Be among the first to browse and download our new art and architecture catalog!
Of particular interest is T. J. Clark’s Picasso and Truth: From Cubism to Guernica. Was Picasso the artist of the twentieth century? In Picasso and Truth, Clark uses his inimitable skills as art historian and writer to answer this question and reshape our understanding of Picasso’s achievement. Supported by more than 200 images, Clark’s new approach to the central figure of modern art focuses on Picasso after the First World War: his galumphing nudes of the early 1920s, the incandescent Guitar and Mandolin on a Table from 1924, Three Dancers done a year later, the hair-raising Painter and Model from 1927, the monsters and voracious bathers that follow, and finally—summing up but also saying farewell to the age of Cubism—the great mural Guernica.
Also be sure to note Daniel Arasse’s Take a Closer Look. What happens when we look at a painting? What do we think about? What do we imagine? How can we explain, even to ourselves, what we see or think we see? And how can art historians interpret with any seriousness what they observe? In six engaging, short narrative “fictions,” each richly illustrated in color, Arasse, one of the most brilliant art historians of our time, cleverly and gracefully guides readers through a variety of adventures in seeing, from Velázquez to Titian, Bruegel to Tintoretto.
And don’t miss out on Monica Bohm-Duchen’s Art and the Second World War, the first book in English to provide a comprehensive and detailed international overview of the complex and often disturbing relationship between war and the fine arts during this crucial period of modern history. This generously illustrated volume starts by examining the art produced in reaction to the Spanish Civil War (often viewed as “the first battle of World War II”), and then looks at painting, sculpture, prints, and drawing in each of the major combatant nations, including Japan and China. Breathtaking in scope, this scholarly yet accessible publication places wartime art within its broader cultural, political, and military contexts while never losing sight of the power and significance of the individual image and the individual artist.
More of our leading titles in art and architecture can be found in the catalog. You may also sign up with ease to be notified of forthcoming titles at http://press.princeton.edu/subscribe/. Your e-mail address will remain confidential!
If you’re heading to the College Association’s annual meeting in Chicago, IL, February 12th-15th, come visit us at booth 304 and meet our new Executive Editor for Art and Architecture, Michelle Komie. For updates and information on our new and forthcoming titles throughout the meeting, follow #CAA2014 and @PrincetonUnivPress on Twitter. See you there!