Stumped for a last minute gift idea? Try these books

Buying gift or coffee-table books online can be nerve-wracking when all you have to go on is the cover and maybe, if you’re lucky, a couple of sample pages. What will the book really look like? Will it be gift-y enough? We want to take the uncertainty out of the process for you with these videos that show off three of our sumptuous recommended gift books. These books are all available now to complete your last minute holiday shopping.

Enjoy!

Penguins: The Ultimate Guide: http://press.princeton.edu/titles/10335.html

The Bee: A Natural History: http://press.princeton.edu/titles/10336.html

Atlas of Cities: http://press.princeton.edu/titles/10307.html

 

For additional holiday gift recommendations, please click here.

Ai Weiwei exhibition at Blenheim Palace: Our UK publicity assistant investigates!

Visitors can expect to experience something different this autumn at Blenheim Palace. Tradition meets modernity as the 18th century baroque architecture of Blenheim, the birthplace of wartime British Prime Minister Sir Winston Churchill, is host to an exhibition of the artwork of Chinese artist and dissident Ai Weiwei.Ai weiwei sign

This exciting exhibition is especially relevant to Princeton University Press for two reasons: not only is Blenheim Palace a stone’s throw from Princeton University Press’s European office in Woodstock, Oxfordshire, but Princeton University Press published Ai Weiwei’s ‘Little Black Book’, Weiwei-isms, last year.

Weiwei-isms is a collection of quotes demonstrating Ai Weiwei’s thoughts on key aspects of his art, politics and life, carefully selected by Larry Warsh from articles, tweets and interviews.

“Everything is art. Everything is politics.” — Weiwei-isms

Like Weiwei-isms, the exhibition at Blenheim Palace clearly demonstrates Ai Weiwei’s commitment to art as a powerful political statement, as a means of reacting against injustice, and inspiring others to do the same.

Blenheim chandelier“I want people to see their own power.” – Weiwei-isms

This certainly becomes clear as you enter the exhibition. You are given a leaflet which serves as a guide to Ai’s artwork, dispersed throughout the rooms of the palace. Despite this, none of the artwork is signposted and it becomes the visitor’s responsibility to seek it out and take meaning and inspiration from what they see.

The collection brings together pieces created by the artist over the past 30 years. It is especially impressive given that it was curated remotely, Ai Weiwei having been under house arrest since 2011. The old and new are often brought together, with artefacts from the past being reimagined in novel ways. Take, for example, the Han Dynasty vases transformed beyond recognition by car paint or by being ‘rebranded’ with the Coca Cola logo.

Blenheim zodiacHis ‘Circle of Animals/Zodiac Heads’ (2010), previously displayed at a year-long exhibition at Princeton University, is also at Blenheim. This work is an ironic interpretation of the bronze zodiac head statues that were looted from the Emperor’s summer palace (Yuan Ming Yuan) in Beijing in 1860.

Other highlights include ‘He Xie’ (2012), a work comprised of 2,300 porcelain crabs on the floor of the Red Drawing Room (‘He Xie’, meaning ‘river crabs’, puns on the Chinese phrase for ‘harmony’).

While some pieces are the first thing you see when you walk into a room, other pieces are integrated more subtly into the sumptuous interiors of Blenheim Palace. The Wave Plate (2014) is seamlessly integrated into the lavish table decoration as the centrepiece in the Salon, and a pair of handcuffs made of Huali wood (2012) – a reminder of Ai Weiwei’s current situation – placed suggestively on the bed in Churchill’s birth room might escape your attention due to the large number of visitors moving from room to room, all engrossed in the same treasure hunt as you.

Blenheim crabsAll in all, the collaboration between Blenheim Palace and Ai Weiwei really does merit a visit. Ai Weiwei’s work is all the more interesting and thought-provoking for being situated in the context of Blenheim Palace and its grounds.

The exhibition at Blenheim Palace highlights the ‘clash’ of the old and new, which is indeed something that is key to much of Ai Weiwei’s work.

“If a nation cannot face its past, it has no future.” – Weiwei-isms

In years to come, the Ai Weiwei exhibition at Blenheim Palace is sure to become part of the artist’s legacy and a poignant reminder of his struggle for justice and truth.

“The art always wins. Anything can happen to me, but the art will stay.” – Weiwei-isms

The exhibition runs until 14th December.

Bill Chats: Story/Time: The Life of An Idea with Bill T. Jones and Jedediah Wheeler

k10299What do grande Starbucks coffees and tickets to see Bill Chats: Story/Time: The Life of An Idea with Bill T. Jones and Jedediah Wheeler  on Sunday November 9th at New York Live Arts at 5pm have in common? They’re both $5 dollars, give or take on the coffee. Jones, “one of the most influential and provocative dance artists our our time,” and author of Story/Time, joins Wheeler, Arts and Cultural Programming Executive Director at Montclair State University, to discuss Jones’ new book and the influence John Cage has had on his own work. This special conversation will also conclude with a book signing event, and don’t forget to use the code “STORYTIME” for $5 tickets! To buy tickets, and for more information on the event, click here.

Derek Sayer’s Prague, winner of 2014 George L. Mosse Prize, American Historical Association

pragueThe American Historical Association recently announced its 2014 prize winners, and congratulations are in order (again) for Derek Sayer and his book Prague, Capital of the Twentieth Century: A Surrealist History. 

Prague will be the recipient of the George L. Mosse Prize, an award given to “an outstanding major work of extraordinary scholarly distinction, creativity, and originality in the intellectual and cultural history of Europe since 1500.” The award ceremony will be held at AHA’s Annual Meeting in New York on Friday, January 2nd.

For the full list of 2014 prize winners, click here. Again, congratulations to Derek Sayer on yet another noteworthy (and blog worthy) achievement!

Derek Sayer’s Prague receives honorable mention for the 2014 Wayne S. Vucinich Book Prize

pragueThe Wayne S. Vucinich Book Prize is awarded to the “most important contribution to Russian, Eurasian, and East European studies in any discipline in the humanities or social sciences,” by The Association for Slavic, Eastern European, and Eurasian Studies (ASEEES).

This year, Derek Sayer, author of Prague, Capital of the Twentieth Century: A Surrealist History, received an honorable mention for the award, along with Valerie Kivelson for her book Desperate Magic: The Moral Economy of Witchcraft in Seventeenth-Century Russia (Cornell University Press). Kate Brown and Plutopia: Nuclear Families, Atomic Cities, and the Great Soviet and American Plutonium Disasters (Oxford University Press) took home first place.

For the list of winners and honorable mentions for other ASEEES awards, click here. Congratulations to Derek Sayer on the noteworthy achievement!

Princeton University Press and Places Journal Launch Places Books

Princeton, NJ, October 8, 2014 – Princeton University Press and Places Journal are excited to announce a new series: Places Books. The series will present smart, lively, peer-reviewed titles on architecture, landscape, and urbanism that are characterized by strong narrative, provocative argument, and engaging prose. Featuring the work of emerging and established scholars alike, Places Books will offer readers a range of the best contemporary writing on the built environment.

Places Books

Interested readers can sign up for a newsletter to learn more about forthcoming books in the series.

Edited by Nancy Levinson and Josh Wallaert and published by Princeton University Press, the books will be developed from Places articles and expanded into compact and accessible paperbacks and e-books with the aim of inciting dialogue across disciplines. According to Nancy Levinson, Editor and Executive Director of Places Journal, “We are thrilled to be collaborating with Princeton University Press. Places Books is an exciting opportunity to bring the very best public scholarship in design to a wider readership.”

The collaboration was conceived as an alternative to lengthy and heavily illustrated scholarly studies in art, architecture, and urbanism. Though the volumes will feature sophisticated design, lavish production values will be set aside to ensure that Places Books are affordable for a wide range of readers. The subjects of the series will be more timely and topical than authors would take on in traditional monographic projects, but investigated at greater length than in journal articles.

Places Books will launch with two titles. Where are the Women Architects?, by architectural historian Despina Stratigakos, will be an insightful exploration of why women have historically been underrepresented in architecture and what’s being done to rectify the imbalance. D.J. Waldie’s The Poetics of Suburbia will use photography and text to establish a new vocabulary for how suburban spaces are discussed, represented, and experienced. According to Michelle Komie, Executive Editor for Art and Architecture at Princeton University Press, “We want Places Books to influence a wider cultural conversation. Our goal is large: to reinvigorate the tradition of the public intellectual in architecture and urbanism.”

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About Places Journal

Places is a leading journal of contemporary architecture, landscape, and urbanism, dedicated to harnessing the moral and investigative power of ambitious public scholarship to promote equitable cities and sustainable landscapes. Founded in 1983 by faculty at the Massachusetts Institute of Technology and the University of California, Berkeley, Places was a print journal for twenty-five years before moving fully online in 2009. Places is supported by an international network of academic partners as well as institutional and individual donors, whose collective engagement ensures that the journal’s rich and substantial content remains publicly accessible and free of charge.

About Princeton University Press

Princeton University Press is an independent publisher with close connections, both formal and informal, to Princeton University. As such it has overlapping responsibilities to the University, the academic community, and the reading public. Our fundamental mission is to disseminate scholarship (through print and digital media) both within academia and to society at large.

Contact:

Julia Haav, Senior Publicist, Princeton University Press

Nancy Levinson, Editor and Executive Director, Places Journal

 

 

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Throwback Thursday #TBT: Richard D. McKinzie’s The New Deal for Artists (1973)

McKinzie, The New Deal for Artists

Hello again, folks! It’s time for another installment of Throwback Thursday! On this week’s #TBT, we’ll be discussing The New Deal for Artists by Richard D. McKinzie.

As for the rest of America, the Great Depression proved to be a trying time for America’s artists. Great innovators like Willem de Koonig, Arshille Gorky, Jackson Pollock, and Adolf Gottlieb found themselves producing rather conventional work under the patronage of the Roosevelt administration, struggling to maintain their integrity and stay afloat financially. This book traces the struggles, triumphs, and setbacks of America’s Depression-era artists under New Deal policies as they navigated through the worst economic turmoil the country has ever faced.

We hope you’ve enjoyed this edition of #TBT! Don’t forget to check out next week’s installment!

Book trailer for Atlas of Cities edited by Paul Knox


Princeton University Press senior designer Jason Alejandro created this book trailer for Atlas of Cities edited by Paul Knox. (The catchy song in the background is the aptly named “Weekend in the City” by Silent Partner.)

8-7 Atlas of Cities Atlas of Cities
Edited by Paul Knox

 

#StoryTime with Bill T. Jones — #155

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j10299[1]Click the image above to read Story #155 from Bill T. Jones’s Story/Time: The Life of an Idea.

#StoryTime with Bill T. Jones — #176

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j10299[1]Click the image above to read Story #176 from Bill T. Jones’s Story/Time: The Life of an Idea.

Throwback Thursday #TBT: Maria Martha Makela’s The Munich Secession: Art and Artists in Turn-of-the-Century Munich (1990)

Makela, The Munich Secession - Art and Artists

Welcome to another installment of Throwback Thursday! On this #TBT, we’re honoring Maria Martha Makela’s The Munich Secession: Art and Artists in Turn-of-the-Century Munich, another fascinating cultural study recently reissued as part of the Princeton Legacy Library series. Here’s a little bit about Makela’s book:

In April 1892 the first art Secession in the German-speaking countries came into being in Munich, Central Europe’s undisputed capital of the visual arts. Featuring the work of German painters, sculptors, and designers, as well as that of vanguard artists from around the world, the Munich Secession was a progressive force in the German art world for nearly a decade, its exhibitions regularly attended and praised by Paul Klee, Wassily Kandinsky, and other modernists at the outset of their careers.

Peter Paret of The Art Bulletin called Makela’s book “the first thoroughly documented account of the Munich Secession in any language.” Anyone with an interest in turn-of-the-century European art is sure to find this study to their liking.

Until next Thursday!

#StoryTime with Bill T. Jones — #125

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j10299[1]Click the image above to read Story #125 from Bill T. Jones’s Story/Time: The Life of an Idea.