Birkbeck, University of London will host their annual Art Week next week. Leonard Barkan, author of Mute Poetry, Speaking Pictures and Michelangelo: A Life on Paper, will speak on May 23 at 6:00 PM.
Barkan’s book has received some lovely reviews from The Washington Post, Leonardo online, and Choice magazine (“…deserves to become a standard work on the relations of word, image, and poetry and painting in pre-modern culture…”) in recent months. We hope you can join him for what is bound to be a fascinating discussion of the peculiar relationship between art and poetry — or as Leonardo reviewer Jan Baetens puts it, “the desire to compare apples and oranges, and the skepticism that arises when apples and oranges are put aside in different baskets.”
Mute Poetry, Speaking Pictures: A book and some afterthoughts
Event description
Professor Barkan (University of Princeton) will discuss his recent work on the relationship between words and pictures from antiquity to the Renaissance. Professor Barkan is the author of The Gods Made Flesh, Unearthing the Past and most recently Mute Poetry, Speaking Pictures.
Booking: This event is free but booking is essential – see http://bbkmutepoetry.eventbrite.com/
This event forms part of Arts Week 2013 – you can see the full programme here.

Humor is the most celebrated of all Jewish responses to modernity. In this book, Ruth Wisse evokes and applauds the genius of spontaneous Jewish joking–as well as the brilliance of comic masterworks by writers like Heinrich Heine, Sholem Aleichem, Isaac Babel, S. Y. Agnon, Isaac Bashevis Singer, and Philip Roth. At the same time, Wisse draws attention to the precarious conditions that have called Jewish humor into being–and the price it may exact from its practitioners and audience.
Civility is desirable and possible, but can this fragile ideal be guaranteed? The Importance of Being Civil offers the most comprehensive look at the nature and advantages of civility, throughout history and in our world today. Esteemed sociologist John Hall expands our understanding of civility as related to larger social forces–including revolution, imperialism, capitalism, nationalism, and war–and the ways that such elements limit the potential for civility. Combining wide-ranging historical and comparative evidence with social and moral theory, Hall examines how the nature of civility has fluctuated in the last three centuries, how it became lost, and how it was reestablished in the twentieth century following the two world wars. He also considers why civility is currently breaking down and what can be done to mitigate this threat.
Philanthropy has long been a distinctive feature of American culture, but its crucial role in the economic well-being of the nation–and the world–has remained largely unexplored. Why Philanthropy Matters takes an in-depth look at philanthropy as an underappreciated force in capitalism, measures its critical influence on the free-market system, and demonstrates how American philanthropy could serve as a model for the productive reinvestment of wealth in other countries. Factoring in philanthropic cycles that help balance the economy, Zoltan Acs offers a richer picture of capitalism, and a more accurate backdrop for considering policies that would promote the capitalist system for the good of all.
With skillful rhetoric and tempered lyricism, the poems in A Glossary of Chickens explore, in part, the struggle to understand the world through the symbolism of words. Like the hens of the title poem, Gary J. Whitehead’s lyrics root around in the earth searching for sustenance, cluck rather than crow, and possess a humble majesty.![Alexander-Poster_web-image[1]](http://blog.press.princeton.edu/wp-content/uploads/2013/04/Alexander-Poster_web-image1.jpg)
In this deeply personal book, the celebrated Haitian-American writer Edwidge Danticat reflects on art and exile, examining what it means to be an immigrant artist from a country in crisis. Inspired by Albert Camus’ lecture, “Create Dangerously,” and combining memoir and essay, Danticat tells the stories of artists, including herself, who create despite, or because of, the horrors that drove them from their homelands and that continue to haunt them. Danticat eulogizes an aunt who guarded her family’s homestead in the Haitian countryside, a cousin who died of AIDS while living in Miami as an undocumented alien, and a renowned Haitian radio journalist whose political assassination shocked the world. Danticat writes about the Haitian novelists she first read as a girl at the Brooklyn Public Library, a woman mutilated in a machete attack who became a public witness against torture, and the work of Jean-Michel Basquiat and other artists of Haitian descent. Danticat also suggests that the aftermaths of natural disasters in Haiti and the United States reveal that the countries are not as different as many Americans might like to believe.
The New York Review of Books featured all fifteen volumes of The Robert Lehman Collection, a comprehensive catalog of the pieces included in The Robert Lehman Collection in the Metropolitan Museum of Art. Lehman’s extensive collection includes 2,600 works including paintings, sculptures, drawings, pottery, ceramics, and more. The fifteen volume series divides The Robert Lehman Collection into separate categories so that each has its own catalog. Some volumes include American Drawings and Watercolors, European Sculpture and Metalwork, and Decorative Arts. While all fifteen volumes are not all currently in print, the most recent volume, 














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