runs until 14th December.
What do grande Starbucks coffees and tickets to see Bill Chats: Story/Time: The Life of An Idea with Bill T. Jones and Jedediah Wheeler on Sunday November 9th at New York Live Arts at 5pm have in common? They’re both $5 dollars, give or take on the coffee. Jones, “one of the most influential and provocative dance artists our our time,” and author of Story/Time, joins Wheeler, Arts and Cultural Programming Executive Director at Montclair State University, to discuss Jones’ new book and the influence John Cage has had on his own work. This special conversation will also conclude with a book signing event, and don’t forget to use the code “STORYTIME” for $5 tickets! To buy tickets, and for more information on the event, click here.
The American Historical Association recently announced its 2014 prize winners, and congratulations are in order (again) for Derek Sayer and his book Prague, Capital of the Twentieth Century: A Surrealist History.
Prague will be the recipient of the George L. Mosse Prize, an award given to “an outstanding major work of extraordinary scholarly distinction, creativity, and originality in the intellectual and cultural history of Europe since 1500.” The award ceremony will be held at AHA’s Annual Meeting in New York on Friday, January 2nd.
For the full list of 2014 prize winners, click here. Again, congratulations to Derek Sayer on yet another noteworthy (and blog worthy) achievement!
The Wayne S. Vucinich Book Prize is awarded to the “most important contribution to Russian, Eurasian, and East European studies in any discipline in the humanities or social sciences,” by The Association for Slavic, Eastern European, and Eurasian Studies (ASEEES).
This year, Derek Sayer, author of Prague, Capital of the Twentieth Century: A Surrealist History, received an honorable mention for the award, along with Valerie Kivelson for her book Desperate Magic: The Moral Economy of Witchcraft in Seventeenth-Century Russia (Cornell University Press). Kate Brown and Plutopia: Nuclear Families, Atomic Cities, and the Great Soviet and American Plutonium Disasters (Oxford University Press) took home first place.
For the list of winners and honorable mentions for other ASEEES awards, click here. Congratulations to Derek Sayer on the noteworthy achievement!
Princeton, NJ, October 8, 2014 – Princeton University Press and Places Journal are excited to announce a new series: Places Books. The series will present smart, lively, peer-reviewed titles on architecture, landscape, and urbanism that are characterized by strong narrative, provocative argument, and engaging prose. Featuring the work of emerging and established scholars alike, Places Books will offer readers a range of the best contemporary writing on the built environment.
Edited by Nancy Levinson and Josh Wallaert and published by Princeton University Press, the books will be developed from Places articles and expanded into compact and accessible paperbacks and e-books with the aim of inciting dialogue across disciplines. According to Nancy Levinson, Editor and Executive Director of Places Journal, “We are thrilled to be collaborating with Princeton University Press. Places Books is an exciting opportunity to bring the very best public scholarship in design to a wider readership.”
The collaboration was conceived as an alternative to lengthy and heavily illustrated scholarly studies in art, architecture, and urbanism. Though the volumes will feature sophisticated design, lavish production values will be set aside to ensure that Places Books are affordable for a wide range of readers. The subjects of the series will be more timely and topical than authors would take on in traditional monographic projects, but investigated at greater length than in journal articles.
Places Books will launch with two titles. Where are the Women Architects?, by architectural historian Despina Stratigakos, will be an insightful exploration of why women have historically been underrepresented in architecture and what’s being done to rectify the imbalance. D.J. Waldie’s The Poetics of Suburbia will use photography and text to establish a new vocabulary for how suburban spaces are discussed, represented, and experienced. According to Michelle Komie, Executive Editor for Art and Architecture at Princeton University Press, “We want Places Books to influence a wider cultural conversation. Our goal is large: to reinvigorate the tradition of the public intellectual in architecture and urbanism.”
About Places Journal
Places is a leading journal of contemporary architecture, landscape, and urbanism, dedicated to harnessing the moral and investigative power of ambitious public scholarship to promote equitable cities and sustainable landscapes. Founded in 1983 by faculty at the Massachusetts Institute of Technology and the University of California, Berkeley, Places was a print journal for twenty-five years before moving fully online in 2009. Places is supported by an international network of academic partners as well as institutional and individual donors, whose collective engagement ensures that the journal’s rich and substantial content remains publicly accessible and free of charge.
About Princeton University Press
Princeton University Press is an independent publisher with close connections, both formal and informal, to Princeton University. As such it has overlapping responsibilities to the University, the academic community, and the reading public. Our fundamental mission is to disseminate scholarship (through print and digital media) both within academia and to society at large.
Julia Haav, Senior Publicist, Princeton University Press
Nancy Levinson, Editor and Executive Director, Places Journal
Hello again, folks! It’s time for another installment of Throwback Thursday! On this week’s #TBT, we’ll be discussing The New Deal for Artists by Richard D. McKinzie.
As for the rest of America, the Great Depression proved to be a trying time for America’s artists. Great innovators like Willem de Koonig, Arshille Gorky, Jackson Pollock, and Adolf Gottlieb found themselves producing rather conventional work under the patronage of the Roosevelt administration, struggling to maintain their integrity and stay afloat financially. This book traces the struggles, triumphs, and setbacks of America’s Depression-era artists under New Deal policies as they navigated through the worst economic turmoil the country has ever faced.
We hope you’ve enjoyed this edition of #TBT! Don’t forget to check out next week’s installment!
Click the image above to read Story #155 from Bill T. Jones’s Story/Time: The Life of an Idea.