The Press is publishing a plethora of new poetry titles this April, so we have a lot to celebrate! We are pleased to announce two important translations, the first annotated critical edition of a major poem by W. H. Auden, and two books in the revived Princeton Series of Contemporary Poets. Don’t forget to join the Lewis Center for the Arts later this month for the second biennial Princeton Poetry Festival and you can check out the Press’s poetry offerings here.
|Poems Under Saturn: Poèmes saturniens
The first complete English translation of the collection that announced Paul Verlaine (1844-1896) as a poet who would come to be regarded as one of the greatest of nineteenth-century writers. This new translation, by respected contemporary poet Karl Kirchwey, faithfully renders the collection’s heady mix of classical learning and earthy sensuality in poems whose rhythm and rhyme represent one of the supreme accomplishments of French verse.
|The Age of Anxiety: A Baroque Eclogue
This volume–the first annotated, critical edition of the poem–introduces this important work to a new generation of readers by putting it in historical and biographical context and elucidating its difficulties. Alan Jacobs’s introduction and thorough annotations help today’s readers understand and appreciate the full richness of a poem that contains some of Auden’s most powerful and beautiful verse, and that still deserves a central place in the canon of twentieth-century poetry.
|New Impressions of Africa
This bilingual edition of Raymond Roussel’s most extraordinary work, New Impressions of Africa, presents the original French text and the English poet Mark Ford’s lucid, idiomatic translation on facing pages. It also includes an introduction outlining the poem’s peculiar structure and evolution, notes explaining its literary and historical references, and the fifty-nine illustrations anonymously commissioned by Roussel, via a detective agency, from Henri-A. Zo.
|At Lake Scugog: Poems
The eagerly awaited collection of new poems from the author of Tom Thomson in Purgatory, which won the National Book Critics Circle Award and was hailed by the New York Times as a “snappy, entertaining book.” A triumphant follow-up, At Lake Scugog demonstrates why the San Francisco Chronicle has called Troy Jollimore “a new and exciting voice in American poetry.”
Often taking titles from a biblical vocabulary, Anthony Carelli’s remarkable debut, Carnations, reminds us that unremarkable places and events–a game of Frisbee in a winter park, workers stacking panes in a glass factory, or the daily opening of a café–can, in a blink, be new.